Part diary and part reportage, The Soccer War is a remarkable chronicle of war in the late twentieth century. Between 1958 and 1980, working primarily for the Polish Press Agency, Kapuscinski covered twenty-seven revolutions and coups in Africa, Latin America, and the Middle East. Here, with characteristic cogency and emotional immediacy, he recounts the stories behind his official press dispatches--searing firsthand accounts of the frightening, grotesque, and comically absurd aspects of life during war. The Soccer War is a singular work of journalism.
A riveting true-life tale of newspaper noir and Japanese organized crime from an American investigative journalist.Jake Adelstein is the only American journalist ever to have been admitted to the insular Tokyo Metropolitan Police Press Club, where for twelve years he covered the dark side of Japan: extortion, murder, human trafficking, fiscal corruption, and of course, the yakuza. But when his final scoop exposed a scandal that reverberated all the way from the neon soaked streets of Tokyo to the polished Halls of the FBI and resulted in a death threat for him and his family, Adelstein decided to step down. Then, he fought back. In Tokyo Vice he delivers an unprecedented look at Japanese culture and searing memoir about his rise from cub reporter to seasoned journalist with a price on his head.
-In the last twenty years, incidents of crime have declined by 25 percent.
-Automobiles of today emit just 1 percent of the pollution that spewed from cars of the 1970s.
-The national recycling rate is about 22 percent-seven times the rate of only ten years ago.
-The average human life span continues to increase.
Given all of these positive trends, why do so many people envision a bleak future for the world? More to the point, why are so many people scaring themselves to death?
In this lively and accessible expose, author H. Aaron Cohl reveals how media madness and simple human psychology fuel the fires of paranoia. He demonstrates how alarming headlines ("Breast Cancer Strikes One in Eight Women, " "U.S. News and World Report") are frequently derived from misunderstood or misquoted statistics ("Breast cancer strikes on in eight women at age 95," National Cancer Institute).
Readers will learn the encouraging realities of asbestos, drive-by shootings, and pesticides. Cohl also dispels misconceptions about mad cow disease, the greenhouse effect, and the dangers of air travel. Fresh, funny and informative, "Are We Scaring Ourselves to Death? "is a perfect antidote to sensationalized headlines of today's newspapers. H. Aaron Cohl has written a book that will put many troubled minds at ease.
Author Cohen, having been outed in the press as the source of records pertaining to the shoplifting conviction of the political rival of his client in a gubernatorial campaign, sued the paper for breach of contract as they had agreed to use him as an anonymous source. The case, Cohen vs. Cowles Media, eventually reached the Supreme Court and is now studied in First Amendment law. Here he provides his account of those events from the origins of his involvement in the political campaign to the eventual resolution of the case. Annotation ©2005 Book News, Inc., Portland, OR (booknews.com)
An anthology of both new and previously published essays and articles from one of the mainstays of the Washington, DC underground rock-and-roll scene, The Psychic Soviet is the most complete collection of writings by Ian Svenonius. The selections are written in a scholarly yet engaging style, filled with parody and biting humor that subvert capitalist culture, and cover such topics as the ascent of the DJ as a star, the cosmic depression that followed the defeat of the USSR, and the status of rock and roll as a religion. The pocket-sized book is bound with a durable bright-pink plastic cover, recalling the aesthetics of Mao s The Little Red Book, and perfect for carrying into the fray of street battle, classroom, or lunch counter argument."
Michael Massing describes the American press coverage of the war in Iraq as the unseen war, an ironic reference given the number of reporters in Iraq and in Doha, Qatar, the location of the Coalition Media Center with its $250,000 stage set. He argues that a combination of self-censorship, lack of real information given by the military at briefings, boosterism, and a small number of reporters familiar with Iraq and fluent in Arabic deprived the American public of reliable information while the war was going on.
Massing also is highly critical of American press coverage of the Bush administration's case for war prior to the invasion of Iraq:
US journalists were far too reliant on sources sympathetic to the administration. Those with dissenting views--and there were more than a few--were shut out. Reflecting this, the coverage was highly deferential to the White House. This was especially apparent on the issue of Iraq's weapons of mass destruction .... Despite abundant evidence of the administration's brazen misuse of intelligence in this matter, the press repeatedly let officials get away with it.
Once Iraq was occupied and no WMDs were found, the press was quick to report on the flaws of pre-war intelligence. But as Massing's detailed analysis demonstrates, pre-war journalism was also deeply flawed, as too many reporters failed to independently evaluate administration claims about Saddam's weapons programs or the inspection process. The press's postwar feistiness stands in sharp contrast to its submissiveness and meekness before the war--when it might have made a difference.
There has always been a certain kind of woman in motion pictures -- the girl who stays out late, drinks a little too much, and has sex before marriage. But until 1961, she was always the bad girl, who had to repent for her wild ways before the end of the film. All of that changed with the release of "Breakfast at Tiffany's," when Audrey Hepburn showed the world that a certain kind of woman could also be a heroine.In the first complete account of the making of this iconic film, Sam Wasson presents an abundance of behind-the-scenes facts and delicious gossip: Truman Capote wanted Marilyn Monroe to play the leading role; director Blake Edwards filmed multiple endings, and George Peppard was universally disliked on the set. With a colorful cast of characters that includes Colette, Edith Head, Givenchy and Henry Mancini, Fifth Avenue, 5 A.M. is the perfect guide to the movie that democratized glamour and paved the way for the social upheaval of the sixties. Sam Wasson studied film at Wesleyan University and the USC School of Cinematic Arts. He is the author of A Splurch in the Kisser: The Movies of Blake Edwards. He lives in Los Angeles. "Sam Wasson is a fabulous social historian ... Fifth Avenue, 5 A.M.] is as melancholy and glittering as Capote's story of Holly Golightly." -- The New Yorker
Laurie Hertzel wasn't yet a teenager in Duluth, Minnesota, when she started her first newspaper, which she appropriately christened Newspaper. Complete with the most sensational headlines of the day-MARGO FLUEGEL HAS ANOTHER BIRTHDAY -and with healthy competition from her little brothers and their rival publication, Magapaper (a magazine and a newspaper), this venture would become Hertzel's first step toward realizing what her heart was already set on: journalism as her future.
News to Me is the adventurous story of Hertzel's journey into the bustling world of print journalism in the mid-1970s, a time when copy was still banged out on typewriters by chain-smoking men in fedoras and everybody read the paper. A coming-of-age tale in more ways than one, Hertzel's eighteen-year career at the Duluth News Tribune began when journalism was a predominantly male profession. And while the newspaper trade was booming, Duluth had fallen on difficult times as factories closed and more and more people moved away. Hertzel describes her climb up the ranks of the paper against the backdrop of a Midwestern city during a time of extraordinary change. She was there during major events like the Congdon murders, the establishment of the BWCA, and the rise of Indian treaty rights, and eventually follows the biggest story of her life to Soviet Russia-and completely blows her deadline.
Written with the insight and humor of someone who makes a living telling stories, News to Me is the chronicle of a small-city newspaper on the cusp of transformation, an affectionate portrait of Duluth and its people, and the account of a talented, persistent journalist who witnessed it all and was changing right along with it-whether she wanted to or not.
(Oh, Newspaper doggedly outlasted the full-color Magapaper).
Americans create 57% of the world's advertising while representing only 6% of its population; half of our waking hours are spent immersed in the mass media. Persuasion has always been integral to the democratic process, but increasingly, thoughtful discussion is being replaced with simplistic soundbites and manipulative messages.Drawing on the history of propaganda as well as on contemporary research in social psychology, Age of Propaganda shows how the tactics used by political campaigners, sales agents, advertisers, televangelists, demagogues, and others often take advantage of our emotions by appealing to our deepest fears and most irrational hopes, creating a distorted vision of the world we live in. This revised and updated edition includes coverage of the Clinton/Lewinsky scandal, recent election campaigns, talk radio, teen suicide, U.F.O. abductions, the Columbine shootings, and novel propaganda tactics based on hypocrisy and false allegations.