Scientist, painter, mechanical engineer, sculptor, thinker, city planner, storyteller, musician, architect -- Leonardo da Vinci, builder of the first flying machine, was one of the great universal geniuses of Western civilization. His voluminous notebooks, the great storehouse of his theories and discoveries, are presented here in 1566 extracts that reveal the full range of Leonardo's versatile interest: all the important writings on painting, sculpture, architecture, anatomy, astronomy, geography, topography, and other fields are included, in both Italian and English, with 186 plates of manuscript pages and many other drawings reproduced in facsimile size.
The first volume, which contains all of Leonardo's writings on aspects of painting, includes discussions of such basic scientific areas as the structure of the eye and vision, perspective, the science of light and shade, the perspective of disappearance, theory of color, perspective of color, proportions and movements of the human figure, botany for painters, and the elements of landscape painting. A section on the practice of painting includes moral precepts for painters and writings on composition, materials, and the philosophy of art. The second volume contains writings on sculpture, architecture (plans for towns, streets, and canals, churches, palaces, castles, and villas, theoretical writings on arches, domes, fissures, etc.), zoology, physiology (including his amazingly accurate theories of blood circulation), medicine, astronomy, geography (including has famous writings and drawings on the movement of water), topography (observations in Italy, France, and other areas), naval warfare, swimming, theory of flying machines, mining, music, and other topics.
A selection of philosophical maxims, morals, polemics, fables, jests, studies in the lives and habits of animals, tales, and prophecies display Leonardo's abilities as a writer and scholar. The second volume also contains some letters, personal records, inventories, and accounts, and concludes with Leonardo's will. The drawings include sketches and studies for some of Leonardo's greatest works of art -- The Last Supper, the lost Battle of Anghiari, The Virgin of the Rocks, and the destroyed Sforza monument.
"The Mayor of Castro Street" is Shilts's acclaimed story of Harvey Milk, the man whose personal life, public career, and tragic assassination mirrored the dramatic and unprecedented emergence of the gay community in America during the 1970s. His is a story of personal tragedies and political intrigues, assassination in City Hall and massive riots in the streets, the miscarriage of justice and the consolidation of gay power and gay hope.
This book blesses the physical house and the protection it offers, wishing for its inhabitants ""a full portion of life's beauty."" It then grows more specific, hoping for kindness, companionship, peace, orderliness and the happiness that overflows into celebration. Poltarnees, drawing upon his library of antique images, has added pictures which best give each thought its most vivid reality. This book makes an excellent gift for any house.
On September 13, 1862, in a field near Frederick, Maryland, four Union soldiers hit the jack-pot. There they found, wrapped carelessly around three cigars, a copy of General Robert E. Lee's most recent orders detailing Southern objectives and letting Union officers know that Lee had split his Army into four vulnerable groups. General George B. McClellan realized his opportunity to destroy the Army of Northern Virginia one piece at a time. "If I cannot whip Bobbie Lee," exulted McClellan, "I will be willing to go home." But the notoriously prudent Union general allowed precious hours to pass, and, by the time he moved, Lee's army had begun to regroup and prepare for battle near Antietam Creek. The ensuing fight would prove to be not only the bloodiest single day of the entire Civil War, but the bloodiest in the history of the U.S. Army.
Countless historians have analyzed Antietam (known as Sharpsburg in the South) and its aftermath, some concluding that McClellan's failure to vanquish Lee constituted a Southern victory, others that the Confederate retreat into Virginia was a strategic win for the North. But in Antietam: The Soldiers' Battle, historian John Michael Priest tells this brutal tale of slaughter from an entirely new point of view: that of the common enlisted man. Concentrating on the days of actual battle--September 16, 17, and 18, 1862--Priest vividly brings to life the fear, the horror, and the profound courage that soldiers displayed, from the first Federal cavalry probe of the Confederate lines to the last skirmish on the streets of Sharpsburg. Antietam is not a book about generals and their grand strategies, but rather concerns men such as the Pennsylvanian corporal who lied to receive the Medal of Honor; the Virginian who lay unattended on the battlefield through most of the second day of fighting, his arm shattered from a Union artillery shell; the Confederate surgeon who wrote to the sweetheart he left behind enemy lines in Harrisburg, Pennsylvania that he had seen so much death and suffering that his "head had whitened and my very soul turned to stone."
Besides being a gripping tale charged with the immediacy of firsthand accounts of the fighting, Antietam also dispels many misconceptions long held by historians and Civil War buffs alike. Seventy-two detailed maps--which describe the battle in the hourly and quarter-hourly formats established by the Cope Maps of 1904--together with rarely-seen photographs and his own intimate knowledge of the Antietam terrain, allow Priest to offer a substantially new interpretation of what actually happened.
When the last cannon fell silent and the Antietam Creek no longer ran red with Union and Confederate blood, twice as many Americans had been killed in just one day as lost their lives in the War of 1812, the Mexican War, and the Spanish-American war combined. This is a book about battle, but more particularly, about the human dimension in battle. It asks "What was it like?" and while the answers to this simple question by turns horrify and fascinate, they more importantly add a whole new dimension to the study of the American Civil War.
Every material has an active presence and every material is susceptible to change. The task of the sculptor is to understand the natural properties of a chosen material, to know in the process of creation how best to work with, or against, its characteristics. In this generously illustrated studio manual, sculptor Oliver Andrews takes a new approach to sculpture, focusing on how the innate assertiveness of materials affects the complex act of making a sculpture.
Multicultural, Nonsectarian, Nondenominational
Endorsed by Protestant, Catholic, and Jewish Religious Leaders
Finalist, Children's Books of Distinction Award--Hungry Mind Review
A Children's Book Council Not Just for Children Anymore Selection
Recommended by Parent Council
Everyone and everything in the world has a name. What is God's name?
In poetic text and vibrant illustrations, this modern fable celebrates the diversity and, at the same time, the unity of all people.
"God must have a single name this greater and more powerful than all other names." All the people of the world set out to find God's name ... and each of the many seekers is sure that he or she alone has found the right name, the only name, for God. Finally, they come together--and at last learn what God's name really is.
In God's Name is a spiritual celebration of all people of the world and their belief in one God.
Don't miss The Pharos Gate, the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine, the book finally shares what happened to the lovers.Griffin: It's good to get in touch with you at last. Could I have one of your fish postcards? I think you were right--the wine glass has more impact than the cup. -Sabine But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she? Thus begins the strange and intriguing correspondence of Griffin and Sabine. And since each letter must be pulled from its own envelope, the reader has the delightful, forbidden sensation of reading someone else's mail. Griffin & Sabine is like no other illustrated novel: appealing to the poet and artist in everyone and sure to inspire a renaissance in the fine art of letter-writing, it tells an extraordinary story in an extraordinary way.
In this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer. Written with characteristic warmth, vigor, and wit, this fascinating account brings to life the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original.
Dust Jacket : Very Good