This is a very popular guitar method. Its success lies in the fact that it is extremely easy to understand and very flexible. It moves at a slow, steady pace and enables you to play chord accompaniments in 7 primary guitar keys In addition, you will learn to strum blues chords and you will also begin to play fingerstyle backgrounds. A play-along CD is available to supplement this book, and the course is also taught on a video.
A great solo book for the accordion player who is just beginning. In the tradition of the Fun With series, Fun with the Accordion provides a wide range of favorites in both the folk and light classic styles, including polkas, ragtime, bluegrass, and m
In Oh Calcutta Kenneth Tynan has assembled a group of sketches which deal with almost every conceivable erotic fantasy and sexual reality that Western man has dreamt up or experienced. The distinguished roster of authors includes Samuel Beckett, Edna O'Brien, Jules Feiffer, Leonard Melfi, John Lennon, and, not to be outdone, Kenneth Tynan himself.
From Mozart's fabulous legato that "flowed like oil" to Beethoven's oceanlike surge, from Clara Schumann's touch "sharp as a pencil sketch" to Rubinstein's volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history's greatest pianists.Pulitzer Prize-winning critic and author Harold C. Schonberg presents vivid accounts of the artists' performances, styles, and even their personal lives and quirky characteristics-- such as Mozart's intense competition with Clementi, Lizst's magnetic effect on women (when he played, ladies flung their jewels on stage), and Gottschalk's persistent nailbiting, which left the keys covered with blood. Including profiles of Horowitz and Van Cliburn, among others, and chapters detailing the playing and careers of such modern pianists as de Larrocha, Ashkenazy, Gilels, Gould, Brendel, Bolet, Gutierrez, and Watts, The Great Pianists is a comprehensive and fascinating look at legendary performers past and present.
A moving adaptation of Frances Hodgson Burnett's 1911 novel, the story of a ten-year-old orphan's search for love and self-discovery in her uncle's locked garden. With her Tony-award winning book and lyrics, Norman recreates the classic form of the traditional American musical.
"Ambitions beyond the imagination of most Broadway musicals. Anyone who cares about the future of the American musical will want to see Jelly's Last Jam."--Frank Rich, The New York Times An intensive investigation of the life and work of composer/musician Jelly Roll Morton, Jelly's Last Jam breaks important ground, allowing African-American history to speak from the Broadway stage.
Compiled from the literary estate of the singer who brought a wildly lyrical poetry of the damned to the world of rock 'n' roll. Includes unpublished poems, drawings, photos, and a candid self-interview.
"...it is the evident quiet approbation which best pleases me It is apparent that this opera is rising rapidly and steadily in estimation." -- Mozart, letter to his wife, October 7-8, 1791.
Unfortunately, his tragic death a scant two months later prevented Mozart from ever realizing the full accuracy of this observation, made a few performances after the cool reception given The Magic Flute at its Viennese premiere.
In May 1791, Mozart's friend Emanuel Schikaneder commissioned The Magic Flute. In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist -- both Freemasons -- grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.
This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.