The most extensive collection of Grey's visionary artwork and life's journey in one volume- Includes a foreword by Albert Hofmann and essays on Grey's work by renowned art critic Donald Kuspit, philosopher Ken Wilber, and Stephen Larsen, author of Joseph Campbell: A Fire in the Mind - 21,000 sold in hardcover since October 2001 Every once in a great while an artist emerges who does more than simply reflect the social trends of the time. Such an artist is able to transcend established thinking and help us redefine ourselves and our world. Today, a growing number of art critics, philosophers, and spiritual seekers believe that they have found that vision in the art of Alex Grey. Transfigurations, the follow-up to Grey's Sacred Mirrors (1991)--one of the most successful art books of the 1990s--includes all of Grey's major works completed in the following decade, including the masterful seven-paneled altarpiece Nature of Mind, called "the grand climax of Grey's art" by Donald Kuspit. His portrayals of human beings blend anatomical exactitude with visionary depictions of universal life energy. Alex Grey's striking artwork leads us on the soul's journey from material world encasement to recovery of the divinely illuminated core.
A fully illustrated inspirational art book from visionary painter Francene Hart- Includes more than 80 full-color reproductions of Hart's intricate watercolor paintings and the stories behind them - Recounts the evolution of her art and her discovery of the hidden order of Nature that led to her masterful artistic integrations of Nature, Spirit, and Sacred Geometry - Explores how to tap into the energies provided by spirit guides and power animals, like Jaguar, Raven, Octopus, and Dolphin, and harness the intelligence of the heart for creative inspiration and vision Every one of us possesses the potential to receive visionary experiences and integrate them into our lives. Artists become visionaries by cultivating their instinctive creative spark and sharing their profound visions with the world. In this lavishly illustrated memoir, including more than 80 full-color reproductions of her intricate watercolor paintings and the stories behind them, Francene Hart recounts the evolution of her art from formative influences to her masterful integrations of Nature, Spirit, and Sacred Geometry. Opening with her early work on mandalas and her explorations of the work of Joseph Campbell and C. G. Jung, Hart explains how her first works of art were in response to the solitary life she led in the forest, where she discovered the hidden order of Nature. She reveals how she learned to center her artistic explorations on the intelligence of the heart rather than the intellect, utilizing the wisdom and imagery of Sacred Geometry, reverence for the natural environment, and the interconnectedness between all things as her inspirations. She describes the shamanic lessons that accompanied her discoveries and shaped her understanding of sacred relationships with the self, others, and Mother Earth. She explores how to tap into the energies provided by spirit guides and power animals, like Jaguar, Raven, Octopus, and Dolphin, and explains her profound affinity for the ocean, including her discovery of water consciousness in Hawaii. Offering chronicles of her inspiring travels and transformational encounters around the world, Hart shares her experiences at sacred sites in the Amazon, Central America, Egypt, England, Scotland, Paris, Cambodia, and the Himalayas and how these places influenced her art. Exploring what is revealed as inspiration arises, Spirit informs, and vision is transformed into art, Francene Hart's journey offers a window into the secret order of Nature, the power of sacred symbols for evolving consciousness, and a visionary artistic path that perfectly blends the mathematical rigors of sacred geometry and the numinous.
This vivid and provocative book provides an unparelleled overview of the Goddess as she was defined by the ancient societies whose people worshiped her. The author spent more than four decades studying Goddess images--statues, religious artifacts, and art--from Asia, Europe, the Middle East, and other parts of the world. With more than 400 magnificent illustrations and photographs (many in color) of historic and prehistoric objects, this book provides a diverse display of stunning images that focus on the Goddess in relation to her sacred animals.
Offers the first in-depth look at the art of Marc Chagall and the meanings of the sometimes hidden but more often overt images found in the lost Jewish world of his childhood, from his early masterpieces made in Russia and in Paris to his Yiddish art theater paintings.
From the soaring vaults of the Gothic cathedral, to Michelangelo's frescoes in the Sistine Chapel, to Marc Chagall's majestic tapestries for the Knesset in Jerusalem, biblical stories and Christian themes form an integral part of our artistic heritage. But a lack of knowledge of the Bible, Christian doctrine, and church history frequently prevents us from understanding--and appreciating--much of the greatest art ever created.
Exquisitely designed and lavishly illustrated--with over 200 pictures, including 16 color plates--The Oxford Companion to Christian Art and Architecture offers a goldmine of information on the Judeo Christian tradition as it applies to Western art. Here are over 1700 alphabetical entries that cover everything from Adam and Eve and the Good Samaritan, to Illuminated Books and Rose Windows, to the great popes and emperors who patronized the arts, to the major artists whose work reflects Judeo-Christian themes. Topics range from biographical studies of major artists, saints, popes, patrons, and biblical figures, to detailed essays on periods and styles in art and architecture--continually interconnecting the religious and the artistic. The authors provide an informative glossary of architectural terms, and conclude with an extensive bibliography based on the Murrays' own personal library of art books.
As the oldest and largest museum in Japan, the Tokyo National Museum houses a vast collection of culturally important artworks. Elegant Perfection highlights twenty-six masterpieces from this esteemed collection, and together these objects tell the story of the country's artistic development from the prehistoric Jō mon era through the 19th century. Essays by experts at the Tokyo National Museum offer insights into how Buddhist art evolved in Japan, and how the aesthetics valued by Japanese courtly society, initially influenced by Chinese Tang culture, gradually became more distinctly Japanese. Melissa McCormick contributes an essay that demonstrates the connections between the realms of courtly and religious art in Japan.
The featured works include exquisite examples of painting, sculpture, calligraphy, metalwork, ceramics, and lacquerware. Among them are an 11th-century inscribed poetry compilation, lacquered musical instruments, Edo-period ceramics produced for tea ceremonies, and Buddhist sculpture, painting, and ritual objects. This publication offers a rare opportunity to discover the history and significance of these treasured works of art.
The Saint John's Bible provides an opportunity for people to experience the Scriptures in a new - but at the same time ancient - way. Here are illuminations that bring the words of the Bible alive for the contemporary world. Some of the world's top calligraphers, working in a tradition al but replaced by the printing press centuries ago, invite us into a rich and varied creation. The illuminations draw on and update Eastern iconographic and Western sacred art traditions, resulting in one of the most important sacred art achievements of our time.
The Art of The Saint John's Bible: A Reader's Guide brings text and illumination together for reflection. This guide further opens up the significance of elements in the illuminations, and points out recurring visual motifs that connect the stories within and across the volumes. You will find here some of the history of the tradition of illuminated Bibles, as well as insight into the thought processes and artistic Vision behind the planning and execution of the images. The guide covers the first three published volumes of The Saint John's Bible, Pentateuch, Psalms, and Gospels and Acts. It includes information on the individual artists; an explanation of terms such as carpet pages and marginalia; an index of flora and fauna; and a chart of the chant tones used in Psalms. More importantly, it offers an invitation to experience the illuminations and the biblical text more deeply.
This book features beautiful full color and black and white reproductions of more than 40 major artworks from the individual volumes and over two dozen reproductions of the minor elements (text treatments, marginalia, initials). It is the first book in a series of three, the second of which will feature the most recently released volumes, Prophets and Wisdom Books, while the third book will feature Historical Books and Letters and Revelation, the final volumes ofThe Saint John's Bible yet to be released.
Susan Sink is a poet and writer, and is communications director at Saint Benedict's Monastery in St. Joseph, Minnesota. She is also an oblate of Saint John's Abbey and the author of a book of poems, The Way of al the Earth.
Following the completion of the construction of new St. Peter's in the second decade of the seventeenth century, a series of monumental altarpieces was commissioned to decorate its altars. Here for the first time the altarpieces of St. Peter's are considered collectively, within the liturgical and artistic program of the building as a whole. Louise Rice takes a comprehensive approach to this critical chapter in the history of Italian Baroque art, offering insight into the mechanisms, motives, and meanings of papal patronage in the premier church of Catholicism.
The angel can be viewed as a signal reference to modernist attempts to accommodate religious languages to self-consciously modern cultures. This book uses the angel to explore the relations between modernist literature and early twentieth-century debates over the secular and/or religious character of the modern age.