This tribute to the great trumpeter, vocalist and ambassador of jazz, Louis Armstrong, includes many of the musician's autobiographical writings and personal letters. Berrett covers the man and his music from the 1920s to the present day.
100 golden jazz standards arranged by greats such as Bill Evans, George Shearing, Art Tatum, Teddy Wilson, Dave Brubeck, "Fats" Waller, and Duke Ellington. Titles include: Blue Moon * C Jam Blues * Ebb Tide * I'm in the Mood for Love * Mood Indigo * Satin
Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie's style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys, each sectin of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented, further ensuring their mastery.
Also available in Japanese from ATN, Inc.
In this comprehensive, 860-page hardcover resource, Scott Yanow traces the history of jazz through its recordings. Most live performances from this 60-year period (1895 to 1976) are lost forever, but jazz fans can still experience a rich legacy of recorded work. Painstakingly sorting through and colorfully commenting on thousands of CDs and LPs, Yanow points out which performances are the most representative of the great 20th-century artists, and which recordings are essential to jazz fans' collections. Along the way, he takes readers on a journey through the golden ages of jazz, covering styles such as New Orleans jazz, swing, bebop, cool jazz, Dixieland, hard bop, soul jazz, the avant-garde, and fusion - and showing how these forms diverge, develop, and continue to flourish. A must for jazz fans, scholars and serious collectors.
"The ultimate in art is self-expression, not escape."-Duke Ellington In this fascinating portrait of one of America's greatest musical legends, longtime friend and jazz historian Stanley Dance recounts the life of the incomparable Duke Ellington in his own words and in the words of the artists who played along with him: longtime co-composer Billy Strayhorn, saxophonists Johnny Hodges and Ben Webster, trumpeters Cootie Williams and Clark Terry, drummer Sonny Greer, vocalist Alice Babs, and organist Wild Bill Davis, among many others. There are also first-hand accounts of Ellington's world tours, performances in churches and the White House, interviews and public appearances, and a complete discography and chronology. The result is a timeless chronicle of the long and extraordinary career of a music master."The truest and most intimate portrait of the great Ellington that we have."-Whitney Balliett
Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done.
"...in the tradition of the best jazz autobiographies...a fascinating travelogue through the jazz world, filled with vivid images of Gene Krupa, Stan Kenton, Roy Eldridge and Billie Holiday...Her prose is as hip as her music." -The New York Times Book Review
Jelly's Blues vividly recounts the tumultuous life of Jelly Roll Morton (1890-1941), born Ferdinand Joseph Lamonthe to a large, extended family in New Orleans. A virtuoso pianist with a larger-than-life personality, he composed such influential early jazz pieces as "Kansas City Stomp" and "New Orleans Blues." But by the late 1930s, Jelly Roll Morton was nearly forgotten as a visionary jazz composer. Instead, he was caricatured as a braggart, a hustler, and, worst of all, a has-been. He was ridiculed by the white popular press and robbed of due royalties by unscrupulous music publishers. His reputation at rock bottom, Jelly Roll Morton seemed destined to be remembered more as a flamboyant, diamond-toothed rounder than as the brilliant architect of that new American musical idiom: Jazz.In 1992, the death of a New Orleans memorabilia collector unearthed a startling archive. Here were unknown later compositions as well as correspondence, court and copyright records, all detailing Morton's struggle to salvage his reputation, recover lost royalties, and protect the publishing rights of black musicians. Morton was a much more complex and passionate man than many had realized, fiercely dedicated to his art and possessing an unwavering belief in his own genius, even as he toiled in poverty and obscurity. An especially immediate and visceral look into the jazz worlds of New Orleans and Chicago, Jelly's Blues is the definitive biography of a jazz icon, and a long overdue look at one of the twentieth century's most important composers.
By using Scott Joplin's life as a window onto American social and cultural development at the turn of the century, this biography dramatizes the role of one brilliant African American musician in defining the culture of a still-young nation.