This book looks at the challenges facing architects and urban planners in contemporary society. It analyzes current trends, future scenarios and solutions from the past, providing detailed information on what it means to build in a sustainable, ecologically sound way, whilst making full use of the technology which we now have at our fingertips. Previously available as a hardcover but now out of print, it is being reprinted as a special softcover edition.
James Rudnick moved to Brooklyn, New York, in 1977 to attend graduate school and almost immediately began to photograph two nearby landmarks: the Statue of Liberty and the Brooklyn Bridge. Both structures were approaching their centennials, and Rudnick was soon drawn into the resulting restorations as a documentary photographer. He followed this work, in the 1980s and 1990s, with similar projects at the New York Public Library and Grand Central Terminal. These four monuments are emblems of America's transformation at the end of the nineteenth century and, more particularly, of New York City.
Rudnick's photographs -- both color and black-and-white -- are a unique exploration of the great architecture of New York, from "before" shots showing sadly ignored structures to fascinating in-progress images of craftspeople and techniques to spectacular views of the gleaming, post-restoration monuments. Accompanying the photographs in this beautifully designed volume is text by Thomas Mellins that discusses the history of New York City, notably the period from 1865 to 1915 in which the four landmarks were built, as well as the development of the city's historic preservation movement, both popular and institutional. Rudnick himself describes the details of each restoration in informative captions; his evocative afterword beautifully recounts his own engagement with the spectacular architectural legacy of New York.
Too long out of print, Pearson's book is still regarded as the best work on this great Modernist who, though primarily an architect, designed several classics of modern furniture. The impeccable research is enhanced by hundreds of photographs, plans, and renderings.
"World House Now" is the sequel to "America House Now "and "European House Now" in Universe's popular and affordable architecture series, books that are the leading surveys of their field. This volume showcases international talent, including such well-recognized architects as Tadao Ando (Japan), Glenn Murcutt (Australia), Samuel Mockbee (US), and rising stars like Shigeru Ban (Japan), TEN Arquitectos (Mexico), and Edge/Gary Chang (Hong Kong).
Domestic architecture is constantly changing; "World House Now" showcases over twenty houses all built in the last three years to illuminate current trends in domestic architecture and house styles. Part of the perennial appeal of modernism is its adaptability to local climates, geographies, and construction methods. These houses illustrate how contemporary design is successfully translated across international borders.
Superb design, magnificent illustrations, and clearly presented information distinguish all of David Macaulay's books. Whether chronicling the monumental achievements of past civilizations or satirizing modern architecture, he is concerned above all in how constructions are made and what their effects are on people and their lives.
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy. Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power.Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise. A joint publication with the Berkeley Art Museum
This best-seller was met with an extraordinary response when it was published in 1998. In it, visionary architect Sarah Susanka embraced the notion of smaller, simpler shelters that better meet the needs of the way we live today. The book created a groundswell of interest among homeowners, architects, and builders. More than 200 photographs bring the spirit of the "Not So Big" house alive.
This is the definitive study of Frank Lloyd Wright and his work, an eloquent summation of an outstanding career that spanned nearly seventy years of American architectural history. Writing with warmth and penetrating intelligence, Henry-Russell Hitchcock, America's leading architectural expert, explores Wright's distinctive approach to the design and construction of homes, civic centers, housing projects, country clubs, and office buildings--emphasizing throughout Wright's skillful use of materials to create harmony between structure and environment.Hitchcock covers each of the major phases in Wright's first fifty years as an architect: the apprenticeship with J.L. Selsbee; the movement toward maturity with "Lieber Meister" Sullivan, and the links with Richardson, the "prairie" architecture of the early 1900s and the non-domestic work of the same period which exerted so great an influence upon the development of modern European architecture; the textile block housing and cantilevered skyscraper projects of the early '20s; the creative hiatus of the late '20s and early '30s; and the projects of the Depression years, interrupted in 1942 by World War II.More than 400 illustrations are presented in chronological order in a format Wright himself designed, revealing an endless assortment of shapes, materials and structural ornament that indicate the scope and focus of Wright's genius. Accompanying the photographs, plans, and perspectives is Hitchcock's perceptive commentary, linking each building to a particular phase in Wright's development and showing how in each case the architect forged the elements of materials, mass, space, and ornament into a powerful visual statement.Hitchcock also contributes a list of the architect's completed projects through 1941, and, in a new foreword specially prepared for this Da Capo edition, assesses Wright's major projects during the last two decades of his life.
ABC of Architecture is an accessible, nontechnical introduction to architectural structure, history, and criticism. Author James F. O'Gormon moves seamlessly from a discussion of the most basic inspiration for architecture (the need for shelter from the elements), to an exploration of space, system, and material, and, finally, to an examination of the language and history of architecture. He shows the nonspecialist how to read a design in plans, sections, and elevations, and how architects, like other artists, make creative use of space and light.