In these widely praised essays, Calvino reflects on literature as process, the great narrative game in the course of which writer and reader are challenged to understand the world. Calvino himself made the selection of pieces to be included in this volume. Translated by Patrick Creagh. A Helen and Kurt Wolff Book
What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard
This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.
The collection of primary documents in this volume recapitulates the course of African American life during the first half of the 20th century, while it provides a context for reading an important literary work. Keyed to events in the novel, the documents include selections by African American leaders (Booker T. Washington, W.E.B. Du bois, and Marcus Garvey); selections by leading African American writers (Langston Hughes and Richard Wright); songs, folktales, and other examples of black vernacular culture; and readings on African American migration, black labour in the industrial North, the role of communism in African American politics, and the end of legal segregation in the United States.
The articles with which David Lodge entertained and enlightened readers of the Independent on Sunday and The Washington Post are now revised, expanded and collected together in book form.
The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magical Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accessible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their application demonstrated.
Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspirant writers, and anyone who wishes to understand how literature works.
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
Begun soon after 1386 and written during several years that followed, Geoffrey Chaucer's great narrative poem The Canterbury Tales presents a richly detailed, highly entertaining, and sometimes bawdy picture of English society in the fourteenth century. Rich with humorous insights into the many foibles of humanity, this poem is considered by most literary critics and scholars to be the first great example of literary art written in vernacular English. Its narrative opens as a party of 30 men and women from various walks of life gather at the Tabard Inn in London, from where they set out on a holy pilgrimage to Canterbury and its shrine dedicated to Thomas Becket. As they travel, each person has a story to tell.The most famous and beloved of Chaucer's stories are presented in interlinear form this intensely readable volume. Alternating each of Chaucer's original lines with its translation into modern English, this book encourages readers to savor the genius of Chaucer's original poetry while following each line with an easy-to-understand modern translation of his Southeast Midlands dialect of Middle English. This scholarly yet truly approachable translation of Chaucer's original poem is the work of Vincent F. Hopper, a longtime professor of English literature at New York University. He opens with the famous Prologue-- Whan that Aprille with his shoures sote
When April with his showers sweet
The droghte of Marche hath perced to the rote,
The drought of March has pierced to the root --and then goes on to present
This fine volume also includes an enlightening introductory essay on Chaucer's art, with Professor Hopper's commentary on England as it existed in the fourteenth century. He concludes with a short list of recommended reading on Chaucer's time and his art.
Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.
For more than thirty years, Fredric Jameson has been one of the most productive, wide-ranging, and distinctive literary theorists in the United States and the Anglophone world. Marxism and Form provided a pioneering account of the work of the major European Marxist theorists--T. W. Adorno, Walter Benjamin, Herbert Marcuse, Ernst Bloch, Georg Luk cs, and Jean-Paul Sartre--work that was, at the time, largely neglected in the English-speaking world. Through penetrating readings of each theorist, Jameson developed a critical mode of engagement that has had tremendous in.uence. He provided a framework for analyzing the connection between art and the historical circumstances of its making--in particular, how cultural artifacts distort, repress, or transform their circumstances through the abstractions of aesthetic form.
Jameson's presentation of the critical thought of this Hegelian Marxism provided a stark alternative to the Anglo-American tradition of empiricism and humanism. It would later provide a compelling alternative to poststructuralism and deconstruction as they became dominant methodologies in aesthetic criticism.
One year after Marxism and Form, Princeton published Jameson's The Prison-House of Language (1972), which provided a thorough historical and philosophical description of formalism and structuralism. Both books remain central to Jameson's main intellectual legacy: describing and extending a tradition of Western Marxism in cultural theory and literary interpretation.