A text that discusses techniques and applications in every major area of printmaking. Proceeds from the beginning steps to the most advanced procedures. Over 600 illustrations. Provides a history of printmaking.
In his 1956-57 Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist--painter, writer, composer--to his material, his craft, and his society. He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.
The origins of geometry are rooted in the ancient civilization of Egypt and Babylon. The Greeks developed its primitive beginnings into a science changing forever man's concept of space and proportions. In this lucid work, noted professor of mathematics Dan Pedoe (University of Minnesota) takes a provocative look at the crucial importance of geometry in the development of Western aesthetics. The author traces the effects of geometry on artistic achievement and clearly discusses its fundamental importance to artists, scientists, architects, philosophers, and others.
Special chapters focus on Vitruvius, Albrecht D rer, and Leonardo da Vinci, clearly outlining the interrelationship of their own artistic development and the guiding principles of geometry. 136 figures illustrate the text in addition to 24 plates. This wide-ranging survey addresses a broad expanse of intellectual territory, covering: projective geometry, mathematical curves, theories of perspective and architectural form, concepts of space and much more; making precise and perceptive references to the works of Plato, Walt Whitman, Pythagoras, Shakespeare, Einstein, Michelangelo, Swift, van Gogh, and other great minds.
Exercises are given at the end of each chapter for those who wish to experience the aesthetic appeal of geometry by carrying out simple constructions, inventing patterns, drawing and stitching curves and envelopes, and finally, venturing into the students, teachers, and all those who delight in the beauty of geometric forms, the work is an indispensable addition to your bookshelf and a lasting delight to the mind and eye.
Presenting the first in-depth study of Thomas Moran's early western landscapes, Joni Louise Kinsey describes how the artist created three monumental paintings--The Grand Ca on of the Yellowstone (1872), The Chasm of the Colorado (1873-74), and The Mountain of the Holy Cross (1875)--that, in the aftermath of the Civil War, evoked the nation's spiritual journey and suggestsed its cultural upheaval. The author describes how the paintings reflected a new national identity of both failure and promise, and helped open the West for tourism and travel.
The avant-garde movements of Central Europe were an integral part of modernism's evolution as it reached its peak throughout the continent during the 1920s. Written documents--manifestoes, artists' statements, and reviews--were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. Between Worlds contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism. Between Worlds is distributed for the Los Angeles County Museum of Art.
Sometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students learn to look.This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.
In Picasso's War, Martin weaves politics, history, art, and science into a stirring narrative of the monumental canvas that was to become the most important artwork of the 20th century.