From Salman Rushdie, one of the great writers of our time, comes a spellbinding work of fiction that blends history, mythology, and a timeless love story. A lush, richly layered novel in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling. In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own sub-Stan Lee creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining. Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn, who live in a world separated from ours by a veil. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world. Once the line between worlds is breached on a grand scale, Dunia's children and others will play a role in an epic war between light and dark spanning a thousand and one nights--or two years, eight months, and twenty-eight nights. It is a time of enormous upheaval, in which beliefs are challenged, words act like poison, silence is a disease, and a noise may contain a hidden curse. Inspired by the traditional "wonder tales" of the East, Salman Rushdie's novel is a masterpiece about the age-old conflicts that remain in today's world. Two Years Eight Months and Twenty-Eight Nights is satirical and bawdy, full of cunning and folly, rivalries and betrayals, kismet and karma, rapture and redemption. Praise for Two Years Eight Months and Twenty-Eight Nights "Rushdie is our Scheherazade. . . . This book is a fantasy, a fairytale--and a brilliant reflection of and serious meditation on the choices and agonies of our life in this world."--Ursula K. Le Guin, The Guardian "One of the major literary voices of our time . . . In reading this new book, one cannot escape the feeling that Rushdie's] years of writing and success have perhaps been preparation for this moment, for the creation of this tremendously inventive and timely novel."--San Francisco Chronicle "A wicked bit of satire . . . Rushdie] riffs and expands on the tales of Scheherazade, another storyteller whose spinning of yarns was a matter of life and death."--USA Today "A swirling tale of genies and geniuses that] translates the bloody upheavals of our last few decades into the comic-book antics of warring jinn wielding bolts of fire, mystical transmutations and rhyming battle spells."--The Washington Post "Great fun . . . The novel shines brightest in the panache of its unfolding, the electric grace and nimble eloquence and extraordinary range and layering of his voice."--The Boston Globe
"China Mi ville is dazzling. His latest collection of short stories, Three Moments of an Explosion, crowds virtuosity into every sentence."--The New York Times
"You can't talk about China] Mi ville without using the word 'brilliant.' . . . His wit dazzles, his humour is lively, and the pure vitality of his imagination is astonishing."--Ursula K. Le Guin, The Guardian
" A] gripping collection . . . Mi ville expertly mixes science fiction, fantasy and surrealism. . . . Amid the longer stories are more cerebral, poetic flash pieces that will haunt the reader beyond the pages of this exceptional book."--The Washington Post
"The stories shine . . . with a winking brilliance."--The Seattle Times
"Mind-bending excursions into the fantastic."--NPR "Bradbury meets Borges, with Lovecraft gibbering tumultuously just out of hearing."--Kirkus Reviews (starred review) "Three Moments of an Explosion is a book filled with fabulous oddities."--Entertainment Weekly "Mi ville moves effortlessly among realism, fantasy, and surrealism. . . . His characters, whether ordinary witnesses to extraordinary events or lunatics operating out of inexplicable compulsions, are invariably well drawn and compelling."--Publishers Weekly (starred review)
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake's eternal holy city.
Fierce in its imagining and stupefying in its scope, Alan Moore's epic novel, Jerusalem, is the tale of Everything, told from a vanished gutter.
Long-listed for the Gordon Burn Prize
One of the New York Times 10 Best Books of the Year
A Washington Post Notable Book
One of the Best Books of the Year: NPR, Dwight Garner/The New York Times, Martha Kearney/The Guardian, Slate, Chicago Tribune, Southern Living, Milwaukee Journal-Sentinel, The Morning News, Kirkus Reviews Autumn. Season of mists and mellow fruitfulness. Two old friends--Daniel, a centenarian, and Elisabeth, born in 1984--look to both the future and the past as the United Kingdom stands divided by a historic, once-in-a-generation summer. Love is won, love is lost. Hope is hand-in-hand with hopelessness. The seasons roll round, as ever. A luminous meditation on the meaning of richness and harvest and worth, Autumn is the first installment of Ali Smith's Seasonal quartet, and it casts an eye over our own time: Who are we? What are we made of? Shakespearean jeu d'esprit, Keatsian melancholy, the sheer bright energy of 1960s pop art. Wide-ranging in time-scale and light-footed through histories, Autumn is an unforgettable story about aging and time and love--and stories themselves.
Shortlisted for the Man Booker Prize, Darkmans is an exhilarating, extraordinary examination of the ways in which history can play jokes on us all... If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV's infamous court jester, whose favorite pastime was to burn people alive - for a laugh? Or could it be Andrew Boarde, Henry VIII's physician, who kindly wrote John Scogin's biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of - uh - salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier?
Darkmans is a very modern book, set in Ashford a ridiculously modern town], about two very old-fashioned subjects: love and jealousy. It's also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark - quite unspeakable - into its ear.
The third of Nicola Barker's narratives of the Thames Gateway, Darkmans is an epic novel of startling originality.
WINNER OF THE 2008 MAN ASIAN LITERARY PRIZE
A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR
It begins with a body. On a clear day in winter, the battered corpse of Crispin Salvador is pulled from the Hudson River. Gone, too, is the only manuscript of his final book, a work meant to rescue him from obscurity by exposing the crimes of the Filipino ruling families. Miguel, his student and only remaining friend, sets out for Manila to investigate.
The result is a rich and dramatic family saga of four generations, tracing one hundred and fifty years of Philippine history forged under the Spanish, the Americans, and the Filipinos themselves. Exuberant and wise, wildly funny and deeply moving, Ilustrado is a daring and inventive debut novel that "begins as a murder mystery and develops into an ambitious exploration of cultural identity, ambition, and artistic purpose." (The New Yorker).