Covers clay, plaster building, mold-making, cement, stone carving, wood, plastic, metals, welding, bronze casting, and sand casting

In 1971, Ronald Paulson published his monumental two-volume critical biography of William Hogarth, thus establishing his own reputation as a major critic on art and literature of the eighteenth century and gaining recognition for Hogarth as a central figure in British art and culture. In the twenty years since the book's original publication, Paulson's viewpoint on his subject has changed and his knowledge of the period has grown and been refined. In the same two decades, there has been a general growth of knowledge and interest in the eighteenth century in general and in major figures such as Defoe, Fielding, Poe, and Swift. This is the first of three volumes of a fully revised work on Hogarth, which will make the books available at affordable prices to a new and wider audience of readers.

Discusses Southern culture and social conditions, and describes the intellectual attitudes of the New South

Briefly discusses the history of styles of painting, sculpture, and architecture in the countries of Southeast Asia

A little black fish in a school of red fish figures out a way of protecting them all from their natural enemies.

These volumes consist of selected primary documents from ancient Rome, covering a range of over 1,000 years of Roman culture, from the foundation of the city to its sacking by the Goths. The selections cover a broad spectrum of Roman civilization, including literature, philosophy, religion, education, politics, military affairs, and economics.

The Quiet Eye is a book of great charm, imbued with a love and understanding of art that speaks directly to the heart. The thirty-three pictures selected by the American sculptress Sylvia Shaw Judson cover a wide spectrum of subjects and styles, from the seventh century to the modern day. They include works by artists ranging from Durer and Brueghel to Rousseau and Klee, pottery and sculpture from ancient Greece, Oriental scrolls and wall paintings, and are accompanied by quotations from Plato and Shakespeare to Wordsworth and Walt Whitman. In making her choice, Sylvia Judson's intention was "to communicate a sense of affirmation, of wonder, of trust. This is a spirit alien to much of the art of our insecure time, but one which I am confident will some day return." The Quiet Eye was first published as a large format art book in 1954, when it won immediate acclaim. The 1982 edition features a more convenient size and some color images that were originally published in black and white.

From Sara Midda, the artist whose first book, In and Out of the Garden, evoked all the pleasures of the English garden and received international acclaim, comes a wondrous sketchbook from a year spent in the South of France--an artist's personal journal carried everywhere and crammed with drawings and notions and thoughts surprising and whimsical. Sara Midda captures the land, the people, the shimmering air--the whole feeling of Provence and the Cote d' Azur and the spell they cast over even those who haven't been. Describing her own work, Sara Midda says: "It is an evocation, an interpretation of the everyday. It is making discoveries about ordinary things. It is not merely landscapes and buildings, but the artifacts that are the bricks and mortar of a culture." The entire volume is printed on uncoated stock to convey the feeling and texture of an artist's sketchbook.

Third Printing.