"...in the tradition of the best jazz autobiographies...a fascinating travelogue through the jazz world, filled with vivid images of Gene Krupa, Stan Kenton, Roy Eldridge and Billie Holiday...Her prose is as hip as her music." -The New York Times Book Review
This volume is reproduced directly from the famous Breitkopf & H rtel series published at Leipzig under the title Franz Schubert's Werke, Kritisch durchgesehene Gesammtausgabe. The music is edited by Eusebius Mandyczewski and Joseph Hellmesberger. Included are the Quintet in C Major (1828), the 15 quartets, and two trios for violin, viola, and violoncello.
Noteheads have been reproduced in a size large enough to be read easily while you play, and there is ample space between staves and in the margins for any notes, harmonic analyses, fingerings, or annotations that you may want to record on the score. The edition is practical for almost any use, whether as a study guide, a reference, or just a companion for your greater musical enjoyment.
This book presents a dozen timeless wedding themes from various sources arranged in idiomatic keys for flute or violin with tasteful piano accompaniment. A convenient pull-out part is included for the soloist.
Scoring for Voice
is a comprehensive, easy-to-use guide covering all aspects of vocal arranging. It includes a compact disc containing 50 examples of arranging techniques found in the text and covers such topics as scoring for 2-, 3-, and 4-part voices, scoring behind a soloist, vocal ranges, rehearsal techniques and voice-leading concepts.
From Mozart's fabulous legato that "flowed like oil" to Beethoven's oceanlike surge, from Clara Schumann's touch "sharp as a pencil sketch" to Rubinstein's volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history's greatest pianists.Pulitzer Prize-winning critic and author Harold C. Schonberg presents vivid accounts of the artists' performances, styles, and even their personal lives and quirky characteristics-- such as Mozart's intense competition with Clementi, Lizst's magnetic effect on women (when he played, ladies flung their jewels on stage), and Gottschalk's persistent nailbiting, which left the keys covered with blood. Including profiles of Horowitz and Van Cliburn, among others, and chapters detailing the playing and careers of such modern pianists as de Larrocha, Ashkenazy, Gilels, Gould, Brendel, Bolet, Gutierrez, and Watts, The Great Pianists is a comprehensive and fascinating look at legendary performers past and present.
"...it is the evident quiet approbation which best pleases me It is apparent that this opera is rising rapidly and steadily in estimation." -- Mozart, letter to his wife, October 7-8, 1791.
Unfortunately, his tragic death a scant two months later prevented Mozart from ever realizing the full accuracy of this observation, made a few performances after the cool reception given The Magic Flute at its Viennese premiere.
In May 1791, Mozart's friend Emanuel Schikaneder commissioned The Magic Flute. In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist -- both Freemasons -- grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.
This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.