Rita Dove's Collected Poems 1974-2004 showcases the wide-ranging diversity that earned her a Pulitzer Prize, the position of U.S. poet laureate, a National Humanities Medal, and a National Medal of Art. Gathering thirty years and seven books, this volume compiles Dove's fresh reflections on adolescence in The Yellow House on the Corner and her irreverent musings in Museum. She sets the moving love story of Thomas and Beulah against the backdrop of war, industrialization, and the civil right struggles. The multifaceted gems of Grace Notes, the exquisite reinvention of Greek myth in the sonnets of Mother Love, the troubling rapids of recent history in On the Bus with Rosa Parks, and the homage to America's kaleidoscopic cultural heritage in American Smooth all celebrate Dove's mastery of narrative context with lyrical finesse. With the "precise, singing lines" for which the Washington Post praised her, Dove "has created fresh configurations of the traditional and the experimental" (Poetry magazine).
This poetry collection explores the vision of the black man in white imagination, as well as the black family and the barriers of color, class, and caste that tear it apart. These two main themes showcase Cornelius Eady's range: his deft wit, inventiveness, and skillfully targeted anger, and the way in which he combines the subtle with the charged, street idiom with elegant inversions, harsh images with the sweetly ordinary.
Includes poems that inspired the libretto for Eady's music-drama Running Man, a 1999 Pulitzer Prize finalist.
The first all-new collection of poems since 2011's Snowflake/different streets--and following the critically acclaimed Afterglow (a dog memoir), as well as the volume of selected poems, I Must Be Living Twice--here, in Evolution, we find the eminent, exuberant writer at the forefront of American literature, upending genre in a new vernacular that enacts--like nobody else--the way we speak (inside and out) today. Evolution, with its channeling of Quakers, Fresca, and cell phones, radiates vital insight, purpose, and risk, like in these opening lines of the title poem:Something
so I buy
a Diet Coke &
a version of "me"
about me on the
earth & its sneakers
& feeling like
the earth's furniture
but that can't be
true or like
the coke & the Times
it's true for a little
Rich is one of the greatest American poets of the past half century . . . attested to both by the extraordinary power of her poems and by the laurels she s racked up. . . . The events of our blood-dimmed decade have afforded Rich a subject for some of her strongest material. Sara Marcus, San Francisco Chronicle"
A new volume of poetry from the New York Times bestselling and esteemed author of The Liar's Club and Lit.
Long before she earned accolades for her genre-defining memoirs, Mary Karr was winning poetry prizes. Now the beloved author returns with a collection of bracing poems as visceral and deeply felt and hilarious as her memoirs. In Tropic of Squalor, Karr dares to address the numinous--that mystery some of us hope towards in secret, or maybe dare to pray to. The "squalor" of meaninglessness that every thoughtful person wrestles with sits at the core of human suffering, and Karr renders it with power--illness, death, love's agonized disappointments. Her brazen verse calls us out of our psychic swamplands and into that hard-won awareness of the divine hiding in the small moments that make us human. In a single poem she can generate tears, horror, empathy, laughter, and peace. She never preaches. But whether you're an adamant atheist, a pilgrim, or skeptically curious, these poems will urge you to find an inner light in the most baffling hours of darkness.
All the work of this major poet who has "set a new standard for American poetry."*
Collected Poems brings together in one volume C. K. Williams's work of nearly forty years, enabling readers to follow the career of this great poet through its many phases and reinventions.
Here are his confrontational early poems, which bristle with a young idealist's righteous anger. Here are the roomy, rangy poems of Tar and With Ignorance, in which Williams married the long line of Whitman to a modern's psychological self-scrutiny; the compact sonnets of Flesh and Blood; and the inward investigations of A Dream of Mind. Here are the incomparable poems from the prize winning books Repair and The Singing. Here, too, are new poems, in which Williams's moral vigilance is brought to bear, again, on life during wartime. Collected Poems is the life's work of a modern master--fiercely intelligent, arresting in its beauty, unforgettable in its echoes and reverberations.
A National Book Critics Circle Poetry Award Winner
From the breakout author of There Are More Beautiful Things Than Beyonc comes a profound and deceptively funny exploration of Black American womanhood.
"Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read--both as an account of a private life and as searing political protest." --TIME Magazine
A Best Book of 2019 at TIME, Elle, BuzzFeed, the Star Tribune, AVClub, and more.
A Most Anticipated Book of 2019 at Vogue, O: the Oprah Magazine, NYLON, BuzzFeed, Publishers Weekly, and more.
"The coolest class on campus" - The New York Times
When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn't even deign to attend the medal ceremony?
In Why Bob Dylan Matters, Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan's Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar--affectionately dubbed "Dylan 101"--Thomas is introducing a new generation of fans and scholars to the revered bard's work.
This witty, personal volume is a distillation of Thomas's famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. Asking us to reflect on the question, "What makes a classic?", Thomas offers an eloquent argument for Dylan's modern relevance, while interpreting and decoding Dylan's lyrics for readers. The most original and compelling volume on Dylan in decades, Why Bob Dylan Matters will illuminate Dylan's work for the Dylan neophyte and the seasoned fanatic alike. You'll never think about Bob Dylan in the same way again.
From "Whereof the Gift Is Small"
And short the season, first rubythroat in the fading lilacs, alyssum in bloom a honeybee bumbling in the bleeding hear on my gelding s grave while beetles swar him underground. Wet feet, wet cuffs little flecks of buttercup on my sneaker toes bluets, violets crowding out the tuft of rich new grass the horses nos and nibble like sleepwalkers held fast brittle beauty might this be the last?"