Plautus's broad humor, shown in some of the earliest surviving Latin plays, reflects Roman manners and contemporary life. This briliant collection includes: The Pot of Gold (Aulularia), The Prisoners (Captivi), The Brothers Menaechmus (Menaechmi), The Swaggering Soldier (Miles Gloriosus), and Pseudolus.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In the fourteenth century Geoffrey Chaucer, who served three kings as a customs official and special envoy, virtually invented English poetry. He did so by wedding the language of common speech to metrical verse, creating a medium that could accommodate tales of courtly romance, bawdy fabliaux, astute psychological portraiture, dramatic monologues, moral allegories, and its author's astonishing learning in fields from philosophy to medicine and astrology. Chaucer's accomplishment is unequalled by any poet before Shakespeare and--in The Canterbury Tales and Troilus and Cressida--ranks with that of the great English novelists.Both The Canterbury Tales and Troilus and Cressida are presented complete in this anthology, in fresh modern translations by Theodore Morrison that convey both the gravity and gaiety of the Middle English originals. The Portable Chaucer also contains selections from The Book of Duchess, The House of Fame, The Bird's Parliament, and The Legend of Good Women, together with short poems. Morrison's introduction is vital for its insights into Chaucer as man and artist, and as a product of the Middle Ages whose shrewdness, humor, and compassion have a wonderfully contemporary ring.
Considered an idiot because of his physical infirmities, Claudius survived the intrigues and poisonings of the reigns of Augustus, Tiberius, and the Mad Caligula to become emperor in 41 A.D. A masterpiece.
In all of literature, there are few books with the vitality of "The Golden Ass." The story follows Lucius, a young man of good birth, as he disports himself in the cities and along the roads of Thessaly. This is a wonderful tale abounding in lusty incident, curious adventure and bawdy wit.
Robert Graves (1895-1985) was a British poet, novelist, translator, and critic. His many books include the historical novels "I, Claudius" and "Claudius the God," the autobiography "Good-bye to All That," and the mythic/literary studies "The White Goddess" and "The Greek Myths."
In all of literature there are few books with the vitality of "The Golden Ass." Boccaccio borrowed freely from it; and later it served both to amuse and to instruct Cervantes, Fielding, and Smollett. T. E. Lawrence carried it in his saddlebags all through the Arab Revolt, and it was Lawrence who first introduced the book to his friend Robert Graves.
The story is about Lucius Apuleius, a young man of good birth, who, while disporting himself in the cities and along the roads of Thessaly, encountered many diverting and strange adventures. Not the least of these was that Apuleius suffered the indignity of being turned into an ass after trying to steal a sorceress's magic. How Apuleius supported his misfortune and how he contrived to dedicate himself to the one goddess who could help him resume his human form make up the body of this tale. "The Golden Ass" is rich in lusty incident, curious adventure, and bawdy wit.
"Robert Graves' translation abandons the aureate latinity of Apuleius for a dry, sharp, plain style--which is itself a small masterpiece of twentieth-century prose."--Kenneth Rexroth, "Saturday Review"
Based on the legends used in Greek drama, Seneca's plays are notable for the exuberant ruthlessness with which disastrous events are foretold and then pursued to their tragic and often bloodthirsty ends. Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Then a lethal black chemical cloud floats over their lives, an "airborne toxic event" unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladney family--radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmerings--pulsing with life, yet heralding the danger of death.
An invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.