Sister Wendy Beckett has been dubbed a "pop star" by the New York Times and "a phenomenon" by the Washington Post. She is certainly one of the world's best-known and best-loved art critics, familiar to millions from her wildly popular art series on PBS.
In Sister Wendy's American Collection, she visits six of America's most prestigious museums: the Metropolitan Museum of Art (New York City), the Museum of Fine Arts (Boston, Massachusetts), the Art Institute of Chicago, the Cleveland Museum of Art, the Kimbell Art Museum (Fort Worth, Texas), and the Los Angeles County Museum of Art. In each, Sister Wendy chooses a wide variety of artpaintings, sculpture, porcelain figures-and draws attention to the small details of the work, revealing hidden meanings and symbolism. She relates the background of the artist and explains the techniques and the histories behind each work in a straightforward language that speaks to all with humor and insight.
More than 250 full-color illustrations illuminate Sister Wendy's text. Sister Wendy's American Collection is a wonderful tour of six great American museums -- it is also the equivalent of taking a personal tour with Sister Wendy, studying and enjoying her favorite pieces of art, chosen from across the whole breadth of history to the present. It is a fascinating journey, one that can be taken again and again. Sister Wendy's American Collection is soon to be a PBS miniseries.
Armin Landeck, an American realist whose graphic career spanned more than half of the twentieth century, was trained as an architect but devoted his life to etching, creating his first print in 1927.
A brief period of study under Stanley William Hayter at Atelier 17 in New York City introduced Landeck to copper engraving, establishing his subsequent fascination with the burin and all it can do. For the rest of the l940s Landeck often used both drypoint and engraving on the same plate, but after 1950 he produced only copper engravings with the exception of three wood engravings in 1958.
This revised edition of a book first published in 1977 has been completely rewritten and expanded to include prints not known when the first edition was publishedplus the prints made by the artist from 1977 till his death in 1984. The first edition contained 127 prints and states; 164 prints and states are now pictured and described.
An important addition to this book outlines Landeck s participation in many national print exhibitions such as those at the Library of Congress and the Society of American Etchers. Reflecting the growing appreciation of Landeck s work, the list of public institutions that have Landeck prints in their permanent collections has grown from the first edition s thirty-one to this edition s ninety-six. A new section entitled "Notes on the Prints" gives in-depth information on many Landeck prints. An extensive bibliography is another feature of this second edition."
For the first time in its 40-year history, the American Folk Art Museum is able to present a significant selection of masterworks from its renowned collection, including major new acquisitions. American Anthem, which accompanies the show, is a chronological consideration of American folk art from the colonial period to the present. Unlike past surveys, the artworks will not be arranged by medium or theme, but rather through contextual settings in a visually powerful mix of materials, demonstrating the aesthetic ideas that were commonly held in a particular period and that received different interpretations across mediums. For example, the imposing portraits of Mr. and Mrs. Reynolds, attributed to early Connecticut artist Reuben Moulthrop, will be considered along with a stunning late-18th century bed rug and superb examples of painted furniture of the period. Approximately one-third of the volume will be devoted to self-taught artists of the 20th century, placing this artistically and culturally diverse field in an historical continuum with traditional folk art for the first time. In every period, past and present, American folk artists have responded to common impulses: patriotism
The collection of Old Master drawings at Chatsworth House, Derbyshire, home of the Dukes of Devonshire, ranks as one of the great princely collections of Europe. Formed in the 18th-century by the first, second and third Dukes, the collection contains sheets by the great masters of every artistic school. Alongside the Royal Collection at Windsor Castle, it constitutes the finest privately owned group of such drawings in Britain.
The contributions of artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker-Xavier Roussel to the avant-garde of the 1890s as members of the group known as the Nabis are widely recognized. What is less known about these artists' careers is their work in decorative painting -- work on a large or unusual scale. This gorgeous book reproduces 85 decorative works carried out by the four artists between 1890 and 1930. During this time each moved beyond the illusionism of easel painting and applied his wholly untraditional aesthetic of decoration to a traditional wide range of works for domestic interiors, from wall-size ensembles to screens. The book also examines the tastes and the role of the patrons who made these works possible.
Bringing together works from public and private collections, this book introduces and reunites paintings that have long been dispersed and presents to contemporary viewers bold and evocative works that literally expanded the role of painting as part of the modern experience.
This presents the holdings of the Butler Institute of American Art in Youngstown, Ohio, USA. Founded in 1919, it houses a comprehensive collection of American paintings which range from the works of 18th-century portraitists to contemporary artists.
from fanzines to books of visual poetry, sketchbooks to illustrated books, commercial fashion catalogs to photo albums. Defined loosely as a book done by an artist, which is itself a work of art, an "artist's book" is an idea that goes back to the time of illuminated manuscripts. Departing from that tradition however, which ended with the development in the 19th century of the livre de luxe, artists since the 1960's have attempted radical approaches to the book as autonomous art form. Spurred on in recent times by the advent of desktop publishing, this phenomena has continued to grow. This book features numerous examples, as well as informative text, and is sure to delight both bibliophiles and art lovers alike.
Lois Orswell (1904-1998) was a pioneering collector of abstract expressionist art and modern sculpture. She was notable not only for the quality of her acquisitions but also for her exceptional position as a woman collector at a time when men dominated the art world. Orswell focused her attention on sculpture and drawings, rather than paintings, and her collection features the work of such canonical artists as Kline, de Kooning, Rodin, Calder, Moore, Nevelson, and many others. Of all these artists, none was more important than David Smith, arguably the greatest American sculptor of the 20th century, and this volume highlights the close connection between collector and artist.