How is a woman in her thirties, HIV-positive and fresh out of rehab, supposed to find love and work in contemporary, urban America, steering clear of self-pity and doctrinaire "happy-talk"? This linked short story collection shows how Glory goes and gets some.Emily Carter's debut traces Glory's stay in Minnesota's recovery community, from halfway houses in blighted urban neighborhoods to well-funded treatment centers in bucolic pastures. From her addictions to heroin and alcohol in New York through her unlikely, tenuous, yet rewarding alliances with the full range of treatment mavens in the midwest, Glory gives us an uncensored and irreverent account of her experiences in twelve-step recovery a process that, for all its faults, ultimately works for her. "That first six months, there were an awful lot of people I met who talked the talk, all the time. Their faces seemed to glow, and they'd go on about so-and-so "getting it, getting the program," having that much-touted aura of serenity about them. It was my experience that such persons usually relapsed and stole their roommate's stereo equipment, or charged five thousand dollars worth of lingerie at Neiman Marcus. Glory Goes and Gets Some is a streetwise and sardonic look at sex, HIV, addiction, and recovery. Emily Carter's work has received many awards and fellowships, including the Loft/McKnight Award, a Bush Grant, and a National Magazine Award. Her writing has appeared in Story Magazine, Gathering of the Tribes, Between C & D, Artforum, Open City, Great River Review, and Poz Magazine, for which she was the cover subject of the 1998 summer fiction issue. Glory Goes and Gets Some features stories that were originally published in The New Yorker, and the title story was selected by Garrison Keillor for Best American Short Stories 1997. Emily Carter lives in Minneapolis.
More than 300 black-and-white illustrations vividly portray the fair and its many faces. Historic photographs show long-gone amusements-the wooden Cannon Ball roller coaster, an organ grinder and his monkey, reenactments of famous battles at the Grandstand-as well as early versions of fair scenes that know no era: crowds, traffic jams, trinket sellers, prize winners. Reproductions of advertisements, posters, ribbons, lapel pins, and newspaper cartoons give a glimpse of the cheerful hype of promoters and the tongue-in-cheek commentary that accompanied their efforts. And contemporary photographs capture the fair's varied moods and scenes, from the early-morning preparations in a church dining hall through the stresses and joys of showing animals, the thrill of the Midway, the lure of deep-fried foods, and the excitement of being crowned a queen, to the clean-up of tons of garbage in the night's wee hours.
Along with the glitter and the fun, the Minnesota State Fair has always been a microcosm of midwestern life. Almost 150 years of cultural, social, aesthetic, economic, and technological change have left their mark on the venerable institution. And, at the same time, the fair has made its mark on society-urban as well as rural. Displays of women's work or farm machinery, the fine arts or the prize bull-all have been part of the fair's dual mission of education and entertainment. Each of Blue Ribbon's chapters focuses on one such topic, showing how the state fair grew and responded to prevailing tastes and conditions-and how it sometimes acted as a powerful agent of change.
Art and architecture, politics, social movements, and agricultural history are all part of this story-along with the dimensions of giant radishes, the memories of early fairgoers, and a listing of the calories in favorite state fair foods. Like the fair itself, this book offers something for everyone. Here are the sights, if not the smells and sounds, of "The World's Greatest State Fair."
Surrounded by large stands of virgin white and red pines, an enterprising iron prospector named Frank Hibbing set up camp on a bitterly cold day in January of 1892. When he awoke the next day, he insisted that there was iron beneath him-he could "feel it in his bones." He staked his claim near that campsite, and after digging several test pits, one of the world's richest deposits of iron ore was found.
Beginning as a small collection of tents and log cabins, the Village of Hibbing was incorporated in August of 1893. It became one of the largest of the mining towns along the Mesabi Range, attracting immigrants of many backgrounds such as Finnish, Italian, Slavic, Swedish, and Greek. This mixture of diverse backgrounds gave Hibbing a unique culture that remains evident today. From Minnesota's famous dual in 1910 between friends Sam Kacich and Pete Radovich, to the relocation of the entire village in the 1920s, Hibbing, Minnesota takes us back in time to the days of pioneers, horse-drawn carriages, and a love of the land that has been passed on from generation to generation.
"Because of their relative stability, streets offer an incomparable framework for looking at the urban past and comparing it to the present," writes Millett in his introduction to Twin Cities Then and Now, which consists of seventy-two historic street scenes matched with new photographs taken from the same locations. Accompanying each scene is an informative essay that examines the often astonishing changes wrought by time and circumstance.
The historic photographs, some published here for the first time, include views taken from as long ago as the 1880s and as recently as the late 1950s. Jerry Mathiason's elegant new black-and-white photographs complement these historic images and provide superb visual comparisons between then and now, while Millett's lively text puts each scene into clear focus. Twin Cities Then and Now also includes four specially prepared maps along with detailed informational graphics that identify hundreds of significant buildings and places visible in the photographs.
Twin Cities Then and Now is an engaging, startling, and at times heartbreaking look at the dramatic march of progress in Minneapolis and St. Paul. For, as Millett also writes in his introduction, "to observe a city over time is to see, for better or worse, the remorseless power of change."
In this profoundly moving hymn to the wild places of our land, reflected in the Boundary Waters of Minnesota and Ontario, the author of Grass Roots and The Necessity of Empty Places offers an ecstatic contemplation of nature and one's place in it.
Picturing Lake Minnetonka is a fascinating and nostalgic glimpse of the rise of Minnesota's largest and most beloved summer lake resort. A chronicle of the dizzying changes the lake underwent, this richly illustrated book follows the lake from its days in the 1860s when it was still a fishing spot and secret hideaway to the 1880s when James J. Hill's grand hotels, railroads, and palace steamers dominated the lake, to the turn of the century when the Big Island Amusement Park and the Twin Cities Rapid Transit's express boats and streetcar lines pointed the way to a new era. Ogland captures the bustle and excitement of this time through daguerreotypes, cartes-de-visite, stereoviews, view cards, and the hand-tinted postcards of the day.
At the height of the postcard craze, each hotel on Lake Minnetonka, large and small, offered views of their grand architecture, their beachfront, or their packed porches and dining rooms. Summer tourists eager to show off their new-found wealth and leisure sent thousands of postcards to relatives, sweethearts, friends, and acquaintances. The views on the front of these cards tell us a great deal about what the ideal vacation looked like to turn-of-the-century visitors to the lake.
Ruth F. Brin's compelling memoir reveals the childhood beginnings of her life as feminist thinker, poet, and well-respected writer of the Jewish faith. Brin draws close and loving portraits of her parents and older brothers, and outlines the history of her paternal grandparents who came to America from Austria-Hungary in the late 1880s to settle in Saint Paul. Early on, Brin relates her growing sense of how her religious faith will be integrated into her life and the ways in which she and her family must confront and survive instances of anti-Semitism. The author's original poems combine with her family's traditional stories to make Bittersweet Berries a unique narrative of one woman's beginnings and growth as an accomplished writer and religious thinker.
While making up a smaller percentage of Minnesota's population compared to national averages, African Americans have had a profound influence on the history and culture of the state from its earliest days to the present. Author David Taylor chronicles the rich history of Blacks in the state through careful analysis of census and housing records, newspaper records, and first-person accounts. He recounts the triumphs and struggles of African Americans in Minnesota over the past 200 years in a clear and concise narrative. Major themes covered include settlement by Blacks during the territorial and early statehood periods; the development of urban Black communities in St. Paul, Minneapolis, and Duluth; Blacks in rural areas; the emergence of Black community organizations and leaders in the late-nineteenth and early-twentieth centuries; and Black communities in transition during the turbulent last half of the twentieth century. Taylor also introduces influential and notable African Americans: George Bonga, the first African American born in the region during the fur trade era; Harriet and Dred Scott, whose two-year residence at Fort Snelling in the 1830s later led to a famous, though unsuccessful, legal challenge to the institution of slavery; John Quincy Adams, publisher of the state's first Black newspaper; Fredrick L. McGhee, the state's first Black lawyer; community leaders, politicians, and civil servants including James Griffin, Sharon Sayles Belton, Alan Page, Jean Harris, and Dr. Richard Green; and nationally influential artists including August Wilson, Lou Bellamy, Prince, Jimmy Jam, and Terry Lewis. African Americans in Minnesota is the fourth book in The People of Minnesota, a series dedicated to telling the history of the state through the stories of its ethnic groups in accessible and illustrated paperbacks.