"I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman."In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister--a sister equal to Shakespeare in talent, and equal in genius, but whose legacy is radically different. This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. If only she had found the means to create, argues Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Woolf takes on the establishment, using her gift of language to dissect the world around her and give voice to those who are without. Her message is a simple one: women must have a steady income and a room of their own in order to have the freedom to create. With a Foreword by Mary Gordon
By looking at what the Petersburg women did and thought and comparing their behavior with that of men, Lebsock discovers that they placed high value on economic security, on the personal, on the religious, and on the interests of other women. In a society committed to materialism, male dominance, and the maintenance of slavery, their influence was subversive. They operated from an alternative value system, indeed a distinct female culture.
In our journey toward spiritual evolution, each of us goes through the stages of Maiden (infant to puberty), Mother (adult and parent), and Crone (wise elder). Maiden, Mother, Crone is a guide to the myths and interpretations of the Great Goddess archetype and her three faces--so that we may better understand and gracefully accept the cycle of birth and death.
From the bestselling author of Nickel and Dimed, an explanation of recent sexual culture and the loosening of marriage bonds in recent history."Finally someone is offering a new, utterly plausible explanation...of loosening marriage bonds. According to Barbara Ehrenreich...it is men who started walking off, in search of freedom from their stifling role of breadwinner/success-machine. The shock--and exhilaration--of this book comes from the recognition that here is a woman who has dared to look beyond the everyday assumptions about love and commitment to examine which bonds between men and women can endure and which may last forever."--Vogue
Minnesota Book Award for Poetry finalist, 1995. "A very satisfying cumulative beauty. . . .These are, simply, poems about love (while not exactly love poems) and the many forms it takes. They are finally not about happiness. Best of all, they are smart enough to know the difference."--The Nation
Volume I - Gender and Representation in New German CinemaVolume II - German Film History / German History on FilmInternational film has received some of its most original impulses from German film makers however the works by women directors in German speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender. These volumes will be standard handbooks in film studies for many years to come.
"Required reading . . . " --Elizabeth Fernea, The University of Texas at Austin
"If a reader were to select only one book in order to gain insight into women's status and prospects in Islamic society, this study should be the one chosen for its clarity, honesty, depth of knowledge and thought-provoking qualities." --Arab Book World
In this expanded and updated edition, with a new introduction on Muslim women and fundamentalism, Mernissi argues that Islamic fundamentalism is in part a defense against recent changes in sex roles and perceptions of sexual identity.
Describes how the author and her family built a wilderness homestead in 1959 Montana that grew into a flourishing ranch and recounts the many adventures that found their roots in early American western and pioneering traditions.
Deborah Tannen's You Just Don't Understand spent nearly four years (in cloth and paper) on The New York Times Best Seller list and has sold over a million and a half copies. Clearly, Tannen's insights into how and why women and men so often misunderstand each other when they talk has touched a nerve. For years a highly respected scholar in the field of linguistics, she has now become widely known for her work on how conversational style differences associated with gender affect relationships. Her life work has demonstrated how close and intelligent analysis of conversation can reveal the extraordinary complexities of social relationships--including relationships between men and women.
Now, in Gender and Discourse, Tannen has gathered together six of her scholarly essays, including her newest and previously unpublished work in which language and gender are examined through the lens of "sex-class-linked" patterns, rather than "sex-linked" patterns. These essays provide a theoretical backdrop to her best-selling books--and an informative introduction which discusses her field of linguistics, describes the research methods she typically uses, and addresses the controversies surrounding her field as well as some misunderstandings of her work. (She argues, for instance, that her cultural approach to gender differences does not deny that men dominate women in society, nor does it ascribe gender differences to women's "essential nature.") The essays themselves cover a wide range of topics. In one, she analyzes a number of conversational strategies--such as interruption, topic raising, indirection, and silence--and shows that, contrary to much work on language and gender, no strategy exclusively expresses dominance or submissiveness in conversation--interruption (or overlap) can be supportive, silence and indirection can be used to control. It is the interactional context, the participants' individual styles, and the interaction of their styles, Tannen shows, that result in the balance of power. She also provides a fascinating analysis of four groups of males and females (second-, sixth-, and tenth-grade students, and twenty-five year olds) conversing with their best friends, and she includes an early article co-authored with Robin Lakoff that presents a theory of conversational strategy, illustrated by analysis of dialogue in Ingmar Bergman's Scenes from a Marriage.
Readers interested in the theoretical framework behind Tannen's work will find this volume fascinating. It will be sure to interest anyone curious about the crucial yet often unnoticed role that language and gender play in our daily lives.
This groundbreaking work examines the role of women in the Western healing traditions. Drawing on the disciplines of history, anthropology, botany, archaeology, and the behavioral sciences, Jeanne Achterberg discusses the ancient cultures in which women worked as independent and honored healers; the persecution of women healers in the witch hunts of the Middle Ages; the development of midwifery and nursing as women's professions in the nineteenth century; and the current role of women and the state of the healing arts, as a time of crisis in the health-care professions coincides with the reemergence of feminine values.