Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
The listener, to understand the opera fully, should understand the situations, the shades of emotion, the nuances of characterization described in the music. William Weaver's translations of seven of the greatest Verdi operas are designed for maximum fidelity to the immediate word. Eschewing artistic renderings, Mr. Weaver offers, on facing pages, exact translations and the corresponding Italian text. The operas chosen for this edition represent Verdi's major achievements in each of the significant periods of his creative life: the first trio of masterpieces, Rigoletto, Il Trovatore, and La Traviata; Un ballo in maschera and Aida from the middle period; Otello and Falstaff, the great late works. The music student as well as the opera buff will find this volume a very useful guide to Verdi's world.
A deluxe, comprehensive collection of 103 school and camp favorites. Contains patriotic songs, campfire songs, hiking songs, and even fun songs for use on buses. Includes melody line, lyrics, and guitar chords. Seventeen songs are performed on the stereo recordings.
First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Ch
A companion volume to The Art of Classical Guitar Playing. This book provides serious students of the classical guitar with enough exercise material to progress to the highest levels of competence.
Time To Begin, the cornerstone of the Music Tree series, is a unique and highly effective approach to beginning piano instruction. Starting with off-staff notation, it leads the student to reading direction and intervals, leading up to the discovery of the Grand Staff. Also included is a carefully designed program of rhythm, technic and creative work.
This rousing accordion solo collection contains 58 favorites from Europe, South America, Scandinavia, Eastern Europe and the Baltic countries. Titles are shown in both their respective native languages and in English.
John Cacavas has written an extensive book on the techniques of composing, orchestrating and arranging. Includes chapters on each section of the band and orchestra, voicing techniques as well as special chapters on concert band writing, choral writing, el
This book/CD package has been developed so that the beginning to intermediate drummer can practice in a wide range of styles along with all-star musicians Mike Stern on guitar and John Patitucci on bass. The styles covered include straight eighths, shuffl
Practice, motivation, learning, nutrition, competition, and family lifestyles are a few of the topics discussed by these experienced teachers, performers, and parents. To Learn with Love is treasured as a handbook by many Suzuki parents