Americans create 57% of the world's advertising while representing only 6% of its population; half of our waking hours are spent immersed in the mass media. Persuasion has always been integral to the democratic process, but increasingly, thoughtful discussion is being replaced with simplistic soundbites and manipulative messages.
Drawing on the history of propaganda as well as on contemporary research in social psychology, Age of Propaganda shows how the tactics used by political campaigners, sales agents, advertisers, televangelists, demagogues, and others often take advantage of our emotions by appealing to our deepest fears and most irrational hopes, creating a distorted vision of the world we live in.
This revised and updated edition includes coverage of the Clinton/Lewinsky scandal, recent election campaigns, talk radio, teen suicide, U.F.O. abductions, the Columbine shootings, and novel propaganda tactics based on hypocrisy and false allegations.
In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from The New Yorker over the same period.
Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head." What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.
Mitford's brave look at the funeral business, her attack on the Famous Writers School, and her war against a California University that insisted on fingerprinting her are accompanied by her running commentary on the strategies of muckraking journalism
Author Cohen, having been outed in the press as the source of records pertaining to the shoplifting conviction of the political rival of his client in a gubernatorial campaign, sued the paper for breach of contract as they had agreed to use him as an anonymous source. The case, Cohen vs. Cowles Media, eventually reached the Supreme Court and is now studied in First Amendment law. Here he provides his account of those events from the origins of his involvement in the political campaign to the eventual resolution of the case. Annotation ©2005 Book News, Inc., Portland, OR (booknews.com)
Elmer Anderson is best known as Minnesota's 30th governor, but he also published a newspaper. This book stems from his career as a journalist. It collects the best of his editorials and columns, revealing his interests in farming, the arts and more.
Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today.
How does the spectacle of the sufferings of others (via television or newsprint) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Susan Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001.
In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.
NEW YORK TIMES BESTSELLER
NEW YORK TIMES BEST BOOK OF 2010
"So smart and entertaining it should come with its own popcorn" - People
"A bonbon of a book... As well tailored as the little black dress the movie made famous." - Janet Maslin, New York Times
"Sam Wasson is a fabulous social historian." - The New Yorker
"Reads like carefully crafted fiction... Wasson] carries the reader from pre-production to on-set feuds and conflicts, while also noting Hepburn's impact on fashion (Givenchy's little black dress), Hollywood glamour, sexual politics, and the new morality. Capote would have been entranced." -- Publishers Weekly (starred review)
"Sam Wasson's exquisite portrait of Audrey Hepburn peels backs her sweet facade to reveal a much more complicated and interesting woman. He also captures a fascinating turning point in American history-- when women started to loosen their pearls, and their inhibitions. I devoured this book." -- Karen Abbott, author of Sin in the Second City
Fifth Avenue, 5 A.M. by Sam Wasson is the first ever complete account of the making of Breakfast at Tiffany's. With a cast of characters including Truman Capote, Edith Head, director Blake Edwards, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties, before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the nation, changing fashion, film, and sex, for good. With delicious prose and considerable wit, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills presenting Breakfast at Tiffany's as we have never seen it before--through the eyes of those who made it.
A total departure from previous writing about television, this book is the first ever to advocate that the medium is not reformable. Its problems are inherent in the technology itself and are so dangerous -- to personal health and sanity, to the environment, and to democratic processes -- that TV ought to be eliminated forever.
Weaving personal experiences through meticulous research, the author ranges widely over aspects of television that have rarely been examined and never before joined together, allowing an entirely new, frightening image to emerge. The idea that all technologies are "neutral," benign instruments that can be used well or badly, is thrown open to profound doubt. Speaking of TV reform is, in the words of the author, "as absurd as speaking of the reform of a technology such as guns."
Amid the hand-wringing over the death of "true journalism" in the Internet Age-the din of bloggers, the echo chamber of Twitter, the predominance of Wikipedia-veteran journalists and media critics Bill Kovach and Tom Rosenstiel have written a pragmatic guide to navigating the twenty-first century media terrain.
Yes, old authorities are being dismantled, new ones created, and the very nature of knowledge has changed. But seeking the truth remains the purpose of journalism. How do we discern what is reliable? Blur provides a road map, or more specifically, reveals the craft that has been used in newsrooms by the very best journalists for getting at the truth.
In an age when the line between citizen and journalist is becoming increasingly unclear, Blur is a crucial guide for those who want to know what's true.