Since the radiant years of the Renaissance, the city of Florence has come to represent the greatest triumph of the Western cultural tradition. Here, hundreds of the most splendidly talented artists in history lived and worked, and collaborated in the creation of the great urban museum we know as Florence. The Art of Florence analyzes the history of Florentine art in terms of the distinctly Florentine and Tuscan influences that shaped it, linking the city's architecture, sculpture, and painting to the rich social fabric and the dramatic political life of the city. Woven into this history is a visual documentation of Florence's treasures.
Hefty Folios. Full bound in blue cloth with gilt titling. Bindings are solid and interiors are clean and bright. Housed in original illustrated slipcase. In fine condition.
This two-volume publication represents the only comprehensive documentation of one of the finest private collections of Asian art in the world. More than 1,000 works of art are shown in exquisite color reproductions, along with a special reference section of illustrated and translated texts, signatures, and seals. Since the collection will be dispersed for public use, Art Through a Lifetime provides the only opportunity for scholars, students, and admirers of Asian art to enjoy it in its entirety.
The first volume of this boxed set presents Japanese paintings, printed works, and calligraphy that date from the Nara period to the late 20th century. The second volume presents the remainder of the Japanese works - ceramics, lacquer, metalwork, sculpture, and textiles - along with an extensive array of Korean and Chinese works of art.
120 of the world's most influential contemporary artists discuss the art that inspires them in this lavishly packaged and designed book.
"The Artist Project is the latest step among The Met's recent strides to better integrate contemporary art into its historical pantheon." --Art News
Artists have long been stimulated and motivated by the work of those who came before them - sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of the artworks appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.
Our facsimile edition of John Entenza's groundbreaking magazine (1945-1954), which launched the Case Study House Program; in ten boxes, each containing one year's worth of magazines"A&A was instrumental in putting American architecture on the map."--Julius Shulman
From the end of World War II until the mid-1960s, exciting things were happening in American architecture: emerging talents were focusing on innovative projects that integrated low-cost materials and modern design. This trend was most notably embodied in the famous Case Study House Program, which was championed by the era's leading American journal, Arts & Architecture. Focusing not only on architecture but also design, art, music, politics, and social issues, A&A was an ambitious and groundbreaking publication, largely thanks to the inspiration of John Entenza, who ran the magazine for over two decades until David Travers became publisher in 1962. The era's greatest architects were featured in A&A, including Neutra, Schindler, Saarinen, Ellwood, Lautner, Eames, and Koenig; and two of today's most wildly successful architects, Frank Gehry and Richard Meier, had their debuts in its pages. A&A was instrumental in putting American architecture--and in particular California Modernism--on the map. Other key contributors to the magazine include photographers Julius Shulman and Ezra Stoller, writers Esther McCoy and Peter Yates, and cover designers Herbert Matter and Alvin Lustig, among many luminaries of modernism.
This collection comes with ten boxes, each containing a complete year's worth of Arts & Architecture magazines from 1945 to 1954. That's 6,156 pages in 118 issues reproduced in their entirety--beginning with Entenza's January 1945 announcement of the Case Study House Program. Also included is a supplement booklet with an original essay by former A&A publisher David Travers, available in English, German, French, and Spanish; plus a master index and tables of contents for the magazine from 1945 to 1967.
This TASCHEN publication, limited to 5,000 numbered copies, provides a comprehensive record of midcentury American architecture and brings the legendary Arts & Architecture back to life after 40 years.See also: Arts & Architecture Magazine
Most volumes are still sealed in original shrink. Where opened, internally still like new. Outer box for the 1948 volume has some light staining. Some shelf-wear to boxes, with ocassional bumping. A very nice set, nearly like new.
Bauhaus has established itself with designers and architects as a standard work and the most comprehensive collection of documents and visual material ever published on this famous school of design. Now this definitive work on Bauhaus is available again in a boxed hardcover edition.
Documents in Bauhaus are taken from a wide array of sources--public manifestos, private letters, internal memoranda, jotted-down conversations, minutes of board and faculty meetings, sketches and schemata, excerpts from speeches and books, newspaper and magazine articles, Nazi polemics, official German government documents, court proceedings, budgets, and curricula. The illustrations include architectural plans and realizations, craft and industrial model designs (furniture, ceramics, metalwork, textiles, stained glass, typography, wallpaper), sculpture, paintings, drawings, etchings, woodcuts, posters, programs, advertising brochures, stage settings, and formal portraits of such Bauhaus masters as Walter Gropius, Lyonel Feininger, Wassily Kandinsky, Paul Klee, L szl Moholy-Nagy, Josef Albers, Hebert Bayer, Marcel Breuer, and Ludwig Mies van der Rohe.
"Folio, 653 pgs. Full bound white coated paper with black coated paper slipcase. Very light dust soil to exterior, light sunning to spine, pages crisp and clean, binding solid. Slipcase also solid with some light rubbing and dust soil. Many full color and black and white plates. Second printing.
Wen C. Fong established America's first program in East Asian art history at Princeton University, where he taught Chinese art from 1954 to 1999. During this time, he supervised more than thirty PhD students, most of whom have gone on to hold professorships or museum positions throughout the United States, East Asia, and Europe. This two-volume book honors Professor Fong's extraordinary half-century career at Princeton and the Metropolitan Museum of Art by gathering almost forty essays on Chinese, Japanese, and Korean art history, written by his students and by some of his lifelong colleagues in this field of study. These full-length essays address a wide range of subjects, building bridges in many directions, from early jades and bronzes through traditional painting and prints, to photography, cinema, and modern museum practice. The diversity, depth, and originality of these essays make this work a monumental contribution to the study of the arts of East Asia.
The book includes an interview of Professor Fong, conducted by Jerome Silbergeld, and a bibliography of Fong's work.
One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art.
Out of print for more than 10 years, this exceptional book has become a rare item sought after by collectors for many years. This important limited edition reprint is inevitable and fulfills the growing need of new collectors for reliable and useful reference on the subject. This book is produced in Japan with high quality to ensure the superb feel of the original edition. Each copy is hand-numbered. It covers snuff bottles made of all the various precious materials and discusses the fundamentals of collecting and details of the symbolism, motifs, reign marks, and seals. Moreover, it includes extensive bibliography useful for further research.
"1994, 4TO, 312PP. Navy cloth boards are unmarked, book in new condition with original slipcase.
The Milwaukee Art Museum's collection of American folk art reflects the art worlds' increasing interest in the genre. A major part of the collection comes from Michael and Julie Hall's extensive collection, acquired by the museum in the early 1990s. Parts of the collection went on nation-wide tour during 1993-1995, with this volume clearly explaining the importance of the genre, the vision of the collectors, and the beauty of the pieces of art, all produced by self-taught artists.
Distributed for the Milwaukee Art Museum, Milwaukee, Wisconsin.