In The 50th Law, hip hop and pop culture icon 50 Cent (aka Curtis Jackson) joins forces with Robert Greene, bestselling author of The 48 Laws of Power, to write a "bible" for success in life and work based on a single principle: fear nothing. With stories from 50 Cent's life on the streets and in the boardroom as he rose to fame after the release of his album Get Rich or Die Tryin', as well as examples of others who have overcome adversity through understanding and practicing the 50th Law, this deeply inspirational book is perfect for entrepreneurs as well as anyone interested in the extraordinary life of Curtis Jackson.
Poor Superstar. All the money and fame in the world won't prevent him from having a bad hair day. Or stepping in gum. Or not being able to fit into skinny jeans, or watching helplessly as a scoop of ice cream falls from its cone.
Or so an unnamed Superstar's life is ingeniously imagined in this very funny book. Inspired by but not based on Jay Z's monster hit "99 Problems," illustrator Ali Graham riffs on what might be the real problems afflicting a world-famous music mogul who also happens to be married to the foremost diva of our time. Begun as a Tumblr, which went viral almost instantly, 99 Problems is a highly conceptual gift book showcasing 99 full-color illustrations of a cartoon character who looks just like a certain legendary rapper, and the often ordinary and sometimes fantastical things that happen to him. And that's where the book finds its hilarious, compulsive hook--in an age that worships celebrity and assumes, somewhat enviously, that fame and fortune can protect one from life's travails, what if that just weren't true? There's a surprising, underlying warmth here. Even when the author dips into flights of pop culture fantasy--Superstar on the bow of the Titanic; Superstar whipping up a bad batch alongside Walter White from Breaking Bad--the recognition of shared kinship is strong. It's a cartoon version of celebrity, but like the best cartoons, it's edgy and knowing, yet sweet, too.
With more than 500 reviews plus artist bios and the true tales of the birth of the art form, this is without a doubt the one book every hip-hop fan and would-be rapper needs.
In September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. This shift was triggered by the release of the Sugarhill Gang's single, Rapper's Delight. Not only did it usher rap music into the mainstream's consciousness, it brought us the word "hip-hop." And It Don't Stop, edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration.
This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like The Village Voice--controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan.
An extraordinary collection of lyrics showcasing rap's poetic depth and diversity
From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential musical and cultural forces of our time. In The Anthology of Rap, editors Adam Bradley and Andrew DuBois explore rap as a literary form, demonstrating that rap is also a wide-reaching and vital poetic tradition born of beats and rhymes.
This pioneering anthology brings together more than three hundred rap and hip-hop lyrics written over thirty years, from the "old school" to the "golden age" to the present day. Rather than aim for encyclopedic coverage, Bradley and DuBois render through examples the richness and diversity of rap's poetic tradition. They feature both classic lyrics that helped define the genre, including Grandmaster Flash & the Furious Five's "The Message" and Eric B. & Rakim's "Microphone Fiend," as well as lesser-known gems like Blackalicious's "Alphabet Aerobics" and Jean Grae's "Hater's Anthem."
Both a fan's guide and a resource for the uninitiated, The Anthology of Rap showcases the inventiveness and vitality of rap's lyrical art. The volume also features an overview of rap poetics and the forces that shaped each period in rap's historical development, as well as a foreword by Henry Louis Gates, Jr., and afterwords by Chuck D and Common. Enter the Anthology to experience the full range of rap's artistry and discover a rich poetic tradition hiding in plain sight.
A legend after a bullet killed him at the age of twenty-five, Tupac Shakur was the most riveting rap musician of his day. Far from being the insolent "gangsta" the press put forth, Shakur was fiercely intelligent, fearless, and determined to make a mark. Darrin Bastfield grew up with him in a rough Baltimore neighborhood. In this vivid memoir, Bastfield reveals Tupac Shakur as the teenager he really was: bound for greatness.In tight, edgy prose, Bastfield recalls seven years of friendship. Shakur, new in town, a skinny thirteen-year-old in shabby clothes, may have looked uncool, but he blew the school away at a talent show, an electrifying performance. It was at the Baltimore School for the Arts, however, where things really started to happen-an encounter with Salt-N-Pepa, the wild night of the 1988 senior prom. Shakur and Bastfield lived through it together, and in this memoir, it all comes alive again.
Praise for Beastie Boys Book "A fascinating, generous book with portraits and detail that float by in bursts of color . . . As with the band's] records, the book's structure is a lyrical three-man weave. . . . Diamond's voice is lapidary, droll. Horovitz comes on like a borscht belt comedian, but beneath that he is urgent, incredulous, kind of vulnerable. . . . Friendship is the book's subject as much as music, fame and New York."--The New York Times Book Review "Wild, moving . . . resembles a Beastie Boys LP in its wild variety of styles."--Rolling Stone
The Beat was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music.
Go-go--the only musical form indigenous to Washington, DC--features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
