A LOCUS AWARD FINALISTCharlie Jane Anders, the nationally bestselling author of All the Birds in the Sky delivers a brilliant new novel set in a hauntingly strange future with #10 LA Times bestseller The City in the Middle of the Night. WOULD YOU GIVE UP EVERYTHING TO CHANGE THE WORLD? Humanity clings to life on January--a colonized planet divided between permanently frozen darkness on one side, and blazing endless sunshine on the other. Two cities, built long ago in the meager temperate zone, serve as the last bastions of civilization--but life inside them is just as dangerous as the uninhabitable wastelands outside. Sophie, a young student from the wrong side of Xiosphant city, is exiled into the dark after being part of a failed revolution. But she survives--with the help of a mysterious savior from beneath the ice. Burdened with a dangerous, painful secret, Sophie and her ragtag group of exiles face the ultimate challenge--and they are running out of time. WELCOME TO THE CITY IN THE MIDDLE OF THE NIGHT Like a classic from another timeline... this book has notes of Ursula K. Le Guin and Phillip Pullman. --Robin Sloan, author of Sourdough
"I just love the world of Patrick Rothfuss." --Lin-Manuel Miranda - "He's bloody good, this Rothfuss guy." --George R. R. Martin - "Rothfuss has real talent." --Terry Brooks OVER 1 MILLION COPIES SOLD
DAY ONE: THE NAME OF THE WIND My name is Kvothe.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me. So begins a tale unequaled in fantasy literature--the story of a hero told in his own voice. It is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.
Praise for The Kingkiller Chronicle: "The best epic fantasy I read last year.... He's bloody good, this Rothfuss guy."
--George R. R. Martin, New York Times-bestselling author of A Song of Ice and Fire "Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous."
--Terry Brooks, New York Times-bestselling author of Shannara It is a rare and great pleasure to find a fantasist writing...with true music in the words.
--Ursula K. Le Guin, award-winning author of Earthsea The characters are real and the magic is true."
--Robin Hobb, New York Times-bestselling author of Assassin's Apprentice Masterful.... There is a beauty to Pat's writing that defies description.
--Brandon Sanderson, New York Times-bestselling author of Mistborn
A New York Times Notable Book
Louise Erdrich, the New York Times bestselling, National Book Award-winning author of LaRose and The Round House, paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event.
The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backwards, as woman after woman gives birth to infants that appear to be primitive species of humans. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant.
Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe living on the reservation, to understand both her and her baby's origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity.
There are rumors of martial law, of Congress confining pregnant women. Of a registry, and rewards for those who turn these wanted women in. Flickering through the chaos are signs of increasing repression: a shaken Cedar witnesses a family wrenched apart when police violently drag a mother from her husband and child in a parking lot. The streets of her neighborhood have been renamed with Bible verses. A stranger answers the phone when she calls her adoptive parents, who have vanished without a trace. It will take all Cedar has to avoid the prying eyes of potential informants and keep her baby safe.
A chilling dystopian novel both provocative and prescient, Future Home of the Living God is a startlingly original work from one of our most acclaimed writers: a moving meditation on female agency, self-determination, biology, and natural rights that speaks to the troubling changes of our time.
"The work of the newest major talent in fantasy." --Wall Street Journal
"Compulsively readable, with the deep, resonant magic of a world where reality is up for grabs. Unputdownable." --Boing Boing
Carloyn knows she's a little bit...odd. But she figures that's only natural when she's spent her life locked away in an infinite Library, forced to study at the feet of the man who might be God. She's seen her share of terrible things in those years, even died a few times herself.
"Deeply satisfying...succeeds on a grand scale...best of all is the language....Hopkinson's narrative voice has a way of getting under the skin." -- The New York Times Book Review"Caribbean patois adorns this novel with graceful rhythms...Beneath it lie complex, clearly evoked characters, haunting descriptions of exotic planets, and a stirring story... This book] ought to elevate Hopkinson to star status." --Seattle Times It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival--until her power-corrupted father commits an unforgiveable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Tan-Tan must reach into the heart of myth and become the Robber Queen herself. For only the Robber Queen's legendary powers can save her life . . . and set her free.
A Best Book of 2017: NPR, The Guardian, Publishers Weekly, Library Journal, Bustle, Bookish, Barnes & Noble, Chicago Public Library, Book Scrolling.
CLMP Firecracker Award Winner
A Stonewall Book Award Honor Book
Finalist for the 2018 Locus Award, John W. Campbell Award for Best New Writer, and the Lambda Literary Award.
Nominated for the 2018 Hurston/Wright Legacy Award for Debut Novel
"What Solomon achieves with this debut--the sharpness, the depth, the precision--puts me in mind of a syringe full of stars. I want to say about this book, its only imperfection is that it ended. But that might give the wrong impression: that it is a happy book, a book that makes a body feel good. It is not a happy book. I love it like I love food, I love it for what it did to me, I love it for having made me feel stronger and more sure in a nightmare world, but it is not a happy book. It is an antidote to poison. It is inoculation against pervasive, enduring disease. Like a vaccine, it is briefly painful, leaves a lingering soreness, but armors you from the inside out."
"In Rivers Solomon's highly imaginative sci-fi novel An Unkindness of Ghosts, eccentric Aster was born into slavery on--and is trying to escape from--a brutally segregated spaceship that for generations has been trying to escort the last humans from a dying planet to a Promised Land. When she discovers clues about the circumstances of her mother's death, she also comes closer to disturbing truths about the ship and its journey."
"What Solomon does brilliantly in this novel is in the creation of a society in which dichotomies loom over certain aspects of the narrative, and are eschewed by others...Hearkening back to the past in visions of the future can hold a number of narrative purposes...The past offers us countless nightmares and cautionary tales; so too, I'm afraid, can the array of possible futures lurking up ahead."
"This book is a clear descendent of Octavia Butler's Black science fiction legacy, but grounded in more explicit queerness and neuroatypicality."
"Ghosts are 'the past refusing to be forgot, ' says a character in this assured science-fiction debut. That's certainly the case aboard the HSS Matilda, a massive spacecraft arranged along the cruel racial divides of pre-Civil War America."
Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world.
Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.