Furniture History and Design
Arts & Crafts Design
A Selected Reprint of Industrial Arts Design
Paperback ISBN: 0879056991
Originally published in 1916 when the Arts & Crafts movement was in its heyday, this is a virtual textbook of materials, color, techniques, and designs. Arts & Crafts Design is a practical guide to the creation of high-quality, high-style furnishings through the industrial arts.
Chairs by Architects
1st Edition Paperback ISBN: 0500292507
Does an architect’s style always come across, regardless of medium? Pairing great buildings with great chairs by the same architect, Chairs by Architects demonstrates how the defining qualities of a building’s style can also be evident in that architect’s furniture designs. Pieces of furniture, like manifestos, become signatures of architectural style. The fifty-five architects featured here include early modern architectural pioneers such as Otto Wagner, Charles Rennie Mackintosh, Antoni Gaudí, and Walter Gropius, together with more recent modern masters such as Oscar Niemeyer, Santiago Calatrava, Zaha Hadid, Frank Gehry, and Daniel Libeskind.The book contains interviews on Designing (in conversation with David Adjaye), Manufacturing (with David E. Bright, Knoll, Inc.), Selling (with Zeev Aram), Collecting (with Richard Wright), and Preserving (with Susanne Graner, Vitra Design Museum). This is essential reading for everyone concerned with design, architecture, and the relationship between creators and their creations.
From Louis Xiii to Art Deco
Paperback ISBN: 0821226835
Concise descriptions and 750 detailed line drawings chronicle four hundred years in the history of French furniture design, from the era of Louis XIII to early twentieth-century Art Deco pieces, offering helpful tips on furniture styles, characteristics, design details, and more. 15,000 first printing.
In Plain Sight
Discovering the Furniture of Nathaniel Gould
Hardcover ISBN: 1907804331
In Plain Sight: Discovering the Furniture of Nathaniel Gould is the stunning result of happy accident and indefatigable, dedicated research. In the field of early American furniture made in Massachusetts, Nathaniel Gould has loomed as something of a mystery ? believed to have been prolific, handsomely skilled, and exceptionally enterprising, yet considered elusive because of a scarcity of known works, lack of documentation, and difficulties of attribution. Accident ? the unexpected discovery of Gould’s day books and account book in the collection of the Massachusetts Historical Society ? and analysis ? painstaking and inductive ? have produced an invaluable, multifaceted case study. This book establishes Gould unquestionably as Salem’s leading cabinetmaker before and during the period of the American Revolution. He made substantial and often expensive furniture, including case pieces of bombé form embellished with carving. The number of works that can be attributed to Gould remains small, but the foundation for increasingly assured connoisseurship lies within these pages and Gould’s archival records. The scale of his workshop, his impressively large, diverse clientele, and his successes in Salem’s furniture export trade attest to his achievements as an entrepreneur. However, this book illuminates not only a particular individual, but the Salem/Boston/New England spheres in which Gould operated during a tumultuous time in American history. The scrupulously recorded notations in his ledgers are precious clues to emerging concepts of style and taste, cultural mores, business practices, socio-economic circumstances, and familial histories with local, regional, and national relevance. In Plain Sight presents a choice array of forms confidently assigned to Gould’s shop, and makes accessible the ledgers themselves, meticulously analyzed and interpreted to facilitate present and ongoing scholarship regarding Nathaniel Gould, Salem, early New England furniture, and colonial America.