"We are the words; we are the music; we are the thing itself."Published years after her death, Moments of Being is "the single most moving and beautiful thing that Virginia Woolf ever wrote about her own life" (The New York Times) and her only autobiographical writing. This collection of five pieces written for different audiences spanning almost four decades reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility. "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.
This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate and helped many women and men to see themselves and each other in a different light.Carol Gilligan believes that psychology has persistently and systematically misunderstood women their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience."
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.
Through exercises and guided meditations, the author provides the means to uncover the influence of the primal bond between a man and his mother and to facilitate healing there--as well as in marriage, parenthood, friendship, and all other relationships of love.
An experience of the fragility of conventional images of masculinity is something many modern men share. Psychoanalyst Guy Corneau traces this experience to an even deeper feeling men have of their fathers' silence or absence--sometimes literal, but especially emotional and spiritual. Why is this feeling so profound in the lives of the postwar "baby boom" generation--men who are now approaching middle age? Because, he says, this generation marks a critical phase in the loss of the masculine initiation rituals that in the past ensured a boy's passage into manhood. In his engaging examination of the many different ways this missing link manifests in men's lives, Corneau shows that, for men today, regaining the essential "second birth" into manhood lies in gaining the ability to be a father to themselves--not only as a means of healing psychological pain, but as a necessary step in the process of becoming whole.
This book introduces the important concept of a female frontier--a frontier every bit as real and coherent, as, for example, the mining frontier. It gives us a new understanding of western women's shared experiences and of the full implications of their participation in America's westward movement.Riley has reconstructed women's roles and concerns from census data, legal proceedings, newspaper accounts, local histories, essays, sermons, novels, photographs, works of art, and in large part from their own words, as recorded in diaries, day books, journals, letters, memoirs, reminiscences, and interviews. These women include the barely literate and the educated, the young and the old, single and married, white and black, native-born and immigrant. What emerges is a new understanding of the shared experiences--at home, in paid employment, and in community activities--that constituted the female frontier.
Focusing on Petersburg, Virginia, Professor Lebsock is able to demonstrate and explain how the status of women could change for the better in an antifeminist environment. She weaves the experiences of individual women together with general social trends, to show, for example, how women's lives were changing in response to the economy and the institutions of property ownership and slavery.
By looking at what the Petersburg women did and thought and comparing their behavior with that of men, Lebsock discovers that they placed high value on economic security, on the personal, on the religious, and on the interests of other women. In a society committed to materialism, male dominance, and the maintenance of slavery, their influence was subversive. They operated from an alternative value system, indeed a distinct female culture.