Celebrate your love of Willy Wonka and the Chocolate Factory with this journal based on the classic movie.Originally released in 1971, Willy Wonka and the Chocolate Factory is one of the most endearingly popular movies of all time. Now fans can channel their inner Golden Ticket winner and record all their candy-inspired adventures in this deluxe journal. With sturdy construction and sewn binding, this journal lies flat, and the 192 ruled, acid-free pages of high-quality heavy stock paper take both pen and pencil nicely to invite a flow of inspiration. Includes a ribbon placeholder, elastic closure, 7.5 x 4.5-inch, and a geniune replica Golden Ticket
An immersive musical essay. A meditation on sanctuary. A moor walker's journal. A personal memoir of maternity. An archaeology of flight science and football, medieval medicine and compassion. A wonder tale. Karine Polwart's Wind Resistance is co-produced with the Royal Lyceum Theatre Edinburgh and was originally presented in association with Edinburgh International Festival 2016, supported through the Scottish Government's Edinburgh Festivals Expo Fund. Winner of the Best Music and Sound Award at the Critics' Awards for Theatre in Scotland (CATS) 2017.
In the half-century since its premiere, Fiddler on the Roof has become a supremely potent cultural landmark, beloved by audiences the world over. Now, in a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America.
It is first a story of the theater, as Solomon follows Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut and his starring role in a major Hollywood picture. And it is a cultural story, of a show that spoke to the deepest conflicts and desires the world over: the fraying of tradition, generational tension, the loss of roots. Entertaining and original, Wonder of Wonders reveals the profound legacy of a show about tradition that itself became a tradition.
The dean of Broadway musical directors examines the dynamics of how the book, music and lyrics work together to create such hits as My Fair Lady, Fiddler on the Roof, Guys and Dolls, Hair, Pal Joey, West Side Story, Company, South Pacific, Threepenny Opera and Porgy and Bess. Howard Kissel, chief theater critic for the New York Daily News, extends the reach of Engel's subjects by bringing them up to date with commentary on such shows as A Chorus Line, Nine, Sunday in the Park with George, Rent, Working and Falsettos. Kissel offers a thoughtful history on how musical theater has evolved in the three decades since Engel wrote Words with Music (1972) and how Engel's classic work remains vital and illuminating today.
(Applause Books). Incomparable and unique in their ability to write both libretti and lyrics, Oscar Hammerstein and Alan Jay Lerner brought the musical theater to an artistic peak that remains unsurpassed. From Show Boat, Oklahoma , and The Sound of Music to Brigadoon, My Fair Lady, and Camelot, they wrote the book and lyrics for one glittering gem after another. Drawing on a wealth of previously unpublished manuscripts, lyrics, letters, and interviews, Stephen Citron's dual biography brings to life the strikingly different worlds of Hammerstein and Lerner two remarkable artists who revolutionized musical theater. Citron's narrative brims with fascinating stories about these two master wordsmiths, sweeping readers along Hammerstein's roller-coaster career with its mixture of hits and flops contrasted sharply with Lerner's endless rewrites, eight marriages, and debilitating drug habits. Readers learn how Hammerstein and composer Richard Rodgers first wrote musicals together as undergraduates at Columbia University, then parted company for 20 years before reuniting to produce one smash hit after another. We also discover that the Loewe-Lerner team almost never made it past Brigadoon, due in part to Loewe's aspirations to become a serious composer and Lerner's chronic insecurities about his own talent. Along the way, we meet the century's greatest composers and actors including George Gershwin and Kurt Weill, Mary Martin and Rex Harrison whose transcendent melodies and showstopping performances combined with Hammerstein's and Lerner's words to leave an indelible mark on musical theater. Not only does Citron offer consummate analyses of his subjects' lyrics and probing insights into their plots and dialogue, he also provides a mini-reference packed with photographs of notable productions and of the artists themselves. The book also includes a complete list of works, an extensive bibliography, and a quintuple chronology of Hammerstein's and Lerner's lives in relation to events in the world and musical theater.
A behind-the-scenes story with more than a touch of theatrical magic about it, A Year with The Producers is a book for actors and theater fans everywhere.
"Philip Rose was in the right place so many times and he was the right person to be in those places. In this book he has written about the times and the people who lived in those times. He has written about history. To speak exactly, Philip Rose has made history. I welcome this book." - Maya Angelou
He penned songs such as "Witchcraft" and "The Best Is Yet to Come" (signature tunes for Frank Sinatra and Tony Bennett, respectively) and wrote such musicals as Sweet Charity, I Love My Wife, On the Twentieth Century, and The Will Rogers Follies - yet his life has gone entirely unexplored until now. You Fascinate Me So takes readers into the world and work of Tony, Grammy, and Emmy Award-winning composer/performer Cy Coleman, exploring his days as a child prodigy in the 1930s, his time as a hot jazz pianist and early television celebrity in the 1950s, and his life as one of Broadway's preeminent composers. This first-time biography of Coleman has been written with the full cooperation of his estate, and it is filled with previously unknown details about his body of work. Additionally, interviews with colleagues and friends, including Marilyn and Alan Bergman, Ken Howard, Michele Lee, James Naughton, Bebe Neuwirth, Hal Prince, Chita Rivera, and Tommy Tune, provide insight into Coleman's personality and career.
The name Florenz Ziegfeld Jr. (1867--1932) is synonymous with the decadent revues that the legendary impresario produced at the turn of the twentieth century. These extravagant performances were filled with catchy tunes, high-kicking chorus girls, striking costumes, and talented stars such as Eddie Cantor, Fanny Brice, Marilyn Miller, W. C. Fields, and Will Rogers. After the success of his Follies, Ziegfeld revolutionized theater performance with the musical Show Boat (1927) and continued making Broadway hits -- including Sally (1920), Rio Rita (1927), and The Three Musketeers (1928) -- several of which were adapted for the silver screen.
In this definitive biography, authors Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of the famous producer. Drawing on a wide range of sources -- including Ziegfield's previously unpublished letters to his second wife, Billie Burke (who later played Glinda the Good Witch in The Wizard of Oz), and to his daughter Patricia -- the Bridesons shed new light on this enigmatic man. They provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated with over seventy-five images, this meticulously researched book presents an intimate and in-depth portrait of a figure who profoundly changed American entertainment.