These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method(R), or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.
This is a secret history of modern times, told by way of what conventional history tries to exclude. Lipstick Traces tells a story as disruptive and compelling as the century itself. Hip, metaphorical and allusive...--Gail Caldwell, Boston Sunday Globe. Full-color illustrations and halftones.
According to Larry Teal, the best method of learning to play the saxophone is to study with a competent teacher. Teal's studies were mostly of instruments other than the saxophone, but as a student at a Chautauqua summer session, he came under the influence of Georges Barr re, the eminent French flutist. He played bass clarinet with the Detroit Symphony, but he continued to be absorbed by the saxophone. As a result of his acquired expertise and growing reputation, he was appointed to a full-time faculty position as a saxophone teacher by the University of Michigan -- the first ever to receive such an appointment from a major university. During his 21-year tenure, he attracted students from all over, thus exerting an ever widening influence on saxophone teaching and performing.
This is a very popular guitar method. Its success lies in the fact that it is extremely easy to understand and very flexible. It moves at a slow, steady pace and enables you to play chord accompaniments in 7 primary guitar keys In addition, you will learn to strum blues chords and you will also begin to play fingerstyle backgrounds. A play-along CD is available to supplement this book, and the course is also taught on a video.
The listener, to understand the opera fully, should understand the situations, the shades of emotion, the nuances of characterization described in the music. William Weaver's translations of seven of the greatest Verdi operas are designed for maximum fidelity to the immediate word. Eschewing artistic renderings, Mr. Weaver offers, on facing pages, exact translations and the corresponding Italian text. The operas chosen for this edition represent Verdi's major achievements in each of the significant periods of his creative life: the first trio of masterpieces, Rigoletto, Il Trovatore, and La Traviata; Un ballo in maschera and Aida from the middle period; Otello and Falstaff, the great late works. The music student as well as the opera buff will find this volume a very useful guide to Verdi's world.
Perhaps the most accessible of all Wagnerian operas, Lohengrin has delighted generations of listeners since its premiere at Weimar in 1850. A remarkable composite of intense drama and elaborate choral writing, the magical tale of the Swan-Knight is suffused with an ethereal purity of tone. Moreover, the opera is replete with memorable music: the enduringly popular preludes to Acts I and III, the Swan music, and the immortal Bridal March, among other favorite themes.
Now this glorious masterpiece of instrumental and vocal writing is available in this complete, inexpensive, sturdily bound Dover edition. Reproduced directly from the first engraved edition (1887), it includes new translations of the dedication (a letter from Wagner to Liszt) and other German-language frontmatter.
Music lovers, opera buffs, admirers of Wagner, students, teachers -- all will rejoice to find this beloved opera available in its entirety -- in the authoritative Breitkopf & H rtel edition -- at a refreshingly reasonable cost.
"...in the tradition of the best jazz autobiographies...a fascinating travelogue through the jazz world, filled with vivid images of Gene Krupa, Stan Kenton, Roy Eldridge and Billie Holiday...Her prose is as hip as her music." -The New York Times Book Review