The Broadway musical is one of America’s great indigenous popular forms, a glorious hybrid that emerged ?out of our speech, our tempo, our moral attitudes, our way of moving

The Art of Fantastic Beasts: The Crimes of Grindelwald, curated by concept artist Dermot Power, and filled with unique insights from Stuart Craig and the artists themselves about the filmmaking journey, takes you on a thrilling journey through a design process every bit as wonderful as that encountered by Newt, Tina, Queenie, and Jacob in the Wizarding World. Beautifully designed, and bursting with hundreds of dazzling production paintings and concept sketches, intricate card models of the sets, storyboards, and matte paintings, and sumptuously printed with “magical effects” and enhanced with unique removables, this finely crafted book—officially licensed by Warner Bros. Consumer Products—presents a visual feast for readers, and a truly immersive experience for fans of Fantastic Beasts.

"Purveyor of extraordinary jazz music and an arbiter of cool, Blue Note is the definitive jazz label--signing the best artists, pioneering the best recording techniques, and lead cover design trends with punchy, iconic artwork and typography that shaped the way we see the music itself. The roster of greats who cut indelible sides for the label include Miles Davis, Art Blakey, Thelonious Monk, John Coltrane, Bud Powell, Ornette Coleman, Jimmy Smith, Norah Jones, and many more. Published for Blue Note's seventy-fifth anniversary, this landmark volume is the first official illustrated story of the label, from 1939 roots through its celebrated releases in the fifties and sixties to its renaissance today. Featuring classic album artwork, unseen contact sheets, rare ephemera from the Blue Note Archives, commentary from some of the biggest names in jazz today, and feature reviews of seventy-five key albums, this is the definitive book on the legendary label"--Provided by publisher.

Intended as an aid to the church musician, ministers seeking to coordinate anthems with appropriate scripture lessons, or to choral directors looking for a setting of a particular biblical text, this volume arranges entries from Genesis to Revelation, including the Apocrypha. Each title is listed first by the book of the Bible, then by chapter and verse, and contains composer or arranger, voicing and accompaniment, publisher, data, and octavo number. Composer and title indices are provided. This edition (first, 1983) contains twice the number of entries found in the first edition. Annotation c. by Book News, Inc., Portland, Or.