This book blesses the physical house and the protection it offers, wishing for its inhabitants ""a full portion of life's beauty."" It then grows more specific, hoping for kindness, companionship, peace, orderliness and the happiness that overflows into celebration. Poltarnees, drawing upon his library of antique images, has added pictures which best give each thought its most vivid reality. This book makes an excellent gift for any house.
Don't miss The Pharos Gate, the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine, the book finally shares what happened to the lovers.Griffin: It's good to get in touch with you at last. Could I have one of your fish postcards? I think you were right--the wine glass has more impact than the cup. -Sabine But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she? Thus begins the strange and intriguing correspondence of Griffin and Sabine. And since each letter must be pulled from its own envelope, the reader has the delightful, forbidden sensation of reading someone else's mail. Griffin & Sabine is like no other illustrated novel: appealing to the poet and artist in everyone and sure to inspire a renaissance in the fine art of letter-writing, it tells an extraordinary story in an extraordinary way.
The definitive chronicle of the origins of French avant-garde literature and art, Roger Shattuck's classic portrays the cultural bohemia of turn-of-the-century Paris who carried the arts into a period of renewal and accomplishment and laid the groundwork for Dadaism and Surrealism. Shattuck focuses on the careers of Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire, using the quartet as window into the era as he exploring a culture whose influence is at the very foundation of modern art.
Not since the early nineteenth century, when George Catlin and Karl Bodmer thoroughly sketched the area, have the rough-textured Loess Hills of western Iowa been artistically interpreted with any intensity. Now, inspired by this rugged landscape of steep-sided ridges and bluffs, "Land of the Fragile Giants" offers a collaboration of contemporary artists, scientists, and humanists all creating their interpretations of today's Hills. Looking at the natural and the human features of the renowned Hills, personal essays blend with works of art to create a verbal and visual panorama of the Loess Hills and a multidimensional view of a region that makes a deep impression on each visitor.
Working closely with Iowa State University's Brunnier Art Museum, twenty-seven professional artists from Iowa and the Midwest visited the Loess Hills at various times throughout 1993 to gather insight for their projects. The result: a dramatic exhibition of paintings, sculpture, prints, and photographs that beautifully complement this volume's literary works. The twelve essayists also have strong ties to the Loess Hills. Each author has spent a significant portion of her or his life in the Hills. The scientists reinterpret their research within the framework of their experience; the humanists provide background and context for the scientists; the artists illuminate the whole.
The art and essays in "Land of Fragile Giants" bring a meeting of broadly diverse minds and talents to an appreciation of the multitude beauties of Iowa's premier natural area. This striking and colorful volume will appeal to all those captivated by the Loess Hills and all general readers with interdisciplinary interests.
As a novelist, art critic, and cultural historian, Booker Prize-winning author John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work.
A survey of the art of Georgia O'Keeffe, one of this century's most influential American painters, which traces the genesis and growth of her artistic imagination. This book is organized around the various themes that she explored in her art.
Written in accessible, nontechnical language, this book's twenty-three essays provide invaluable conservation guidelines for a variety of materials and media. Focusing also on proper storage techniques and environmental control, contributors offer information on emergency planning, disaster management, and identifying damages that may require professional treatment.
Sometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students learn to look.This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer. The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.