Minnesota Book Award for Poetry finalist, 1995. "A very satisfying cumulative beauty. . . .These are, simply, poems about love (while not exactly love poems) and the many forms it takes. They are finally not about happiness. Best of all, they are smart enough to know the difference."--The Nation
"We are the words; we are the music; we are the thing itself."Published years after her death, Moments of Being is "the single most moving and beautiful thing that Virginia Woolf ever wrote about her own life" (The New York Times) and her only autobiographical writing. This collection of five pieces written for different audiences spanning almost four decades reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility. "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.
This is a powerful, moving, at times shocking account of three generations of Chinese women, as compelling as Amy Tan. --Mary Morris. An evocative, often astonishing view of life in a changing China. -- The New York Times
This groundbreaking work examines the role of women in the Western healing traditions. Drawing on the disciplines of history, anthropology, botany, archaeology, and the behavioral sciences, Jeanne Achterberg discusses the ancient cultures in which women worked as independent and honored healers; the persecution of women healers in the witch hunts of the Middle Ages; the development of midwifery and nursing as women's professions in the nineteenth century; and the current role of women and the state of the healing arts, as a time of crisis in the health-care professions coincides with the reemergence of feminine values.
Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender. These volumes will be standard handbooks in film studies for many years to come.
"A classic, for a reason" - Celeste Ng via TwitterIn her award-winning book The Woman Warrior, Maxine Hong Kingston created an entirely new form--an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.
Through exercises and guided meditations, the author provides the means to uncover the influence of the primal bond between a man and his mother and to facilitate healing there--as well as in marriage, parenthood, friendship, and all other relationships of love.