Winterreise is perhaps the greatest song cycle ever written. Franz Schubert set to music the evocative poetry of his contemporary, German lyricist Wilhelm Muller. It is a heart-rending portrayal of a winter journey full of misery and woe.
This striking and unique multimedia volume brings together the achievements of Schubert and Muller with new interpretations by present-day musicians, scholars, and a photographer. The volume includes:
o the complete German text of Wilhelm Muller s twenty-four poems
o a new English translation of the poems by Louise McClelland Urban
o a foreword by Pulitzer Prize winning American composer John Harbison
o an introductory essay by renowned Schubert scholar Susan Youens
o ninety-two stunning black and white photographs of a winter s journey by Katrin Talbot
o a compact-disc recording of the Winterreise song cycle performed by baritone Paul Rowe and pianist Martha Fischer.
Mozart is the archetypal child prodigy whose genius triumphed over precociousness, and who later broke away from a loving but tyrannical father to pursue his vision unhampered. Peter Gay traces the development of the man and the composer who pushed every genre - especially opera - into new realms.
To its millions of fans, country music is America's music, offering a window on the sweet dreams and cruel disappointments of ordinary American lives. Now the renowned Country Music Foundation, custodian of Nashville's legendary Country Music Hall of Fame and Museum, has compiled a fascinating and infinitely useful guide to this beloved musical genre--The Encyclopedia of Country Music.
Nearly 1,300 complete and up-to-the-minute alphabetical entries put eight decades of country music at readers' fingertips, from the earliest '20s recordings of the Carter Family and Jimmie Rodgers to the '90s chart-topping albums of LeAnn Rimes and Garth Brooks. A distinguished field of 137 contributors provides an eminently readable and reliable guide to the singers, songwriters, record companies, and industry movers and shakers who have made country music the increasingly popular--and profitable--juggernaut it is today. There are entries for influential radio and television programs, and for key country landmarks from Nashville's Music Row to Bakersfield's Blackboard nightclub. Ten longer essays probe the historical, cultural, religious, artistic, and financial forces shaping country music. Hundreds of photographs, some never before published, accompany the text, including 75 color photographs from the CMF Library's record collection, surveying the history of the country music album cover. Twelve appendices provide lists of country's all-time best-selling albums, country music stations nationwide, all the country music awards won over the years, and much more.
Authoritative, accessible, and unerringly accurate, The Encyclopedia of Country Music will delight fans. It is an essential reference for libraries, radio stations, and the entertainment industry.
In the first full-scale life of the most
important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of
modernist compositional style--but also the private man.
Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar.
Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the
set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life.
Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play-
wright Arthur Laurents, which led to his first success--
as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage a la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and
A Little Night Music.
We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show.
A biography that is sure to become the standard work on Sondheim's life and art.
"From the Hardcover edition."
Written by one of jazz journalism's best and most knowledgeable critics, this book explores the full swing spectrum from its origins in the 1920s through its current retro resurgence. Features intriguing capsule biographies of 400 of the best musicians, from classic artists like Duke Ellington and Benny Goodman to retro swingers such as the Brian Setzer Orchestra and Lavay Smith and the Red Hot Skillet Lickers, with each artist's most notable CDs reviewed and rated, plus info on film appearances, books, and hard-to-find recordings. Includes insightful essays that explore this music's cultural impact, fun photos and swing memorabilia.
With two or three interviews in each issue of Vintage Guitar magazine, Willie G. Moseley has to be one of the most prolific guitar player interviewers on Earth. This, his fourth book, contains over 60 of his best interviews from the past several years with the greats of yesterday and today, including legends such as B.B. King, Billy Gibbons, Duane Eddy, and many more. Guitar People is fully illustrated and has an added bonus of tours of several American guitar companies. Now at a new lower price
Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done.