A magnificent history of the American conquest of the West; "a story full of authority and color, truth and prophecy" (The New York Times Book Review).In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of "Manifest Destiny," this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness.
At the center of this sweeping tale is Kit Carson, the trapper, scout, and soldier whose adventures made him a legend. Sides shows us how this illiterate mountain man understood and respected the Western tribes better than any other American, yet willingly followed orders that would ultimately devastate the Navajo nation. Rich in detail and spanning more than three decades, this is an essential addition to our understanding of how the West was really won.
A myth-shattering look at the women who helped to settle the West, told through their own words and illustrated with 150 period photographs. This is American history, not as it was romanticized, but as it was lived. "An authentic, refreshing, and even inspiring view of life on the frontier."--San Francisco Chronicle. Illustrations.
The triumphant true story of the native Hawaiian cowboys who shocked America at the 1908 world rodeo championships
A Pacific Northwest Book Award finalist * An NPR Best Book of the Year * An Oregon Book Award Finalist
"Groundbreaking. ... A must-read. ... An essential addition." --True West
In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world's greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka'au'a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions--and American legends.
An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith's Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West.
What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands' rugged volcanic slopes and through thick tropical forests since the late 1700s.
Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, "Holy City of the Cow." At the turn of the twentieth century, larger-than-life personalities like "Buffalo Bill" Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne's annual Frontier Days celebration into an unparalleled rodeo spectacle, the "Daddy of 'em All."
The hopes of all Hawaii rode on the three riders' shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn't just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of "cowboys versus Indians," and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.
When we think of the American West, we tend to conjure up images that are known the world over: bearded forty-niners leading pack mules up a mountain trail, the Oklahoma land stampede, Custer's Last Stand, and especially the range-riding, quick-shooting cowboy. But these familiar images are only a small part of western history. From the arrival of the Navajos in the Southwest more than seven hundred years ago, to the first Spanish settlements in New Mexico in the late sixteenth century, to the large Mormon migration to the Great Salt Lake, to the tourists flocking to the neon landscape of modern Las Vegas, the complex story of the West stretches across centuries, embracing many voices and contrasting cultures. The West is in fact as varied as America itself. Indeed, to enlarge on Wallace Stegner's singular phrase, the West is America, only more so.
Lavishly illustrated and based on the finest scholarship, The Oxford History of the American West is the first comprehensive study to do full justice to the rich complexity of this region. It brings together the work of twenty-eight leading western historians who explore this area from a dazzling number of perspectives. They provide insightful portraits of the West as a distinctive place of varied peoples--native and non-native, European and Asian, African and Latino--and of varied terrain--from the timbered Pacific Northwest to the Dakota Badlands, and from the fires of Kilauea to the ice cliffs of Glacier Bay, Alaska. They describe the great wealth generated by a series of spectacular bonanzas, such as gold at Sutter's Mill, copper in Butte, Montana, and oil on Alaska's north shore; illuminate the role of the West in the national and global economy; and consider the environmental challenges created by replacing buffalo with cattle or by designating national parks and military test sites. The book also examines the social forces behind the violence of the West, the great political movements that affected the region (most notably, the Populist Party), and the importance of families in settling the West (for instance, tracing one family's westward migration over 150 years). The authors provide important insights about many longstanding controversies, and they offer not only the fruits of the latest thinking about the West, but also a vivid sense of how people actually lived. For instance, we read of pioneers who grated green corn to make pudding they flavored with berries and grasshoppers, and who ate the culms (the soft inner linings of the stalks) like asparagus. Finally, each chapter concludes with an extensive annotated bibliography, offering a full review of related material, and there is a comprehensive index to guide readers to topcis of special interest.
Ranging from a thoughtful analysis of John Ford's classic My Darling Clementine, to a revisionist look at cattle grandee Granville Stuart (once Montana's most revered pioneer), to a survey of Western art and literature (including figures as diverse as Francis Parkman, Frederic Remington, Willa Cather, Georgia O'Keeffe, and N. Scott Momaday), this lively, authoritative volume continually challenges the familiar as it broadens the reader's understanding of a vast and varied region.
No figure has contributed as much to American culture as that of the cowboy. Describing American dreams and values as seen through the cowboy image, Jack Weston contrasts that image with reality: the hardworking rider who had to fight not only the elements but his employer in order to make a slender living. The Real American Cowboy is a fascinating account of real life in the Wild West-not glamorous as in the movies, but full of the excitement of a hard and dangerous trade. The very special treatment of the cowboy image in nineteenth-century journalism and the dime novel, and in the twentieth-century media as well, explains the growth of the cowboy myth and its effect on America's goals and assumptions. In analyzing the differences between the myth and the historical reality, this book offers an important new assessment of the Western-and the West-in fiction, film, and in life.
Pulitzer Prize-winning author Wallace Stegner tells about a thousand-mile migration marked by hardship and sudden death-but unique in American history for its purpose, discipline, and solidarity. Other Bison Books by Wallace Stegner include Mormon Country, Recapitulation, Second Growth, and Women on the Wall.
The must-have companion to Bill O'Reilly's historic series Legends and Lies: The Real West, a fascinating, eye-opening look at the truth behind the western legends we all think we know
How did Davy Crockett save President Jackson's life only to end up dying at the Alamo? Was the Lone Ranger based on a real lawman-and was he an African American? What amazing detective work led to the capture of Black Bart, the "gentleman bandit" and one of the west's most famous stagecoach robbers? Did Butch Cassidy and the Sundance Kid really die in a hail of bullets in South America? Generations of Americans have grown up on TV shows, movies and books about these western icons. But what really happened in the Wild West? All the stories you think you know, and others that will astonish you, are here--some heroic, some brutal and bloody, all riveting. Included are the legends featured in Bill O'Reilly's ten week run of historic episodic specials-from Kit Carson to Jesse James, Wild Bill Hickok to Doc Holliday-- accompanied by two bonus chapters on Daniel Boone and Buffalo Bill and Annie Oakley.
Frontier America was a place where instinct mattered more than education, and courage was necessary for survival. It was a place where luck made a difference and legends were made. Heavily illustrated with spectacular artwork that further brings this history to life, and told in fast-paced, immersive narrative, Legends and Lies is an irresistible, adventure-packed ride back into one of the most storied era of our nation's rich history.
William Cody (1846--1917), a.k.a. Buffalo Bill, was the most famous American of his age. A child of the frontier Great Plains, Cody was renowned as a Pony Express rider, prospector, trapper, Civil War soldier, professional buffalo hunter, Indian fighter, cavalry scout, horseman, dime-novel hero, and actor. But Buffalo Bill's greatest success was as impresario of the Wild West show, the traveling company of cowboys, Indians, Mexican vaqueros, and others, numbering in the hundreds, with which he toured North America and Europe for more than three decades. As Louis S. Warren reveals, the show company came to represent America itself, its dazzling mix of races sprung from a frontier past, welded into a thrilling performance, and making their way through the world via the modern technologies of railroad, portable electrical generator, telephones, and brilliantly colored publicity-an entrancing vision of the frontier-born, newly mechanized, polyglot United States in the Gilded Age.
Biographers have long disputed whether Cody was a hero or a charlatan. As Warren shows, the question already preoccupied critics and spectators during Cody's own lifetime. In fact, the savvy entertainer encouraged the dispute by mingling fictional exploits with his not inconsiderable achievements to construct the persona of an ideal frontiersman, a figure who was more controversial than has been commonly understood. At the same time, his show provided a means for rural westerners, including cowboys, cowgirls, and especially Lakota Sioux Indians, to claim a new future for themselves by reenacting a version of the past.
The most comprehensive critical biography of William Cody in more than forty years, "Buffalo Bill's America" places America's most renowned showman in the context of his cultural worlds in the Far West, in the East, and in Europe. A rich and revealing biography and social history of an American cultural icon.