Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full color. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art. The publication of this book marks the first time that so many of Cassatt's paintings and prints, some rarely seen by American audiences, have been made available at a popular price.
Illustrated with examples of his work both in watercolour and oil, this volume documents the life and personality of the artist John James Audubon (1785-1851). He rendered wildlife directly from observations made on his travels throughout North America and is renowned for his scientific accuracy.
edited by Marie-Laure Bernadac and Hans-Ulrich Obrist"Everyday you have to abandon your past or accept it and then if youcannot accept it, you become a sculptor."Since the age of twelve, the internationally renowned sculptor LouiseBourgeois has been writing and drawing;first a diary preciselyrecounting the everyday events of her family life, then notes andreflections. Destruction of the Father;the title comes fromthe name of a sculpture she did following the death of her husband in1973;contains both formal texts and what the artist calls"pen-thoughts": drawing-texts often connected to her drawings andsculptures, with stories or poems inscribed alongside the images.Writing is a means of expression that has gained increasing importancefor Bourgeois, particularly during periods of insomnia. The writing iscompulsive, but it can also be perfectly controlled, informed by herintellectual background, knowledge of art history, and sense ofliterary form (she has frequently published articles on artists, exhibitions, and art events). Bourgeois, a private woman "withoutsecrets," has given numerous interviews to journalists, artists, andwriters, expressing her views on her oeuvre, revealing its hiddenmeanings, and relating the connection of certain works to the traumasof her childhood. This book collects both her writings and her spokenremarks on art, confirming the deep links between her work and herbiography and offering new insights into her creative process.
Focusing on Kazimir Malevich (1878-1935), one of the great pioneers of 20th-century abstract art, this is one of a series of illustrated monographs which offer introductions to modern art and artists. Each book presents a profile of the artist and analysis of his distinctive style.
Whether you are a business manager, teacher, writer, technician, or student, you'll find Drawing on the Artist Within the most effective program ever created for tapping your creative powers. Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.AH-HA I SEE IT NOW
Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha of creativity. Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on. Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways. You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps:
* First insight
* Illumination (the Ah-Ha )
* Verification Through simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving.
Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art.Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by F lix F n on actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist.
Examining the work of the American watercolourist, Charles Burchfield (1893-1967), this study traces his life and artistic output through scores of paintings, organized thematically rather than chronologically. It also looks at comparative works by his peers and mentors, and by present-day artists whose visions parallel his. Burchfield's achievements are considered in the context of the cultural and artistic environment in which he worked, and in a broad international context of landscape painting, with particular reference to turn-of-the-century Scandinavian landscapes.
"BY MIDWEST. 4to, 278 pgs. Full bound olive green cloth with orange stylized monogram on front board, orange title on spine. Beautiful full color reproductions of Burchfield's paintings along with an extended essay. Publisher's remainder mark (a tasteful stamped star) on tail of text block, else fine. Dust jacket is also clean and crisp. This is a solid, lovely book. [AUT] Hall, Michael D; Burchfield, Charles