This book introduces the important concept of a female frontier--a frontier every bit as real and coherent, as, for example, the mining frontier. It gives us a new understanding of western women's shared experiences and of the full implications of their participation in America's westward movement.Riley has reconstructed women's roles and concerns from census data, legal proceedings, newspaper accounts, local histories, essays, sermons, novels, photographs, works of art, and in large part from their own words, as recorded in diaries, day books, journals, letters, memoirs, reminiscences, and interviews. These women include the barely literate and the educated, the young and the old, single and married, white and black, native-born and immigrant. What emerges is a new understanding of the shared experiences--at home, in paid employment, and in community activities--that constituted the female frontier.
This is a powerful, moving, at times shocking account of three generations of Chinese women, as compelling as Amy Tan. --Mary Morris. An evocative, often astonishing view of life in a changing China. -- The New York Times
Under the aegis of the Goddess of Love, Isabel Allende uses her storytelling skills brilliantly in Aphrodite to evoke the delights of food and sex. After considerable research and study, she has become an authority on aphrodisiacs, which include everything from food and drink to stories and, of course, love. Readers will find here recipes from Allende's mother, poems, stories from ancient and foreign literatures, paintings, personal anecdotes, fascinating tidbits on the sensual art of foodand its effects on amorous performance, tips on how to attract your mate and revive flagging virility, passages on the effect of smell on libido, a history of alcoholic beverages, and much more.
An ode to sensuality that is an irresistible blend of memory, imagination and the senses, Aphrodite is familiar territory for readers who know her fiction.
In a memoir that pierces and delights us, Jill Ker Conway tells the story of her astonishing journey into adulthood--a journey that would ultimately span immense distances and encompass worlds, ideas, and ways of life that seem a century apart.She was seven before she ever saw another girl child. At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a man's job of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide--bereft of the partnership of work and love that had so utterly fulfilled her--into depression and dependency. We see Jill, staggered by the loss of her father, catapulted to what seemed another planet--the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons--Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self. Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place--or to a dream--can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.
"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana
"The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
"I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman."In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister--a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Woolf takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a steady income and a room of their own in order to have the freedom to create. With a Foreword by Mary Gordon
"POETIC . . . REMARKABLY HONEST . . . Mori describes her experiences with an admirable mixture of forthrightness and restraint."
--The Wall Street Journal
In an extraordinary memoir that is both a search for belonging and a search for understanding, Japanese-American author Kyoko Mori travels back to Kobe, Japan, the city of her birth, in an unspoken desire to come to terms with the memory of her mother's suicide and the family she left behind thirteen years before.
Throughout her seven-week trip, Kyoko struggles with her ever-present past and the lasting guilt over her mother's death. Although she meets with beloved cousins and other relatives, she agonizes over the frustrating relationship she barely maintains with her fierce father and selfish stepmother. Searching for answers, Kyoko attempts to find a new understanding of what her father is really like, and how it has affected her own place in two distinct worlds. As her time to leave draws near, Kyoko begins to understand that her family connections may be a powerful cry of the heart, but it is the new world that has given her escape from a lonely past and the power to believe in herself.
" A] COMPELLING MEMOIR . . . LYRICAL."
--Seattle Times-Post Intelligencer
"ASTONISHINGLY BEAUTIFUL . . . Through the clarity filters the beauty of a large heritage that Mori is by now too American to share, but still Japanese enough to appreciate its redeeming value and to be in some measure restored by it."
--Los Angeles Times Book Review
"MAGICAL . . . ENLIGHTENING."
--San Francisco Chronicle
In this provocative and highly personal book, bestselling author Naomi Wolf explores a subject that has long been taboo in our society: women's sexual coming-of-age. Promiscuities brazenly exposes the truths behind the conflicting messages directed at young women during and after the sexual revolution. Drawing on surprising examples from the ancient and recent past, along with vivid recollections of her own youth, Wolf shows how our -liberated- culture still fears and distorts female passion. She also shares fascinating true stories that illustrate the fantasies and sometimes crippling realities women pass through on their way toward erotic and emotional discovery. A landmark book, Promiscuities is a call to women of all ages to reclaim and celebrate their sexuality.