Over the past 50 years, East European artists have seen the virtual breakdown of their societies and their cultures. Instead of seeking to replace their devalued ideologies with new belief systems, many have profoundly challenged the very concept of belief systems. In this provocative exhibition catalogue, artists and essayists from Poland, Hungary, the Czech Republic, Romania, Bulgari and Slovakia confront Eastern Europe's cultural watershed head on. In addition to the excellent illustrations, the book includes a foldout timeline of noteworthy events since 1945, plus regional maps and a statistical profile of each country.
For writers, painters, or performers in any field, new hope for overcoming creative blocks and finishing the art of their dreams.
The blank page, empty canvas, or uncarved stone will often fill artists with dread. But so may the thought of finishing, showing, or even selling their work. It is in this "artistic anxiety" that creative blocks begin. With an understanding that could only be gained through years of experience in counseling artists, writers, and performers, Eric Maisel, Ph.D. discusses each stage of creation-wishing, choosing, starting, working, completing, selling--and the anxieties particular to each. He then shows how these inhibiting tensions can be turned to artistic advantages, how truth and beauty arrive in the work of art precisely because, and only when, anxiety has been understood, embraced, and resolved. Fearless Creating guides the reader, whether an experienced artist or someone just starting out, past the pitfalls that appear in each stage of the process. By following Dr. Maisel's exercises related both to the world at hand and the ongoing struggles of artistic life, readers will emerge from this book with a completed work of art and a new perspective on their potential to be a fearless creator.
Scientist, painter, mechanical engineer, sculptor, thinker, city planner, storyteller, musician, architect -- Leonardo da Vinci, builder of the first flying machine, was one of the great universal geniuses of Western civilization. His voluminous notebooks, the great storehouse of his theories and discoveries, are presented here in 1566 extracts that reveal the full range of Leonardo's versatile interest: all the important writings on painting, sculpture, architecture, anatomy, astronomy, geography, topography, and other fields are included, in both Italian and English, with 186 plates of manuscript pages and many other drawings reproduced in facsimile size.
The first volume, which contains all of Leonardo's writings on aspects of painting, includes discussions of such basic scientific areas as the structure of the eye and vision, perspective, the science of light and shade, the perspective of disappearance, theory of color, perspective of color, proportions and movements of the human figure, botany for painters, and the elements of landscape painting. A section on the practice of painting includes moral precepts for painters and writings on composition, materials, and the philosophy of art. The second volume contains writings on sculpture, architecture (plans for towns, streets, and canals, churches, palaces, castles, and villas, theoretical writings on arches, domes, fissures, etc.), zoology, physiology (including his amazingly accurate theories of blood circulation), medicine, astronomy, geography (including has famous writings and drawings on the movement of water), topography (observations in Italy, France, and other areas), naval warfare, swimming, theory of flying machines, mining, music, and other topics.
A selection of philosophical maxims, morals, polemics, fables, jests, studies in the lives and habits of animals, tales, and prophecies display Leonardo's abilities as a writer and scholar. The second volume also contains some letters, personal records, inventories, and accounts, and concludes with Leonardo's will. The drawings include sketches and studies for some of Leonardo's greatest works of art -- The Last Supper, the lost Battle of Anghiari, The Virgin of the Rocks, and the destroyed Sforza monument.
Over the course of the past 40 years, painter John Wesley has created a remarkably singular body of work whose subject is no less than the American psyche. While many artists of his generation have used popular images to explore the cultural landscape, Wesley has employed comic strip style and compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys and desires. In this first volume ever to collect the entire iconic Bumstead series, which spans from 1974 until the present, we are introduced to several paintings that have never been reproduced before. These are dark and erotic works, sly and witty without ever giving too much away. Linda Norden described them thus in Parkett 62: "The Bumstead paintings--whether detailing scenes of domestic misunderstanding, zooming in on off-camera moments of bafflement or simply scanning empty halls and walls for private memories--are excruciatingly specific representations of the gulfs between feeling and comprehension... smart, funny, startling, irreverently empathetic and often heartbreaking, they are a welcome antidote to more laborious discourse." With an insightful new essay by Robert Hobbs.
A study of the master of Renaissance painting, Piero della Francesca which describes his innovative use of perspective, the simplicity of his compositions and his sensitive use of light and which also deals with his life and times. The results of recent cleaning of the paintings are analyzed.
Multicultural, Nonsectarian, Nondenominational
Endorsed by Protestant, Catholic, and Jewish Religious Leaders
Finalist, Children's Books of Distinction Award--Hungry Mind Review
A Children's Book Council Not Just for Children Anymore Selection
Recommended by Parent Council
Everyone and everything in the world has a name. What is God's name?
In poetic text and vibrant illustrations, this modern fable celebrates the diversity and, at the same time, the unity of all people.
"God must have a single name this greater and more powerful than all other names." All the people of the world set out to find God's name ... and each of the many seekers is sure that he or she alone has found the right name, the only name, for God. Finally, they come together--and at last learn what God's name really is.
In God's Name is a spiritual celebration of all people of the world and their belief in one God.
Don't miss The Pharos Gate, the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine, the book finally shares what happened to the lovers.
Griffin--Foolish man. You cannot turn me into a phantom because you are frightened. You do not dismiss a muse at a whim. If you will not join me, then I will come to you. --Sabine Sabine was supposed to be imaginary, a friend and lover that Griffin had created to soothe his loneliness. But she threatens to become embodied, to appear on his doorstep, in fact. So he runs. Griffin & Sabine, the most creative and talked-about bestseller of 1991, left readers on the edge of a precipice. With Sabine's Notebook, they begin--along with Griffin--the fall. Once again, the story is told through strangely beautiful postcards and richly decorated letters that must actually be pulled from their envelopes to be read. But this volume is also a sketchbook and diary kept by the possibly unreal Sabine, who is living in Griffin's house in London while he wanders through Europe, North Africa, and Asia, backwards through layers of ancient civilizations--and of himself. Filled with her delicately macabre drawings and notations, the notebook adds a darker element of visual intrigue to their complex and mysterious world. For the thousands who finished Griffin & Sabine and asked, "What happened next?," this second volume in the quartet provides the answers--but raises new and even more haunting questions of its own.
