INTERNATIONAL BESTSELLER - Pulitzer Prize winning author presents the stories of a wide range of Muslim women in the Middle East. As an Australian American and an experienced foreign correspondent, Brooks' thoughtful analysis attempts to understand the precarious status of women in the wake of Islamic fundamentalism.
"Frank, enraging, and captivating." - The New York Times
As a prizewinning foreign correspondent for The Wall Street Journal, Geraldine Brooks spent six years covering the Middle East through wars, insurrections, and the volcanic upheaval of resurgent fundamentalism. Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women.
A powerful study of the women's liberation movement in the U.S., from abolitionist days to the present, that demonstrates how it has always been hampered by the racist and classist biases of its leaders. From the widely revered and legendary political activist and scholar Angela Davis.
This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the Iron Curtain for a glimpse at the lives of Eastern European women under Communist regimes. Provocative, often witty, and always intensely personal, How We Survived Communism and Even Laughed cracks open a paradoxical world that through its rejection of capitalism and commoditization ends up fetishizing both.
Examining the relationship between material goods and expressions of happiness and individuality in a society where even bananas were an alien luxury, Drakulic homes in on the eradication of female identity, drawing on her own experiences as well as broader cultural observations. Enforced communal housing that allowed for little privacy, the banishment of many time-saving devices, and a focus on manual labor left no room for such bourgeois affectations as cosmetics or clothes, but Drakulic's remarkable exploration of the reality behind the rhetoric reveals that women still went to desperate lengths to feel "feminine."
How We Survived Communism and Even Laughed also chronicles the lingering consequences of such regimes. The Berlin Wall may have fallen, but Drakulic's power pieces testify that ideology cannot be dismantled so quickly; a lifetime lived in fear cannot be so easily forgotten.--Gloria Steinem
Here is the fiery, provocative, and unparalleled work of feminist art criticism that launched Camille Paglia's exceptional career as one of our most important public intellectuals. Is Emily Dickinson "the female Sade"? Is Donatello's David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists--as well as conservatives--fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty--making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature.47 photographs.
Argues that the women most crucial to the liberation movement in the 1960s were responding to their treatment in the civil rights and New Left movements
Minnesota Book Award for Poetry finalist, 1995. "A very satisfying cumulative beauty. . . .These are, simply, poems about love (while not exactly love poems) and the many forms it takes. They are finally not about happiness. Best of all, they are smart enough to know the difference."--The Nation
Deborah Tannen's You Just Don't Understand spent nearly four years (in cloth and paper) on The New York Times Best Seller list and has sold over a million and a half copies. Clearly, Tannen's insights into how and why women and men so often misunderstand each other when they talk has touched a nerve. For years a highly respected scholar in the field of linguistics, she has now become widely known for her work on how conversational style differences associated with gender affect relationships. Her life work has demonstrated how close and intelligent analysis of conversation can reveal the extraordinary complexities of social relationships--including relationships between men and women.
Now, in Gender and Discourse, Tannen has gathered together six of her scholarly essays, including her newest and previously unpublished work in which language and gender are examined through the lens of "sex-class-linked" patterns, rather than "sex-linked" patterns. These essays provide a theoretical backdrop to her best-selling books--and an informative introduction which discusses her field of linguistics, describes the research methods she typically uses, and addresses the controversies surrounding her field as well as some misunderstandings of her work. (She argues, for instance, that her cultural approach to gender differences does not deny that men dominate women in society, nor does it ascribe gender differences to women's "essential nature.") The essays themselves cover a wide range of topics. In one, she analyzes a number of conversational strategies--such as interruption, topic raising, indirection, and silence--and shows that, contrary to much work on language and gender, no strategy exclusively expresses dominance or submissiveness in conversation--interruption (or overlap) can be supportive, silence and indirection can be used to control. It is the interactional context, the participants' individual styles, and the interaction of their styles, Tannen shows, that result in the balance of power. She also provides a fascinating analysis of four groups of males and females (second-, sixth-, and tenth-grade students, and twenty-five year olds) conversing with their best friends, and she includes an early article co-authored with Robin Lakoff that presents a theory of conversational strategy, illustrated by analysis of dialogue in Ingmar Bergman's Scenes from a Marriage.
Readers interested in the theoretical framework behind Tannen's work will find this volume fascinating. It will be sure to interest anyone curious about the crucial yet often unnoticed role that language and gender play in our daily lives.
By looking at what the Petersburg women did and thought and comparing their behavior with that of men, Lebsock discovers that they placed high value on economic security, on the personal, on the religious, and on the interests of other women. In a society committed to materialism, male dominance, and the maintenance of slavery, their influence was subversive. They operated from an alternative value system, indeed a distinct female culture.
"I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman."In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister--a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Woolf takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a steady income and a room of their own in order to have the freedom to create. With a Foreword by Mary Gordon