For the first time, this deluxe visual history treats Peanuts fans to an in-depth look at the art and making of the beloved animated Peanuts specials. From 1965's original classic A Charlie Brown Christmas through the 2011 release of Happiness is a Warm Blanket, animation historian Charles Solomon goes behind the scenes of all 45 films, exploring the process of bringing a much-loved comic strip to life. The book showcases the creative development through the years with gorgeous, never-before-seen concept art, and weaves a rich history based on dozens of interviews with former Peanuts directors, animators, voice talent, and layout artists, as well as current industry folk. Filling a void in animation publishing--there is no other history or art book of the Peanuts specials--this volume celebrates five decades of the artistry and humor of Charles M. Schultz and the artists who reimagined the comic for the screen.
These studio visits with some of today s most popular and innovative comic artists present an unparalleled look at the cutting edge of the comic medium. The artists, some of whom rarely grant interviews, offer insights into the creative process, their influences and personal sources of inspiration, and the history of comics. The interviews amount to private gallery tours, with the artists commenting, now thoughtfully, now passionately, on their own work as well as the works of others.
The book isgenerously illustrated with full-color reproductions of the artists works, including some that have been published and others not originally intended for publication, such as sketchbooks and personal projects. Additional illustrations show behind-the-scenes working processes of the cartoonists and particular works by others that have influenced or inspired them. Through the eyes of these artists, we see with a new clarity the achievement of contemporary cartoonists and the extraordinary possibilities of comic art.
Extensive interviews with: Ivan Brunetti, Charles Burns, Daniel Clowes, Robert Crumb, Jaime Hernandez, Gary Panter, Seth, Art Spiegelman, Chris Ware"
From 1957 to 1960, Rosenquist earned his living a billboard painter. This was perfect training, as it turned out, for an artist about to explode onto the pop art scene. Like other pop artists, Rosenquist adapted the visual language of advertising and pop culture (often funny, vulgar, and outrageous) to the context of fine art. An informative essay by art historian Judith Goldman examines the influence of Rosenquist's early days as a billboard painter, his early themes and techniques, and his similarities and differences with other pop artists like Warhol and Lichtenstein. The essay focuses on areas that have only been superficially addressed in the literature to date, bringing the level of Rosenquist scholarship up to that of his Pop Art contemporaries.
For any collector of American art, this gives attention to Rosenquist's singular achievement in American art during these three decades.
Celebrating the spectacular history of the Mattel family of brands, this volume brings together archival images from the early years of Mattel and original photography of some of Mattel's most iconic toys to express the joy and energy of all the toys since its founding, a fantastic tribute to the happiness of childhood and the enduring memories of life's best moments. Readers of all ages will delight in rediscovering their favorite toys and learning the stories behind them.
What if the asteroid that forever changed life on Earth missed the planet completely and giant dinosaurs never became extinct? The Good Dinosaur takes you on an epic journey into the world of dinosaurs where an Apatosaurus named Arlo makes an unlikely human friend. Showcasing the stunning artwork from the film's creation--including sketches, storyboards, maquette sculpts, colorscripts, and much more--The Art of The Good Dinosaur offers the ultimate behind-the-scenes look at the research and design that went into the making of this innovative film.Copyright (c)2015 Disney Enterprises, Inc. and Pixar. All rights reserved.
This is a collection of art based on George R. R. Martin's bestselling fantasy series A Song of Ice and Fire. "No, I just want to stand on top of the Wall and piss off the edge of the world." - Tyrion Lannister. George R. R. Martin's A Song of Ice and Fire has thrilled and inspired millions of readers since its debut in 1996. Its lush and cinematic style paints images in the mind, and more than a few artists have put those images to canvas (digital or otherwise). Now, for the first time, art inspired by this best-selling series is collected in The Art of George R. R. Martin's A Song of Ice and Fire. From the North, with its epic Wall of socery and ice, through the war-torn Riverlands and down to the hot sands and hot tempers of Dorne; from the salt-sprayed Iron Islands in the west, across the grand city of King's Landing and across the sea to the strange and exotic locales of the East; from maester to knight to Dothraki horselord, the splendor and panoply of the Seven Kingdoms and beyond comes to life. Drawing from diverse sources, including Fantasy Flight Games' award-winning A Game of Thrones CCG and board game, The Art of George R. R. Martin's A Song of Ice and Fire will feature the popular locations and characters that have made the story great in gorgeous full-color. Including all-new artwork and a forward by George R. R. Martin himself, this book is sure to be a hit with fans of the series and will introduce countless others to the breath-taking scope of A Song of Ice and Fire.
What is it about islands that is so alluring, and why do so many people find these self-contained worlds irresistible? Utopia and Atlantis were islands, and islands have captured the imaginations of writers and artists for centuries. In 1719, Daniel Defoe published his tale of a castaway on a desert island, Robinson Crusoe, one of the first great novels in the history of English literature and an instant bestseller. Defoe's tale combined the real and the imagined into a compelling creative landscape, establishing a whole literary genre and unleashing the power of islands in storytelling.
To celebrate the tercentenary of the publication of Robinson Crusoe, Archipelago presents a truly international range of leading illustrators who imagine they too have washed up on their own remote island. In specially created maps, they visualize what their island looks like, what it's called, and what can be found on its mythical shores. In a panoply of astonishingly creative responses, we are invited to explore a curious and fabulous archipelago of islands of invention that will beguile illustrators, cartographers, and dreamers alike.
Are you Murray obsessed? Then what better way to celebrate everything Bill Murray than through art? The Murray Affair, a traveling Bill Murray art show, does just that. Join in the celebration with The Art of Being Bill, a multifarious, colorful collection of over 150 Bill Murray-inspired artworks, many of which are curated from the show. Just like the man himself, the artwork in The Art of Being Bill is both poignant and funny, from paintings and sketches to digital masterpieces, all highlighting Bill in uniquely creative ways.
Featuring artists from all over the world, details about the inspiration for each piece, fun facts from his groundbreaking movies, and a critical appreciation of some of Murray's landmark roles--spanning his incredible career from Ghostbusters and Groundhog Day to Lost in Translation and The Royal Tenenbaums--this is the ultimate gift book for the film buff, art lover, and Murray addict in your life.
There's only one Bill. But he's a million kinds of awesome.
(Book). The gothic look head-to-toe black attire and extreme makeup has been a popular one since the 1980s, with each generation reinterpreting this dark aesthetic as its own. From the staccato postpunk of Siouxsie and the Banshees and the dark rock of the Sisters of Mercy through to the industrial metal of Marilyn Manson and the funereal emotional pop of My Chemical Romance, gothic culture has strong roots in music and continues to adapt and survive. But gothic art is about more than just album covers and ephemera; it's about fashion, book jackets, cinematography, and fine art. Its influence frequently seeps into mainstream culture too. Nowadays, "goth" comes in many shapes, sizes, and even colors, as it encompasses a myriad of subgenres, including cyber, death rock, gothic metal, gothic Lolita, and emo goths. Although each is different, followers are identified by their striking, often theatrical look, music with a hint of melancholy, and the ability to find beauty in morbidity, sometimes even in the macabre. The Art of Gothic is the first heavily illustrated tome to explore the aesthetics of this fascinating style in great detail. Previous books on goth have given a bold overview of the music and culture associated with the genre, but this book goes deeper and hones in on the album art, intricate fashions, fantasy illustrations, and more.
- Filmmaker and renowned photographer Jerry Schatzberg's essential iconic photographs of Bob Dylan, including studio portraits, on-stage performances, recording studio outtakes and more (many published for the first time)- The photographer of the cover and liner images of Dylan's acclaimed 1966 album 'Blonde On Blonde'- Widely recognized as the foremost body of images of Bob Dylan, Nobel laureate, from a pinnacle point in his career- Schatzberg's essential images not only stand the test of time, but also have become visually synonymous with one of the most important artists of the twentieth century. Dylan by Schatzberg is a comprehensive record of those moments, in photos and memories presented for the first time as a single subject monograph- Includes reprints of seminal interviews, including "A Night with Bob Dylan" by Al Aronowitz, originally published in the New York Herald Tribune in 1965- Original text/interview with Jerry Schatzberg & Jonathan Lethem- Dylan by Schatzberg was created in collaboration with Yolanda Cuomo, an elite designer whose work includes books on Andy Warhol, Richard Avedon, Twyla Tharp, Desmond Tutu, Mary Ellen Mark, Susan Meiselas, and Steve McCurry, among many others. She is a long-time collaborator with the estate of Diane Arbus producing a number of monographs devoted to the photographer's work, including the landmark exhibition catalog, RevelationsIn 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socializing together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.