Bill Holm, often called "the bard of the Midwest", takes readers on an excursion to islands both real and symbolic. He journeys to five physical islands: Iceland, Madagascar, Molokai, Isla Mujeres, and Mallard Island. And he travels to conceptual islands, including the Necessary Island of the Imagination, the whimsical Piano Island (located in a man-made lake under the atrium of an upscale hotel in the far interior of China), and the acute isolation of the Island of Pain. Writing with the mind-set of a 19th-century traveler for whom the journey is as important as the destination, Holm appeals to the traveler and the philosopher in everyone.
Winner of the Minnesota Book Award and the Red River Heritage Award
The Haymakers is an epic--the history of man's struggle with nature as well as man's struggle against machines. It relates the story of farmers and their obligations to their families, to the animals they fed, and to the land they tended. But The Haymakersis also an elegy--to a way of life fast disappearing from our landscape. In the most heartfelt essays, Hoffbeck chronicles his own family's struggle to hold onto their family farm and his personal struggle in deciding to leave farming for another way of life.
Hoffbeck also seeks to document and preserve the commonplace methods of haymaking, information about haying that might otherwise be lost to posterity. He describes the tools and the methods of haymaking as well as the relentless demands of the farm. Using diaries, agricultural guidebooks and personal interviews, the folkways of cutting, raking, and harvesting hay have been recorded in these chapters. In the end, this book is not so much about agricultural history as it is about family history, personal history--how farm families survive, even persevere.
The Norwegians, who first arrived in territorial days, created lasting farming settlements, especially in the Red River Valley. Their Lutheran churches continue to dot the landscape. But their experience was also urban, as they entered the trades and industries of the Twin Cities. Today, the Norwegian influence is evident in Minnesota art, culture, cuisine, and speech. Norwegian culture permeates the state's character and helps define Minnesota's unique social, political, and business environment.
"This book fills one of the many gaps in our knowledge of twentieth-century architects who were not Modernists. Lundie's more or less Traditional work is enhanced by its ferocious exploitation of rough materials, and, in the cabins especially, by what seems to be primordial Scandinavian references quite at home in the north woods of Minnesota" Vincent Scully, Sterling Professor Emeritus of the History of Art, Yale University
"Edwin Lundie was the great romantic among Minnesota architects, and this lovely book at last gives his work the recognition it so richly deserves." Larry Millett, author of Lost Twin Cities
"This book reveals Edwin Lundie to be an architect imbued with a passion for his art that few attain, let alone sustain for a lifetime. His buildings, as did those of the architect Sir Edwin Lutyens, attained an instant patina. This was the product of a mind that created character and composition by means of an extraordinary attention to the craft and construction of architecture. To realize that I received my architectural education at the University of Minnesota in the late 1950s without an awareness of Mr. Lundie's presence, to say nothing of his mastery of architectural form, leaves me incredulous." William Peterson, Kohn Pederson Fox Associates PC, Architects & Planning Consultants, New York City
Throughout a fifty-year career in St. Paul, architect Edwin H. Lundie (1886-1972) designed more than three hundred projects, predominantly residences, many utilizing either Northern European or Earl American themes. His architectural designs, along with the Prairie School inventions of Purcell and Elmslie and the modernist themes of Ralph Rapson, are collectively considered the best work of Minnesota architects in the twentieth century. What set Lundie apart from his colleagues was his devotion to detail and love of fine craftsmanship.
Long overlooked as architects moved away from picturesque themes in favor of modernism, Lundie's designs are now enjoying a resurgence of attention concurrent with revived interest in postmodernism, regionalism, and a sense of place. For the first time, the significance of this unique body of work is presented in The Architecture of Edwin Lundie for architects, art historians, designers, builders, craftspeople, students, and the general public.
Author Dale Mulfinger undertook this book after a decade of studying and recording Lundie's buildings and lecturing at local, regional, and national forums. Here he brings together a foreword by David Gebhard that sets Lundie in a national context; a biographical essay by Eileen Michels; his own piece assessing Lundie's design principles; outstanding color photographs by Peter Kerze; and beautiful rendering in pencil and ink by Lundie himself. In addition, the book offers thirty profiles of individual buildings with photos, floor plans, and drawings to highlight feature demonstrating Lundie's genius.
"Sm4to, 121pgs. Full bound white paper wraps with black titling on front cover and spine. Book is solid and interior is clean and bright, replete with color images and floor plans of Edwin Lundie's houses. Corner tips have a touch wear else in excellent condition.
More than 300 black-and-white illustrations vividly portray the fair and its many faces. Historic photographs show long-gone amusements-the wooden Cannon Ball roller coaster, an organ grinder and his monkey, reenactments of famous battles at the Grandstand-as well as early versions of fair scenes that know no era: crowds, traffic jams, trinket sellers, prize winners. Reproductions of advertisements, posters, ribbons, lapel pins, and newspaper cartoons give a glimpse of the cheerful hype of promoters and the tongue-in-cheek commentary that accompanied their efforts. And contemporary photographs capture the fair's varied moods and scenes, from the early-morning preparations in a church dining hall through the stresses and joys of showing animals, the thrill of the Midway, the lure of deep-fried foods, and the excitement of being crowned a queen, to the clean-up of tons of garbage in the night's wee hours.
Along with the glitter and the fun, the Minnesota State Fair has always been a microcosm of midwestern life. Almost 150 years of cultural, social, aesthetic, economic, and technological change have left their mark on the venerable institution. And, at the same time, the fair has made its mark on society-urban as well as rural. Displays of women's work or farm machinery, the fine arts or the prize bull-all have been part of the fair's dual mission of education and entertainment. Each of Blue Ribbon's chapters focuses on one such topic, showing how the state fair grew and responded to prevailing tastes and conditions-and how it sometimes acted as a powerful agent of change.
Art and architecture, politics, social movements, and agricultural history are all part of this story-along with the dimensions of giant radishes, the memories of early fairgoers, and a listing of the calories in favorite state fair foods. Like the fair itself, this book offers something for everyone. Here are the sights, if not the smells and sounds, of "The World's Greatest State Fair."
In the 1930s and the 1940s Rondo Avenue was at the heart of St. Paul's largest black neighborhood. African Americans whose families had lived in Minnesota for decades and others who were just arriving from the South made up a vibrant, vital community that was in many ways independent of the white society around it.
The Days of Rondo is Evelyn Fairbanks's affectionate memoir of this lively neighborhood. Its pages are filled with fascinating people: Mama and Daddy--Willie Mae and George Edwards--who taught her about love and pride an dignity; Aunt Good, a tall and stately woman with a "queenly secretive attitude"; brother Morris, who "took the time to teach me about the street and the people I would find there"; Mrs. Neal, the genteel activist who showed her the difference between a salad fork and a dessert fork; Mr. and Mrs. Taylor, who started a girls' string band; and a whole assortment of street vendors and playmates who made up the world of her childhood
As she grew up, Fairbanks saw many different sides of her community. Her words bring to life the all-day Sunday services at the Sanctified church, the "perfect days" of her girlhood, and the ghost stories told on the porch of a soft midwestern summer evening. But she also remembers a visit to relatives in Georgia, the deaths of her Mama and Daddy, and the difficult lessons her free-wheeling brother taught her about friends and money. By the time Evelyn was a teenager, World War II was changing St. Paul and the whole world in ways that touched upon her own life. And through the years she was also discovering what it meant to grow up as a black person in Minnesota.
A gifted storyteller, Fairbanks has recreated the patterns of her neighborhood life in a northern city. Her story ends in the mid-1950s, a few years before the Rondo neighborhood was destroyed by freeway construction. In preserving her memories of this distinctive community, Evelyn Fairbanks has added an important dimension to our understanding of Minnesota during those years.
"Fairbanks spins yarns about St. Paul's black society with the flair of a campfire storyteller." --St. Paul Pioneer Press
"Must reading for anyone wanting a clearer understanding of the history of race relations." --Library Journal
"Narrative history at its best." --Choice
"Her prose is simple and concise and is leavened by a rich sense of humor." --Minnesota Monthly
"The Days of Rondo is an interpretive account of events in the life of a black family from the South struggling for survival and meaning in a northern city. Rich in humor and detail, it provides a well-illustrated mosaic of socioeconomic, ethnic, and class realities as seen through the eyes of a young black woman." --David V. Taylor, author of African-Americans in Minnesota
"Bentez's third novel seamlessly blends fact with imagination, evoking the trauma of war more vividly than any newspaper account . . . beautifully illuminating." (Publishers Weekly starred review)Sandra Bentez received international acclaim for her first two novels: A Place Where the Sea Remembers ("A quietly stunning work that leaves soft tracks in the heart" --Washington Post Book World) and Bitter Grounds ("The kind of book that fills your dreams for weeks" --Isabel Allende). Now she returns with an unforgettable tale of life in war-torn El Salvador.
The modern Norwegian-American Christmas is a warm and regenerative family holiday for millions of Americans whose ancestors came from Norway--celebrated with family feasts of lutefisk, lefse, r mmegr t, rull, and fruit soup, observed in homes where trees are decorated with straw ornaments, flags, and heart-shaped baskets. It is the time to carry on customs whose origins have been lost in the past.
Kathleen Stokker's Keeping Christmas: Yuletide Traditions in Norway and the New Land brings home the stories of Christmas customs in both countries. Norwegian immigrants carried with them the folk traditions, developed over centuries, that shaped their identities, and they held those practices especially dear at Christmas time, remembering family members left behind. But in the U.S., they and their descendents met the newly evolving traditions of the highly commercial American Christmas, a powerful homogenizing force in a nation of immigrants. And the celebration of Christmas in Norway continued to evolve as well, as the holiday--influenced in the twentieth century by U.S. practices--became more child-centered and more commercial. Stokker describes and traces the development of folkways on both sides of the ocean, from their origins to their practice today.
With fascinating details, with scores of accounts of ancient and modern Christmases, with recipes and photographs, this book reminds Norwegians and Norwegian Americans of their connections to each other and explains how their celebrations differ on this most joyous of holidays.
Minnesota√s football history comes to life like never before. The Vikings, the Gophers, the Tommies and more, this book is an entertaining collection of facts, stats, photos and memories. It includes pro, semi-pro, college and high school.
Within our state's borders you'll find such exotic place names as Amor and Darling, Fertile and Conception, Comfort and Happyland, Looneyville and Nimrod, Flour Lake and the Diarrhoea River, Great Scott and Eureka, Home and Nowhere, Moonshine and Whiskey Creek, Stringtown and Pig's Eye, Snowball and North Pole, Embarrass and Kiester, Coin and Money Creek, and Chickentown and Bull Moose. But how did these places get such unusual names? Wonder no longer as author Michael Fedo relates the curious and prosaic ways in which a place gets named.
Place names tell a rich history of how our state was settled. This compact guide presents the fascinating stories behind over 1,200 Minnesota place names. Included are all the names you'd expect--counties, larger towns and cities, major lakes and rivers--as well as the curious and odd. Culled from over 20,000 entries in the classic work Minnesota Place Names by Warren Upham, this concise guide is the perfect companion for anyone who travels the highways and waterways of the North Star state.