A Caldecott Honor and Reading Rainbow book, this memorable retelling of Cinderella is perfect for introducing children to the fairy tale as well as the history, culture, and geography of the African nation of Zimbabwe.
Inspired by a traditional African folktale, this is the story of Mufaro, who is proud of his two beautiful daughters. Nyasha is kind and considerate, but everyone--except Mufaro--knows that Manyara is selfish and bad-tempered.
When the Great King decides to take a wife and invites the most worthy and beautiful daughters in the land to appear before him, Mufaro brings both of his daughters--but only one can be queen. Who will the king choose?
Award-winning artist John Steptoe's rich cultural imagery of Africa earned him the Coretta Scott King Award for Mufaro's Beautiful Daughters. The book also went on to win the Boston Globe-Horn Book Award. This stunning story is a timeless treasure that readers will enjoy for generations.
- Coretta Scott King Award for Illustration
- Caledcott Honor
- Reading Rainbow Book
- Boston Globe-Horn Book
A PBS Great American Read Top 100 PickFew stories are as widely read and as universally cherished by children and adults alike as The Little Prince. Richard Howard's translation of the beloved classic beautifully reflects Saint-Exup ry's unique and gifted style. Howard, an acclaimed poet and one of the preeminent translators of our time, has excelled in bringing the English text as close as possible to the French, in language, style, and most important, spirit. The artwork in this edition has been restored to match in detail and in color Saint-Exup ry's original artwork. Combining Richard Howard's translation with restored original art, this definitive English-language edition of The Little Prince will capture the hearts of readers of all ages.
This title has been selected as a Common Core Text Exemplar (Grades 4-5, Stories).
The first Grimm tale illustrated by 1998 Caldecott medalist Paul O. Zelinsky is once again available in hardcover. Originally published in 1984, Zelinsky's paintings for Hansel and Gretel are as compelling as his later work and will captivate readers with their mysterious beauty, emotional power, and brilliant originality. Each spread brings to life a world as rich and real as our own--detailed, colorful, sensual--yet filled with the unearthly shadowed magic of the Hansel and Gretel folktale. Whether portraying the fear and anguish of children abandoned by their parents, the delicious sumptuousness of a candy house, or the joy of being reunited with one's family, the artist captures the subtle nuances of emotion and the tactile quality of the physical world with exquisite accuracy and elegance.The hauntingly spare retelling of this perennial favorite by the poet Rika Lesser perfectly complements the vivid storytelling of Zelinsky's artwork. Once again this gifted artist gives us a unique interpretation of a beloved fairy tale, allowing us to both see it anew and rediscover its eternal truths.
A Storytelling World magazine award winner, a delightful collection for children as well as adults.
In turns funny, poignant, and wise, these nine lively stories are peopled with an array of unusual characters, including a young woman raised as a boy who is then faced with the complicated business of marriage; a carp-fish spirit who changes herself into a young woman for love's sake; a Miracle Doctor who can cure all illnesses except one; and a shopkeeper who learns the hard way the true meaning of justice.
Fridolf Johnson, noted designer and former editor of American Artist, has created 30 handsome drawings of fabled creatures for this coloring book. Old favorites such as the mermaid, the centaur, and the phoenix are here, as well as some that are not as well known, such as the basilisk, whose glance can kill; the kraken, a huge sea monster sometimes mistaken for an island; and the manticore, who has the body of a lion, a spiked tail with the sting of a scorpion, a man's face with three rows of teeth, and a keen appetite for human flesh.
Working in an American primitive style animated by the humor and storytelling genius for which he is renowned, Caldecott Winner artist Paul O. Zelinsky puts oils to cherry and maple for this tall-tale competition between a Tennessee woods-woman extraordinaire and a hungry, fearsome bear.Thundering Tarnation has a bottomless appetite for settler's grub. When word goes out about a competition to hunt this four-legged forest of stubble, a young woman, second to none in buckskin bravery, signs up. "How about baking a pie, Angel?" the other hunters taunt. "I aim to," says Swamp Angel. "A bear pie."What follows is as witty a round of roughhousing as ever jostled the ranks of Americana. Anne Isaacs' original text unfolds in a crackling combination of irony, exaggeration, and bold image-making. Zelinsky's paintings respond with deft yet hilarious expressions, rhythmic shapes, and a sense of monumental motion, as benefits a heroine who can wield a tornado like a lasso, drink a lake dry, and snore down a forest. In the course of these grand shenanigans, the Great Smoky Mountains are stirred up, Montana's short-grass prairie laid down, and Thundering Tarnation's fate proves to have no less a reach than the starry heavens.Swamp Angel marks the debut of a promising new storyteller and adds to the tall-tale traditions a pictorial counterpart that will entertain and endure for a long time to come.
Originally published in 1922, Rootabaga Stories was written by one of America's most beloved folk chroniclers. He wrote these stories for "people from 5 to 105." This reproduction of the first edition includes the illustrations of Maud and Miska Petersham.
Surely among the most original and gifted of children's book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.
Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture, interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.
As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.
This volume contains twenty-four of the best known fairy tales in the English language, presented here in the exact words of their first English publication or of the earliest surviving text. Including "Sleeping Beauty," "Bluebeard," "Cinderella," "Thumbelina," and "Hansel and Gretel," as well as many others, this collection provides a historical introduction for each tale and a general Introduction which traces the history of fairy tales collected in Asia and Europe long before they appeared in English.