This reinterpretation of Rodin's life and times draws on archives and letters to disentangle the facts of this artist's life from the many myths that have grown up around him. The book provides new interpretations of the motivations, execution and reception of Rodin's artistic creations.
Mary Cassatt (1844-1926) was one of the few women artists to have succeeded professionally in her era, and the only American invited to exhibit with the French Impressionists. Extensively illustrated with paintings, prints and pastels spanning Cassatt's whole career, this volume, published to accompany a travelling exhibition in the USA, contains essays which trace the artist's development from her early influences to her critical role in bringing Old Master and Impressionist art to the United States.
Vincent van Gogh, the great but tormented artist, bared his tortured yet ecstatic soul in his letters to his confidant and companion, his beloved brother Theo. These letters reveal the man behind such masterpieces as The Starry Night and The Bedroom--a desperate man whose quest for love became a flight into madness and for whom every day was a "fight for life." Irving Stone, acclaimed author of Lust for Life and other remarkable biographic novels, has collected Vincent van Gogh's fascinating letters to Theo. Here we see the great artist as a human being as well as a man with an appointment with destiny. Van Gogh is a man struggling with doubts and fears, beset by poverty and mental illness, but also a painter who dares to break all the rules of academic art to create priceless masterpieces never honored during his lifetime. He was part of the coterie of great artists of his day while as the same time an intimate of aging streetwalkers. These letters are outpourings of his soul that paint a vibrant self-portrait in words equal to the intensity and emotion his painting created. This is the personal story of a legend.
Petroski reveals the science and engineering--not to mention the politics, egotism, and sheer magic--behind America's great bridges, particularly those constructed during the great bridge-building era starting in the 1870s and continuing through the 1930s. It is the story of the men and women who built the St. Louis, the George Washington, and the Golden Gate bridges, drawing not only on their mastery of numbers but on their gifts for persuasion and self-promotion. It is an account of triumphs and ignominious disasters (including the Tacoma Narrows Bridge, which literally twisted itself apart in a high wind). And throughout this grandly engaging book, Petroski lets us see how bridges became the "symbols and souls" of our civilization, as well as testaments to their builders' vision, ingenuity, and perseverance.
"Seamlessly linked...With astonishing scope and generosity of view, Mr. Petroski places the tradition of American bridge-building in perspective."--New York Times Book Review
Of all the paintings by the Impressionist master Edouard Manet, nearly one-fifth are still lifes, a genre the artist himself considered "the touchstone of painting". This sumptuous volume, published to accompany a landmark exhibition at the Walters Art Gallery in Baltimore and at the Musee d'Orsay in Paris, is the first major book to focus on this crucial aspect of Manet's work.
Throughout his career, and especially later in his life, Manet devoted considerable energy to still lifes, producing oils, watercolors, and prints that unite exuberant personal expression with a flawless mastery of light and detail. With informative text, including an enlightening essay by Henri Loyrette, director of the Musee d'Orsay, Manet: The Still-Life Paintings features lush, full-page colorplates as well as full-bleed details of what some critics consider the finest examples of still-life painting ever executed.
The exhibition this book accompanies has been organized by the American Federation of Arts and the Reunion des Musees Nationaux/Musee d'Orsay, Paris.
Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.AH-HA I SEE IT NOW
Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha of creativity. Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on. Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways. You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps:
* First insight
* Illumination (the Ah-Ha )
* Verification Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving.
Illustrated with examples of his work both in watercolour and oil, this volume documents the life and personality of the artist John James Audubon (1785-1851). He rendered wildlife directly from observations made on his travels throughout North America and is renowned for his scientific accuracy.
As we wander off with Edward Gorey into the next millennium our reasons for being here are far from clear. Nevertheless, the master craftsmen is at his best . . Ere the last guest was fin'lly gone. a va, h las, from bad to worse: Adieu to prose, all to verse. The Bahhumbug with lack of tact. Now called attention to the fact, Which made it feel to Edmund Gravel. He was already to unravel