"We are the words; we are the music; we are the thing itself."Published years after her death, Moments of Being is "the single most moving and beautiful thing that Virginia Woolf ever wrote about her own life" (The New York Times) and her only autobiographical writing. This collection of five pieces written for different audiences spanning almost four decades reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility. "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.
Minnesota Book Award for Poetry finalist, 1995. "A very satisfying cumulative beauty. . . .These are, simply, poems about love (while not exactly love poems) and the many forms it takes. They are finally not about happiness. Best of all, they are smart enough to know the difference."--The Nation
For women, for lesbians and gays, for African Americans, for Asians, Native Americans, or any other self-identified and -identifying group, who can speak? Who has the authority to speak for these groups? Is there genuinely such a thing as "objectivity," or can only members of these groups speak, finally, for themselves? And who has the authority to decide who has the authority?
This collection examines how theory and criticism are complicated by
multiple perspectives in an increasingly multicultural society and
faces head on the difficult question of what qualifies a critic to speak from or about a particular position. In different formats and from different perspectives from various disciplines, the contributors to this volume analytically and innovatively work together to define the problems and capture the contradictions and tensions inherent in the issues of authority, epistemology, and discourse.
A lively portrait of contemporary Ireland focuses on the roles of its women at a time when change is still in the beginning stages and features interviews with the nation's first female president, an abortion activist, and regulars at a local pub. Reprint. NYT.
Elizabeth Wilson's elegant, provocative, and scholarly study uses fiction, essays, film, and art, as well as history and sociology, to look at some of the world's greatest cities-London, Paris, Moscow, New York, Chicago, Lusaka, and S o Paulo-and presents a powerful critique of utopian planning, anti-urbanism, postmodernism, and traditional architecture. For women the city offers freedom, including sexual freedom, but also new dangers. Planners and reformers have repeatedly attempted to regulate women-and the working class and ethnic minorities-by means of grandiose, utopian plans, nearly destroying the richness of urban culture. City centers have become uninhabited business districts, the countryside suburbanized. There is danger without pleasure, consumerism without choice, safety without stimulation. What is needed is a new understanding of city life and Wilson gives us an intriguing introduction to what this might be.
WITH SIMPLE SHIFTS OF PERCEPTION, EACH OF US CAN FIND THE SACRED IN EVERY DAY.
Like the vibrant yet simple quilts that led her to live within the Amish community and to write about the experience in her bestselling book 'Plain and Simple', the em
The New York Times bestselling history of the legendary six wives of Henry VIII--from the acclaimed author of Marie Antoinette.Under Antonia Fraser's intent scrutiny, Catherine of Aragon emerges as a scholar-queen who steadfastly refused to grant a divorce to her royal husband; Anne Boleyn is absolved of everything but a sharp tongue and an inability to produce a male heir; and Catherine Parr is revealed as a religious reformer with the good sense to tack with the treacherous winds of the Tudor court. And we gain fresh understanding of Jane Seymour's circumspect wisdom, the touching dignity of Anna of Cleves, and the youthful naivete that led to Katherine Howard's fatal indiscretions. The Wives of Henry VIII interweaves passion and power, personality and politics, into a superb work of history.