The New York Times bestselling history of the legendary six wives of Henry VIII--from the acclaimed author of Marie Antoinette.Under Antonia Fraser's intent scrutiny, Catherine of Aragon emerges as a scholar-queen who steadfastly refused to grant a divorce to her royal husband; Anne Boleyn is absolved of everything but a sharp tongue and an inability to produce a male heir; and Catherine Parr is revealed as a religious reformer with the good sense to tack with the treacherous winds of the Tudor court. And we gain fresh understanding of Jane Seymour's circumspect wisdom, the touching dignity of Anna of Cleves, and the youthful naivete that led to Katherine Howard's fatal indiscretions. The Wives of Henry VIII interweaves passion and power, personality and politics, into a superb work of history.
In a memoir that pierces and delights us, Jill Ker Conway tells the story of her astonishing journey into adulthood--a journey that would ultimately span immense distances and encompass worlds, ideas, and ways of life that seem a century apart.She was seven before she ever saw another girl child. At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide--bereft of the partnership of work and love that had so utterly fulfilled her--into depression and dependency. We see Jill, staggered by the loss of her father, catapulted to what seemed another planet--the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons--Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self. Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place--or to a dream--can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.
With simple shifts of perception, each of us can find the sacred in every day. Like the vibrant yet simple quilts that led her to live within the Amish community and to write about the experience in her bestselling book "Plain and Simple," the empty begging bowl is the powerful, inspirational symbol in Sue Bender's "Everyday Sacred." In the tradition of the begging bowl, she discovers a simple, profound wisdom we can all live by. Just as a Zen monk goes out each morning with an empty bowl in his hands and accepts whatever is placed in the bowl that day as his nourishment, so can we start each day afresh and find, at the end of the day that extraordinary things have come our way.
Filled with the people, stories, and experiences that found their way into Bender's own bowl, "Everyday Sacred" teaches us that each step along life's journey is a miraculous opportunity to learn. Whatever we are doing-whether meditating, weeding a garden, serving coffee in a busy coffee bar, or listening to a friend can be done with our full attention and love. It is these small acts that make every day sacred.
"Reading "Everyday Sacred," I felt as if I had spent an evening in lively conversation with Sue, searching for meaning through a variety of experiences, with myriad friends, and finding it at every turn" --Whitney Otto, author of "How to Make an American Quilt"
"It moved my whole being, seeped into my skin. Yes, I said, Yes. And the illustrations ...They're wonderful." --Natalie Goldberg, author of "Banana Rose"
Sue Bender is an accomplished artist, author, and much sought-after lecturer worldwide.
"A classic, for a reason" - Celeste Ng via TwitterIn her award-winning book The Woman Warrior, Maxine Hong Kingston created an entirely new form--an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities--immigrant, female, Chinese, American. As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's "talk stories." The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.
Considering gender segregation, both implicit and explicit, this text explores the workplace and home by linking appliances and business equipment to their life in culture. The social, economic and sexual meanings of objects revealed through advertising, photo-journalism, film stills and an analysis of changing design styles. The text should appeal to those interested in advertising, industrial design, American studies or women's studies.
With an enchanting blend of magical realism, politics, and romance reminiscent of her classic bestseller The House of the Spirits, Isabel Allende presents a soul-baring memoir that seizes the reader like a novel of suspense.
Written for her daughter Paula when she became ill and slipped into a coma, Paula is the colorful story of Allende's life -- from her early years in her native Chile, through the turbulent military coup of 1973, to the subsequent dictatorship and her family's years of exile. In the telling, bizarre ancestors reveal themselves, delightful and bitter childhood memories surface, enthralling anecdotes of youthful years are narrated and intimate secrets are softly whispered.
In an exorcism of death and a celebration of life, Isabel Allende explores the past, questions the gods, and creates a magical book that carries the reader from tears to laughter, from terror to sensuality to wisdom. In Paula, readers will come to understand that the miraculous world of her novels is the world Isabel Allende inhabits -- it is her enchanted reality.
"Required reading . . . " --Elizabeth Fernea, The University of Texas at Austin
"If a reader were to select only one book in order to gain insight into women's status and prospects in Islamic society, this study should be the one chosen for its clarity, honesty, depth of knowledge and thought-provoking qualities." --Arab Book World
In this expanded and updated edition, with a new introduction on Muslim women and fundamentalism, Mernissi argues that Islamic fundamentalism is in part a defense against recent changes in sex roles and perceptions of sexual identity.
INTERNATIONAL BESTSELLER - Pulitzer Prize winning author presents the stories of a wide range of Muslim women in the Middle East. As an Australian American and an experienced foreign correspondent, Brooks' thoughtful analysis attempts to understand the precarious status of women in the wake of Islamic fundamentalism.
"Frank, enraging, and captivating." - The New York Times
As a prizewinning foreign correspondent for The Wall Street Journal, Geraldine Brooks spent six years covering the Middle East through wars, insurrections, and the volcanic upheaval of resurgent fundamentalism. Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women.
One of the most important writers of the past hundred years. --The Times (London)
In this perceptive collection of essays, Doris Lessing addresses directly the prime questions before us all: how to think for ourselves, how to understand what we know, how to pick a path in a world deluged with opinions and information, and how to look at our society and ourselves with fresh eyes.