This is a very popular guitar method. Its success lies in the fact that it is extremely easy to understand and very flexible. It moves at a slow, steady pace and enables you to play chord accompaniments in 7 primary guitar keys In addition, you will learn to strum blues chords and you will also begin to play fingerstyle backgrounds. A play-along CD is available to supplement this book, and the course is also taught on a video.
Jazz Theory and Practice is the most comprehensive introduction to jazz theory ever published, and the revised addition adds even more with new ear-training software and a chapter about triads over foreign bass tones. Rich with examples from the repertoire, this contemporary text gives performers, arrangers and composers practical knowledge of the theoretical foundations of jazz. The revised CD-ROM, compatible with Windows and Mac systems, includes expanded ear-training exercises and tutorials that correspond to topics and examples in the text.
Titles: Study Points for Volume 2 * Chorus from Judas Maccabaeus (G. F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J. S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C. M. von Weber) * Long, Long Ago (T. H. Bayly) * Waltz, Op. 39, No. 15 for Piano (J. Brahms) * Bourr e from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G. F. Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J. B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini). This title is available in SmartMusic.
John Cacavas has written an extensive book on the techniques of composing, orchestrating and arranging. Includes chapters on each section of the band and orchestra, voicing techniques as well as special chapters on concert band writing, choral writing, el
A handy photo/diagram chord book which shows, in C tuning, the chords in each key. A special section on moveable chords is also included. The chords are grouped by type, including major, minor, seventh, diminished, augmented, and more.
The first step towards experiencing the fun of playing rock music. This book & CD package will guide you through everything you need to know to begin playing rock drums. Topics include practice tips, note values, eighth- and sixteenth-note variations, the
Music has always been esteemed for its power to speak directly to our higher consciousness, a power founded in the purity of simple harmonic ratios. In this book, Alain Danielou traces the development of musical scales and tuning from their origins in both China and India, through their merging in ancient Greece, and on to the development of the Western traditions of modal and polyphonic music. Understanding these potent harmonic relationships offers a way for today's musicians to transcend the limitations of overly rationalistic music by drawing on its metaphysical roots.
Acclaimed by the New York Times as "part muse, part quick reference," this pocket-sized dictionary is an easy-to-use tool geared specifically toward the contemporary songwriter. A concise collection of the most-often used words in popular music, the simpl
Leopold Auer (1845-1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.
This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints ― what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow.
Receiving poor direction at an early age is disastrous for a violinist. As Auer says, There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin. With this book every beginning violin student will have the benefit of the finest guidance.