Media Studies, General
Featured Items
Follow the Story: How to Write Successful Nonfiction
Follow the Story
How to Write Successful Nonfiction
Paperback      ISBN: 0684850672
Details the techniques necessary to write nonfiction books, articles, feature stories, and memoirs
You Are Being Lied to: The Disinformation Guide to Media Distortion, Historical Whitewashes and Cultural Myths
You Are Being Lied to
The Disinformation Guide to Media Distortion, Historical Whitewashes and Cultural Myths
Paperback      ISBN: 0966410076
This book acts as a battering ram against the distortions, myths and outright lies that have been shoved down our throats by the government, the media, corporations, organized religion, the scientific establishment and others who want to keep the truth from us. A group of researchers - investigative reporters, political dissidents, academics, media watchdogs, scientist-philosophers, social critics and rogue scholars - paints a picture of a world where crucial stories are ignored or actively suppressed and the official version of events has more holes in it than Swiss cheese. A world where real dangers are downplayed and nonexistent dangers are trumpeted. In short, a world where you are being lied to. You'll discover that a human being has already been cloned; Joseph McCarthy was not paranoid; museums refuse to display artifacts that conflict with the theory of evolution; the CIA has admitted to involvement in the drug trade; parents don't affect who their children become; plus further revelations involving Columbine, WWII, textbooks, Al Gore, George W. Bush, Timothy Leary and much more.
Variety Television Reviews, 1983-1986: Weekly Variety Television Reviews
Variety Television Reviews, 1983-1986
Weekly Variety Television Reviews
Hardcover      ISBN: 0824037928
First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
When Biometrics Fail: Gender, Race, and the Technology of Identity
When Biometrics Fail
Gender, Race, and the Technology of Identity
Paperback      ISBN: 0822351358
From digital fingerprinting to iris and retina recognition, biometric identification systems are a multibillion dollar industry and an integral part of post-9/11 national security strategy. Yet these technologies often fail to work. The scientific literature on their accuracy and reliability documents widespread and frequent technical malfunction. Shoshana Amielle Magnet argues that these systems fail so often because rendering bodies in biometric code falsely assumes that people's bodies are the same and that individual bodies are stable, or unchanging, over time. By focusing on the moments when biometrics fail, Magnet shows that the technologies work differently, and fail to function more often, on women, people of color, and people with disabilities. Her assessment emphasizes the state's use of biometrics to control and classify vulnerable and marginalized populations—including prisoners, welfare recipients, immigrants, and refugees—and to track individuals beyond the nation's territorial boundaries. When Biometrics Fail is a timely, important contribution to thinking about the security state, surveillance, identity, technology, and human rights.
Variety and Daily Variety Television Reviews 1993-1994
Variety and Daily Variety Television Reviews 1993-1994
Hardcover      ISBN: 0824037979
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Poison Penmanship: The Gentle Art of Muckraking
Poison Penmanship
The Gentle Art of Muckraking
Paperback      ISBN: 0374521190
Mitford's brave look at the funeral business, her attack on the Famous Writers School, and her war against a California University that insisted on fingerprinting her are accompanied by her running commentary on the strategies of muckraking journalism
The American Magazine
The American Magazine
Hardcover      ISBN: 0810919095
Provides a historical look at serial publications from the time of Ben Franklin to the present, and offers profiles and anecdotes of individuals in the industry
The Anime Machine: A Media Theory of Animation
The Anime Machine
A Media Theory of Animation
Paperback      ISBN: 0816651558
Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically "animetic" effects-the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation-through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP's manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the "animetic machine" encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.
Freedom And Entertainment: Rating the Movies in an Age of New Media
Freedom And Entertainment
Rating the Movies in an Age of New Media
Paperback      ISBN: 0521676541
Richard Vaughn's account of the development of the American movie rating system situates contemporary cinema within the turbulent context of the history of censorship, America's cultural wars, and the impact of new technologies that have transformed entertainment. Based on the private papers and oral history of Richard D. Heffner, who headed MPAA's Classification and Rating Administration for two decades, from 1974 to 1994, it chronicles the often tense working relationship between Heffner and Jack Valenti, the long-standing currently 83 year old President and Chief Executive of the Motion Picture Association of America. It also documents the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others. Heffner's memoirs reveal the conflicted behind-the-scenes history of the American movie rating system from the perspective of a man once called "the least-known most powerful person in Hollywood". Stephen Vaughn has taught the history of communication at the University of Wisconsin, Madison, since 1981. His previous books include Ronald Reagan in Hollywood: Movies and Politics (1994), The Vital Past: Writings on the Uses of History (1985), and Holding Fast the Inner Lines: Democracy, Nationalism and the Committee on Public Information (1980). He is General Editor of a three-volume Encyclopedia of American Journalism, and has published a two-volume annotated bibliography in electronic format.
Beyond Hypocrisy: Decoding the News in an Age of Propaganda
Beyond Hypocrisy
Decoding the News in an Age of Propaganda
Paperback      ISBN: 0896084353
This spirited book offers examples of duplicitous terminology, trenchant essays, satirical cartoons, and a cross-referenced doublespeak dictionary for the 1990s.