Celebrated sports journalist Robert Lipsyte--the New York Times' longtime lead sports columnist--mines pure gold from his long and very eventful career to bring readers a memoir like no other. An enthralling book, as much about personal relationships and the culture of sports as the athletes and teams themselves, An Accidental Sportswriter interweaves stories from Lipsyte's life and the events he covered to explore the connections between the games we play and the lives we lead. Robert Lipsyte has been there--from the Mets' first Spring Training to the fight that made Muhammad Ali an international icon to the current steroids scandals that rewired our view of sports--and in An Accidental Sportswriter he offers a fresh and refreshing view of the world of professional athletes as seen through the eyes of a journalist who always managed to remain independent of our jock-obsessed culture.
This haunting story of a son's quest to understand the mystery of his father's death is "searing and unforgettable...memoir writing at its best" (San Francisco Chronicle)--a "powerfully affecting" (O, The Oprah Magazine) portrait of a family and its legacy of secrets."Family? Secrets? Sometimes I think they are the same thing." So writes Michael Hainey in this unforgettable story of a son's search to discover the decades-old truth about his father's mysterious death. Hainey was a boy of six when his father, a bright and shining star in the glamorous, hard-living world of 1960s Chicago newspapers, died under mysterious circumstances. His tragic absence left behind not only a young widow and two small sons but questions about family and truth that would obsess Michael for decades. Years later, Michael undertakes a risky journey to uncover the true story about what happened to his father. Prodding reluctant relatives and working through a network of his father's old colleagues, Michael begins to reconcile the father he lost with the one he comes to know. At the heart of his quest is his mother, a woman of courage and tenacity--and a steely determination to press on with her life. A universal story of love and loss and the resilience of family in the face of hardship, After Visiting Friends is the account of a son who goes searching for his father, and in the journey discovers new love and admiration for his mother.
Frank Kearns was the go-to guy at CBS News for danger- ous stories in Africa and the Middle East in the 1950s, '60s, and early '70s. By his own account, he was nearly killed 114 times. He took stories that nobody else wanted to cover and was challenged to get them on the air when nobody cared about this part of the world. But his stories were warning shots for conflicts that play out in the headlines today.
In 1957, Senator John Kennedy described America's view of the Algerian war for independence as the Eisenhower Administration's "head in the sand policy." So CBS News decided to find out what was really happening there and to determine where Algeria's war for independence fit into the game plan for the Cold War. They sent Frank Kearns to find out.
Kearns took with him cameraman Yousef ("Joe") Masraff and 400 pounds of gear, some of which they shed, and they hiked with FLN escorts from Tunisia, across a wide "no-man's land," and into the Aures Mountains of eastern Algeria, where the war was bloodiest. They carried no passports or visas. They dressed as Algerians. They refused to bear weapons. And they knew that if captured, they would be executed and left in unmarked graves. But their job as journalists was to seek the truth whatever it might turn out to be.
This is Frank Kearns's diary.
When Decca and Tony first met, a decade earlier, she was a renowned Guardian journalist profiling leading politicians of the day; he was a dreadlocked criminal with a history of drug dealing and violence. No one thought the romance would last, but it did--until the tide swept Tony away, plunging Decca into the dark chasm of random tragedy.
Exploring race and redemption, privilege and prejudice, All at Sea is a breathtakingly honest, profound, and utterly unforgettable memoir.
Boasting equal parts scholarship and style, "All Governments Lie" is a highly readable, groundbreaking, and timely look at I. F. Stone -- one of America's most independent and revered journalists, whose work carries the same immediacy it did almost a half century ago, highlighting the ever-present need for dissenting voices. In the world of Washington political journalism, notorious for trading independence for access, I. F. "Izzy" Stone was so unique as to be a genuine wonder. Always skeptical -- "All governments lie, but disaster lies in wait for countries whose officials smoke the same hashish they give out," he memorably quipped -- Stone was ahead of the pack on the most pivotal twentieth-century trends: the rise of Hitler and Fascism, disastrous Cold War foreign policies, covert actions of the FBI and CIA, the greatness of the Civil Rights movement, the horror of Vietnam, the strengths and weaknesses of the antiwar movement, the disgrace of Iran-contra, and the class greed of Reaganomics. His constant barrage against J. Edgar Hoover earned him close monitoring by the FBI from the Great Depression through the Vietnam War, and even an investigation for espionage during the fifties. After making his mark on feisty New York dailies and in The Nation -- scoring such scoops as the discovery of American cartels doing business with Nazi Germany -- Stone became unemployable during the dark days of McCarthyism. Out of desperation he started his four-page I. F. Stone's Weekly, which ran from 1953 to 1971. The first journalist to label the Gulf of Tonkin affair a sham excuse to escalate the Vietnam War, Stone garnered worldwide fans, was read in the corridors of power, and became wealthy. Later, the "world's oldest living freshman" learned Greek to write his bestseller The Trial of Socrates. Here, for the first time, acclaimed journalist and author Myra MacPherson brings the legendary Stone into sharp focus. Rooted in fifteen years of research, this monumental biography includes information from newly declassified international documents and Stone's unpublished five-thousand-page FBI file, as well as personal interviews with Stone and his wife, Esther; with famed modern thinkers; and with the best of today's journalists. It illuminates the vast sweep of turbulent twentieth-century history as well as Stone's complex and colorful life. The result is more than a masterful portrait of a remarkable character; it's a far-reaching assessment of journalism and its role in our culture.
"A breathtaking read . . . a testimony equal parts love and candor. David would have had it no other way."--Ta-Nehisi Coates, bestselling author of Between the World and Me
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY GLAMOUR AND MARIE CLAIRE Dad: What will set you apart is not talent but will and a certain kind of humility. A willingness to let the world show you things that you play back as you grow as an artist. Talent is cheap.
Me: OK I will ponder these things. I am a Carr.
Dad: That should matter quite a bit, actually not the name but the guts of what that name means. A celebrated journalist, bestselling author (The Night of the Gun), and recovering addict, David Carr was in the prime of his career when he suffered a fatal collapse in the newsroom of The New York Times in 2015. Shattered by his death, his daughter Erin Lee Carr, at age twenty-seven an up-and-coming documentary filmmaker, began combing through the entirety of their shared correspondence--1,936 items in total--in search of comfort and support. What started as an exercise in grief quickly grew into an active investigation: Did her father's writings contain the answers to the question of how to move forward in life and work without her biggest champion by her side? How could she fill the space left behind by a man who had come to embody journalistic integrity, rigor, and hard reporting, whose mentorship meant everything not just to her but to the many who served alongside him? All That You Leave Behind is a poignant coming-of-age story that offers a raw and honest glimpse into the multilayered relationship between a daughter and a father. Through this lens, Erin comes to understand her own workplace missteps, existential crises, and relationship fails. While daughter and father bond over their mutual addictions and challenges with sobriety, it is their powerful sense of work and family that comes to ultimately define them. This unique combination of Erin Lee Carr's earnest prose and her father's meaningful words offers a compelling read that shows us what it means to be vulnerable and lost, supported and found. It is a window into love, with all of its fierceness and frustrations. "Thank you, Erin, for this beautiful book. Now I am going to steal all of your father's remarkable advice and tell my kids I thought of it."--Judd Apatow
Rob Spillman--the award-winning, charismatic cofounding editor of the legendary Tin House magazine--has devoted his life to the rebellious pursuit of artistic authenticity. Born in Germany to two driven musicians, his childhood was spent among the West Berlin cognoscenti, in a city two hundred miles behind the Iron Curtain. There, the Berlin Wall stood as a stark reminder of the split between East and West, between suppressed dreams and freedom of expression.After an unsettled youth moving between divorced parents in disparate cities, Spillman would eventually find his way into the literary world of New York City, only to abandon it to return to Berlin just months after the Wall came down. Twenty-five and newly married, Spillman and his wife, the writer Elissa Schappell, moved to the anarchic streets of East Berlin in search of the bohemian lifestyle of their idols. But Spillman soon discovered he was chasing the one thing that had always eluded him: a place, or person, to call home. In his intimate, entertaining, and heartfelt memoir, Spillman narrates a colorful, music-filled coming-of-age portrait of an artist's life that is also a cultural exploration of a shifting Berlin.
Rob Spillman, the award-winning, charismatic cofounding editor of Tin House, has devoted his life to the rebellious pursuit of artistic authenticity. In All Tomorrow's Parties, he takes us on a journey through the formative years of his youth in search of purpose--through Cold War to post-Wall Berlin and the gritty days of New York City's East Village in the eighties.Born in Germany to two driven musicians, his childhood was spent backstage among the West Berlin cognoscenti, in a city two hundred miles behind the Iron Curtain. There, the Berlin Wall stood as a stark reminder of the split between East and West, between suppressed dreams and freedom of expression. It was against this distinctive backdrop that he became inspired to live for art. After an unsettled youth moving between divorced parents in disparate cities, Spillman would eventually find his way into the literary world of New York City, only to abandon it to return to Berlin just months after the Wall came down. Twenty-five and newly married, Spillman and his wife moved to the bullet-pocked, anarchic streets of East Berlin in search of the bohemian lifestyle of their idols. But Spillman's constant striving--for inspiration and for identity--ultimately led him to discover that he was chasing the one thing that had always eluded him: a place, or person, to call home. All Tomorrow's Parties is an intimate, exhilarating, and heartfelt memoir; a colorful, music-filled coming-of-age portrait of an artist's life and an offbeat exploration of a shifting Berlin on the cusp of cultural renaissance.
What does it mean to lose your roots--within your culture, within your family--and what happens when you find them?
Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of giving her a better life, that forever feeling slightly out of place was her fate as a transracial adoptee. But as Nicole grew up--facing prejudice her adoptive family couldn't see, finding her identity as an Asian American and as a writer, becoming ever more curious about where she came from--she wondered if the story she'd been told was the whole truth.
With warmth, candor, and startling insight, Nicole Chung tells of her search for the people who gave her up, which coincided with the birth of her own child. All You Can Ever Know is a profound, moving chronicle of surprising connections and the repercussions of unearthing painful family secrets--vital reading for anyone who has ever struggled to figure out where they belong.