A collection of studies composed for musicians who wish to extend themselves in improvisation, composition, sight reading and general musicianship skills. Each etude has a theoretical explanation, suggestions for performance and tips for practice routines
Pianists who are looking for new and exciting Christmas arrangements will love to see these renditions by Steve Calderone. Writing club date arrangements with a jazz flair, Calderone uses hip chord changes to bring new life to 10 traditional carols. Perfect for holiday parties.
"...in the tradition of the best jazz autobiographies...a fascinating travelogue through the jazz world, filled with vivid images of Gene Krupa, Stan Kenton, Roy Eldridge and Billie Holiday...Her prose is as hip as her music." -The New York Times Book Review
In a series of candid interviews with jazz players, composers, and critics, Gene Lees explores racism in the past and present of jazz--both the white racism that for decades ghettoized black musicians and their music, and the prejudice that Lees documents of some black musicians against their white counterparts. With subjects ranging from Horace Silver to Dave Brubeck to Red Rodney, and a new introduction analyzing recent developments, Cats of Any Color chronicles jazz as a multiethnic art.
Biography -- Music -- African American Studies
Long before the recognized birth of ragtime and jazz such hard-working travelers as Perry George Lowery blew their horns and led their bands throughout America, shaping the sound of modern music while performing in cities and towns across the nation.
An exhausting on-the-road life caused Lowery's name to fade from music history. Even after dazzling America as a marquee soloist and the leader of minstrel and circus bands, Lowery (1870-1942) ended up in an unmarked grave in Cleveland, Ohio.
This biography, the only book-length study of this groundbreaking African American cornet player, resurrects his name. It is the story of a quiet maverick who became the standard that shook American music.
Lowery came from hardscrabble black settlers in Kansas. His family created an environment in which he could develop his musical talent. His life follows the evolution of American music via the circus, minstrelsy, and the vaudeville stage. From 1895 through 1942, he made his name not only as a musician but also as an author, columnist, teacher, showman, and entrepreneur. H. C. Brown of the Boston Conservatory called him the "World's Greatest Colored Cornet Soloist."
A road-weary show veteran, Lowery landed a spot in the Ringling Brothers Sideshow Band at the height of the golden age of circuses.
At a time when the nation slammed the doors on African American travel and opportunity, his work with the Ringling Brothers changed the music scene. By 1910, as a result of his performances, there were fourteen circus acts that employed African American bands.
Clifford Edward Watkins is professor of music at North Carolina A&T State University in Greensboro. His work has been published in the Encyclopedia of African-American Culture and Feel the Spirit: Studies in Nineteenth-Century Afro-American Music.
During the 1930s, swing bands combined jazz and popular music to create large-scale dreams for the Depression generation, capturing the imagination of America's young people, music critics, and the music business. Swingin' the Dream explores that world, looking at the racial mixing-up and musical swinging-out that shook the nation and has kept people dancing ever since."Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."--Jonathan Yardley, Washington Post Book World "An absorbing read for fans and an insightful view of the impact of an important homegrown art form."--Publishers Weekly " A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."--Tony Russell, Times Literary Supplement
From painters lofts and bohemian haunts in the Greenwich Village of the 1950s to funky clubs and Bowery bars like the Five Spot, jazz musician David Amram retraces in this engaging memoir the creative paths he followed through restless days and long, exhilarating nights with his collaborator and friend Jack Kerouac. With candor and humor, Amram re-creates the moments that shaped a mutually stimulating relationshiplike the jazz-poetry reading, the first ever in New York, he performed with Kerouac, whose On the Road had recently made him an overnight literary success; or like the 1959 film, Pull My Daisy, they hilariously made with fellow Beats Allen Ginsberg, Gregory Corso, Peter Orlovsky, and Larry Rivers. Amram illuminates the private side of Kerouac, too, his extraordinary intellect and his ardent pursuit of music and literature long after the critics had turned on him and many of his old friends had abandoned him. Among the last of a generation that altered the style and substance of the arts in its time, Amram also celebrates in this at once wise and affecting book the renascence of interest in Kerouacs work three decades after his death. For the beat indeed goes on. And so does the collaboration.
In this comprehensive, 860-page hardcover resource, Scott Yanow traces the history of jazz through its recordings. Most live performances from this 60-year period (1895 to 1976) are lost forever, but jazz fans can still experience a rich legacy of recorded work. Painstakingly sorting through and colorfully commenting on thousands of CDs and LPs, Yanow points out which performances are the most representative of the great 20th-century artists, and which recordings are essential to jazz fans' collections. Along the way, he takes readers on a journey through the golden ages of jazz, covering styles such as New Orleans jazz, swing, bebop, cool jazz, Dixieland, hard bop, soul jazz, the avant-garde, and fusion - and showing how these forms diverge, develop, and continue to flourish. A must for jazz fans, scholars and serious collectors.