Sins of our flesh become sins of Hers
Following Her to the grave, unseen, unheard
The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater--a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. "A keenly researched feminist arc of unexpected abundance, reckoning, intellect, and ferocious survival" (Maria Dahvana Headley, author of The Mere Wife) Sin Eater is "a dark, rich story replete with humor, unforgettable characters, and arcane mysteries. It casts a spell on your heart and mind until the final page" (Jennie Melamed, author of Gather the Daughters).
One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole--a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.
In her thirteenth year, Kirabo confronts a piercing question: who is my mother? Kirabo has been raised by women in the small Ugandan village of Nattetta--her grandmother, her best friend, and her many aunts--but the absence of her mother follows her like a shadow. Seeking answers from Nsuuta, the local witch, Kirabo learns about the woman who birthed her, who she discovers is alive but not ready to meet. Nsuuta also helps Kirabo understand the emergence of a mysterious second self, a headstrong and confusing force inside her--this, says Nsuuta, is a streak of the "first woman" an independent, original state that has been all but lost to women.
Kirabo's journey to reconcile these feelings, alongside her desire to reconnect with her mother and to honor her family's expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Jennifer Nansubuga Makumbi's A Girl is a Body of Water is an unforgettable, sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.
"No other novel this year captures so gracefully the full palette of America." --The Washington Post
"Wryly funny, gently devastating." --Entertainment Weekly
A funny and profound story about family in all its strange forms, joyful and hard-won vulnerability, becoming who you're supposed to be, and the limits of love. Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years--good years--but now they're not sure why they're still a couple. There's the sex, sure, and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye. In Japan he undergoes an extraordinary transformation, discovering the truth about his family and his past. Back home, Mitsuko and Benson are stuck living together as unconventional roommates, an absurd domestic situation that ends up meaning more to each of them than they ever could have predicted. Without Mike's immediate pull, Benson begins to push outwards, realizing he might just know what he wants out of life and have the goods to get it. Both men will change in ways that will either make them stronger together, or fracture everything they've ever known. And just maybe they'll all be okay in the end.
Named a Favorite Book of 2019 by Lit Hub
Named a Best Queer Book of 2019 by BuzzFeed and Book Marks Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros. Drunktown, New Mexico, is a place where men "only touch when they fuck in a backseat." Its landscape is scarred by violence: done to it, done on it, done for it. Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, "the closest men become is when they are covered in blood / or nothing at all." But if Jake Skeets's collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place--full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover's body: A spine becomes a railroad. "Veins burst oil, elk black." And "becoming a man / means knowing how to become charcoal." Rooted in Navajo history and thought, these poems show what has been brewing in an often forgotten part of the American literary landscape, an important language, beautiful and bone dense. Sculptural, ambitious, and defiantly vulnerable, the poems of Eyes Bottle Dark with a Mouthful of Flowers are coal that remains coal, despite the forces that conspire for diamond, for electricity.