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Classic Rock Covers
Classic Rock Covers
Paperback      ISBN: 3822855405
The Art of Writing Music: A Practical Book for Composers and Arrangers of Instrumental, Choral, and Electronic Music As Applied to Publication
The Art of Writing Music
A Practical Book for Composers and Arrangers of Instrumental, Choral, and Electronic Music As Applied to Publication
Paperback      ISBN: 0882846191

John Cacavas has written an extensive book on the techniques of composing, orchestrating and arranging. Includes chapters on each section of the band and orchestra, voicing techniques as well as special chapters on concert band writing, choral writing, el

You Can Teach Yourself Dulcimer
You Can Teach Yourself Dulcimer
Paperback      ISBN: 0871662663
The Nutcracker
The Nutcracker
Hardcover      ISBN: 051755285x

"A classic, new and complete. One of the ten best illustrated children's books of the year."
-- "New York Times Book Review"
The tale of "Nutcracker," written by E.T.A. Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.
Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of "Nutcracker" and created even more magnificent pictures especially for this book. He joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.
The world of "Nutcracker" is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

The Music Tree: A Plan for Musical Growth at the Piano : Time to Begin
The Music Tree
A Plan for Musical Growth at the Piano : Time to Begin
Paperback      ISBN: 0874876850

Time To Begin, the cornerstone of the Music Tree series, is a unique and highly effective approach to beginning piano instruction. Starting with off-staff notation, it leads the student to reading direction and intervals, leading up to the discovery of the Grand Staff. Also included is a carefully designed program of rhythm, technic and creative work.

The Secret Power of Music: The Transformation of Self and Society Through Musical Energy
The Secret Power of Music
The Transformation of Self and Society Through Musical Energy
Paperback      ISBN: 0892810564

This study of the hidden side of music and its subtle effects is one of the most detailed books ever written on the subject.
Art of Classical Guitar Playing
Art of Classical Guitar Playing
Paperback      ISBN: 0874870798

Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.

Twenty-Six Italian Songs and Arias: For Medium Low Voice
Twenty-Six Italian Songs and Arias
For Medium Low Voice
Paperback      ISBN: 0882844903

This authoritative edition of the world's most loved songs and arias draws on original manuscripts, historical first editions, and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers, as well as a singable rhymed translation, a readable prose translation, and a literal translation of every single word. This title is available in SmartMusic.

Sassy PB
Sassy PB
Paperback      ISBN: 0306805782

"A deeply felt portrait of an artist whose influence on a generation of vocalists was profound." -- New York Times Book Review

Sarah Vaughan possessed the most spectacular voice in jazz history. In Sassy, Leslie Gourse, the acclaimed biographer of Nat King Cole and Joe Williams, defines and celebrates Vaughan's vital musical legacy and offers a detailed portrait of the woman as well as the singer. Revealed here is "The Divine One" as only her closest friends and musical associates knew her.

By her early twenties Sarah Vaughan was singining with Dizzy Gillespie, Charlie Parker, and Billy Eckstine, helping them invent bebop. For forty-five years thereafter, she reigned supreme in both pop and jazz, with several million-selling hits (among them "Broken Hearted Melody," "Make Yourself Comfortable," and "Misty").

But life offstage was never smooth for Sarah Vaughan. Her voluptuous voice was matched by her exuberant appetite for excess: three failed marriages, financial difficulties through many changes in management, late-night jam sessions, liquor, and cocaine. In Sassy, though, we also see the feisty and unpretentious woman who worked hard all her life to support her parents and adopted daughter, and who came to savor the hard-won independence and worldwide acclaim she achieved as the greatest jazz singer of her generation.
Violin Playing as I Teach It
Violin Playing as I Teach It
Paperback      ISBN: 0486239179

Leopold Auer (1845-1930) belonged to that select company of violin virtuosos who not only established the level of artistic excellence for the nineteenth century, but also trained many of the violinists who surpassed that level in the twentieth. Mischa Elman, Jascha Heifetz, and Efrem Zimbalist (Sr.) were among Auer's students. Himself a pupil of the great Joseph Joachim, Auer will always be regarded as one of the most important violin pedagogues in history.
This exemplary collection of principles and guidelines was set down by the master after a lifetime of playing and teaching. Auer taught by example, and he directs violin teachers to inculcate the intricacies of execution by means of the violin itself, not simply by verbal instruction. He then devotes the rest of his advice to the violin pupil: how to hold the violin and bow, how to practice, and how to approach such matters of technique as tone production, vibrato, bowing methods including the legato, left-handed technique, double stops, trills, pizzicato, harmonics, and phrasing. In the concluding chapters Auer takes up the more general topics of style, stage fright, changes in the violin repertory, and, of great historical interest, his practical repertory hints ― what he gave his own students to play. Many of the book's chapters are illuminated by biographical details and anecdotes about famous musicians whom Auer knew: Davidov, Wieniawski, Seidel, Wilhemj, Sarasate, and von Bulow.
Receiving poor direction at an early age is disastrous for a violinist. As Auer says, There is no instrument whose absolute mastery at a later period presupposes such meticulous care and exactitude in the initial stages of study as does the violin. With this book every beginning violin student will have the benefit of the finest guidance.