A Time Magazine Best Book of 2011, Featuring Nirvana, Pearl Jam, Soundgarden, Alice In Chains, Mudhoney and moreTwenty years after the release of Nirvana's landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn't until five years later, with the seemingly overnight success of Nirvana's "Smells Like Teen Spirit," that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge's big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle's cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews--with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more--and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.
Dylan Jones's engrossing, magisterial biography of David Bowie is unlike any Bowie story ever written. Drawn from over 180 interviews with friends, rivals, lovers, and collaborators, some of whom have never before spoken about their relationship with Bowie, this oral history weaves a hypnotic spell as it unfolds the story of a remarkable rise to stardom and an unparalleled artistic path.Tracing Bowie's life from the English suburbs to London to New York to Los Angeles, Berlin, and beyond, its collective voices describe a man profoundly shaped by his relationship with his schizophrenic half-brother Terry; an intuitive artist who could absorb influences through intense relationships and yet drop people cold when they were no longer of use; and a social creature equally comfortable partying with John Lennon and dining with Frank Sinatra. By turns insightful and deliciously gossipy, David Bowie is as intimate a portrait as may ever be drawn. It sparks with admiration and grievances, lust and envy, as the speakers bring you into studios and bedrooms they shared with Bowie, and onto stages and film sets, opening corners of his mind and experience that transform our understanding of both artist and art. Including illuminating, never-before-seen material from Bowie himself, drawn from a series of Jones's interviews with him across two decades, David Bowie is an epic, unforgettable cocktail-party conversation about a man whose enigmatic shapeshifting and irrepressible creativity produced one of the most sprawling, fascinating lives of our time.
In Voices of Rondo, real-life stories illuminate the northern urban Black experience during the first half of the twentieth century, through the memories and reflections of residents of Saint Paul's historic Rondo community. We glimpse the challenges of racism and poverty and share the victories of a community that educated its children to become strong, to find personal pride, and to become the next generation of leaders in Saint Paul and beyond.
Millions of undocumented immigrants live in the United States under constant threat of imprisonment or deportation. They survive underground, with little protection from exploitation by human smugglers, employers, or law enforcement. Underground America presents the remarkable oral histories of men and women struggling to carve out a life in the United States.
Among the narrators:
Farid, an Iranian-American business owner who employs a number of American citizens while he himself remains undocumented. A critic of the Iranian government, he fears for his safety if he is deported to his native country.
Diana, who along with thousands of other Latino workers helped rebuild the Gulf Coast after Hurricane Katrina. After completing her work, she and many others were detained and imprisoned for not having proper documentation.
Liso, who was enticed to come to the United States as a religious missionary, but on arrival was forced into unpaid domestic labor.
From more than ten thousand interviews, StoryCorps-the largest oral history project in the nation's history-presents a tapestry of American stories, told by the people who lived them to the people they love.
StoryCorps began with the idea that everyone has an important story to tell. And since 2003, this remarkable project has been collecting the stories of everyday Americans and preserving them for future generations. In New York City and in mobile recording booths traveling the country-from small towns to big cities, at Native American reservations and an Army post-StoryCorps is collecting the memories of Americans from all ages, backgrounds, and walks of life. The project represents a wondrous nationwide celebration of our shared humanity, capturing for posterity the stories that define us and bind us together.
In "Listening Is an Act of Love," StoryCorps founder and legendary radio producer Dave Isay selects some of the most remarkable stories from the already vast collection and arranges them thematically into a moving portrait of American life. The voices here connect us to real people and their lives-to their experiences of profound joy, sadness, courage and despair, to good times and hard times, to good deeds and misdeeds.
To read this book is to be reminded of how rich and varied the American storybook truly is, how resistant to easy categorization or caricature. Above all, this book honors the gift each StoryCorps participant has made, from the raw material of his or her life, to the Americans who will come after. We are our history, individually and collectively, and "Listening Is an Act of Love" touchingly reminds us of this powerful truth.
The result of more than 40 years of research, The Amazing Death of Calf Shirt and Other Blackfoot Stories is a unique oral history spanning three hundred years of the Blackfoot people. Dating back as far as 1690, the stories collected here by Hugh Dempsey tell of renowned Blackfoot warriors such as Calf Shirt and Low Horn, of those who tried to adapt to a changing world, and of others who rebelled against the government's attempts to control their lives. These stories are factual, based on extensive interviews with Blackfoot elders as well as research into government documents, accounts of early travelers, and records kept by missionaries, Indian Department officials, and the Mounted Police.
Once free and independent buffalo hunters, the members of the Blackfoot Nation-the Blood, Blackfoot, and Peigan-were forced onto reserves in the 1880s. These stories portray the problems and traumas accompanying those changes: the clash of Native and white cultures and the hardships the Blackfoot endured through years of poverty on their new reserves. The elders' tales are reminiscences on buffalo hunts, exciting raids on enemy camps, and the freedom of wandering the prairies. Good and evil spirits being an everyday reality of Blackfoot life, the stories also explore the supernatural.