In the quarter century since the death of Henry Darger--and the discovery of the astonishing cache of artworks and writings he left behind--this reclusive Chicago janitor has become recognized as one of the most important outsider artists of the twentieth century in America. This book provides the first comprehensive survey of Darger's art and writings. Included are reproductions of approximately 114 of Darger's collage drawings and fifteen selections from his writings, focusing on his life's work. In the Realms of the Unreal, which is an account of a cosmic struggle against child slavery unfolding on a planet vastly larger than our own. This battle between the forces of good--led by the intrepid Vivian sisters--and the evil Glandelinian nations, was illustrated and extended in Darger's art, including the mural-size watercolor drawings that represent his mature achievement as an artist. Michael Bonesteel, a Chicago-based art critic and authority on outsider art, provides an introduction to Darger's work and narrates the Dickensian circumstances of his childhood which, along with his profound religious faith and doubt, shaped his extraordinary sensibility. A true American original, Henry Darger combined an unquestionable innocence with a dark and sometimes deeply disturbing vision to create a body of work of originality and lasting impact. In the quarter century since the death of Henry Darger--and the discovery of the astonishing cache of artworks and writings he left behind--this reclusive Chicago janitor has become recognized as one of the most important outsider artists of the twentieth century in America. This book provides the first comprehensive survey of Darger's art and writings. Included are reproductions of approximately 114 of Darger's collage drawings and fifteen selections from his writings, focusing on his life's work. In the Realms of the Unreal, which is an account of a cosmic struggle against child slavery unfolding on a planet vastly larger than our own. This battle between the forces of good--led by the intrepid Vivian sisters--and the evil Glandelinian nations, was illustrated and extended in Darger's art, including the mural-size watercolor drawings that represent his mature achievement as an artist. Michael Bonesteel, a Chicago-based art critic and authority on outsider art, provides an introduction to Darger's work and narrates the Dickensian circumstances of his childhood which, along with his profound religious faith and doubt, shaped his extraordinary sensibility. A true American original, Henry Darger combined an unquestionable innocence with a dark and sometimes deeply disturbing vision to create a body of work of originality and lasting impact.

H.R. GIGER'S NECRONOMICON: A startling milestone on the darkly lit road once traveled by the likes of Bosch, Brueghel, Lovecraft, Poe and Kafka. Giger's remarkable book of the dead gives us some of the most powerful images ever an artist drew from the well of the imagination.

"Large format, signed in doodles by illustrator in Dali style. Clean, unmarked, fine hardcover.

This lovely volume features an informative text complemented by beautiful illustrations of Tiffany's stunning accomplishments, including the famous lamps, stained-glass windows, mosaics, jewelry, paintings, enamels, bronzes, and much more.

Wanda Gág rose from poverty in small-town Minnesota to international fame in the 1920s as the author of the children's classic, Millions of Cats. Her early diaries, first published in 1940, are the touching, often humorous record of her youth and her struggles to develop her talent.

Les Fauves (the wild beasts) was the nickname given in 1905 to a group of painters led by Henri Matisse. Today, their paintings are among the most popular of all twentieth-century art. Yet when Matisse and his friends - Derain, Vlaminck, Marquet, Dufy and Braque among them - first exhibited their work, the reaction of public and critics was astonishment and often hostility. Using strong, even strident, colors, applied in a manner deriving from Cezanne, Gauguin and Van Gogh, the Fauves took painting back to its basic principles, inspired by primitive art, popular prints and children's paintings, and paved the way to Cubism. The artists, their work, their relationships, their achievements and the critical and commercial response to their work are discussed in this absorbing book, the first in many years to offer a reappraisal of Fauvism.

Defines and explains various concepts regarding the painter's intentions in order to provide a basis for understanding of a work of art

The Quiet Eye is a book of great charm, imbued with a love and understanding of art that speaks directly to the heart. The thirty-three pictures selected by the American sculptress Sylvia Shaw Judson cover a wide spectrum of subjects and styles, from the seventh century to the modern day. They include works by artists ranging from Durer and Brueghel to Rousseau and Klee, pottery and sculpture from ancient Greece, Oriental scrolls and wall paintings, and are accompanied by quotations from Plato and Shakespeare to Wordsworth and Walt Whitman. In making her choice, Sylvia Judson's intention was "to communicate a sense of affirmation, of wonder, of trust. This is a spirit alien to much of the art of our insecure time, but one which I am confident will some day return." The Quiet Eye was first published as a large format art book in 1954, when it won immediate acclaim. The 1982 edition features a more convenient size and some color images that were originally published in black and white.

Chronicles Gabrielle Chanel's remarkable climb from poverty to the forefront of the international fashion industry and explores her illustrious collection of friends and lovers

Selected biographical sketches by the Renaissance artist reveal his interpretations of the lives and works of outstanding artists in Italy

An elephant's eleventh birthday party is marked by eleven games preceding the banquet to be eaten at the eleventh hour; but when the time to eat arrives, the birthday feast has disappeared. The reader is invited to guess the thief.