Told in language of great simplicity and power, this story of courage and personal triumph remains one of Ernest Hemingway's most enduring works.The Old Man and the Sea is one of Hemingway's most enduring works. Told in language of great simplicity and power, it is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal--a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss. Written in 1952, this hugely successful novella confirmed his power and presence in the literary world and played a large part in his winning the 1954 Nobel Prize for Literature.
At the age of twenty-two, Ernest Hemingway wrote his first short story, "Up in Michigan." Seventeen years and forty-eight titles later, he was the undisputed master of the short-story form and the leading American man of letters. The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.
In June of 1961, A. E. Hotchner visited a close friend in the psychiatric ward of St. Mary's Hospital. It would be the last time they spoke--three weeks later, Ernest Hemingway returned home, where he took his own life. Their final conversation was also the final installment in a saga that Hemingway had unraveled for Hotchner over years of world travel.
Ernest always kept a few of his special experiences off the page, storing them as insurance against a dry-up of ideas. But after a near miss with death, he entrusted his most meaningful tale to Hotchner, so that if he never got to write it himself, then at least someone would know. In characteristically pragmatic terms, Hemingway divulged the details of the affair that destroyed his first marriage: the truth of his romantic life in Paris and how he gambled and lost Hadley, the great love he'd spend the rest of his life seeking.
But the search was not without its notable moments, and he told of those, too: of impotence cured in a house of God; of back-to-back plane crashes in the African bush, one of which nearly killed him, while he emerged from the other brandishing a bottle of gin and a bunch of bananas; of cocktails and commiseration with F. Scott Fitzgerald and Josephine Baker; of adventure, human error, and life after lost love. This is Hemingway as few have known him--humble, thoughtful, and full of regret.
To protect the feelings of Ernest's wife, Mary, who was also a close friend, Hotch kept these conversations to himself for decades. Now he tells the story as Hemingway told it to him. Hemingway in Love puts you in the room with the master and invites you to listen as he relives the drama of those young, definitive years that set the course for the rest of his life and dogged him to the end of his days.
First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.
Both a revealing self-portrait and dramatic fictional chronicle of his final African safari, Ernest Hemingway's last unpublished work was written when he returned from Kenya in 1953. Edited by his son Patrick, who accompanied his father on the safari, True at First Light offers rare insights into the legendary American writer.A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary, pursues the great black-maned lion that has become her obsession, and Ernest becomes involved with a young African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent. Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparallel beauty of the landscape. Rich in laughter, beauty and profound insight. True at First Light is an extraordinary publishing event -- a breathtaking final work from one of our most beloved and important writers.
When In Our Time was published in 1925, it was praised by Ford Madox Ford, John Dos Passos, and F. Scott Fitzgerald for its simple and precise use of language to convey a wide range of complex emotions, and it earned Hemingway a place beside Sherwood Anderson and Gertrude Stein among the most promising American writers of that period. In Our Time contains several early Hemingway classics, including the famous Nick Adams stories "Indian Camp," "The Doctor and the Doctor's Wife," "The Three Day Blow," and "The Battler," and introduces readers to the hallmarks of the Hemingway style: a lean, tough prose -- enlivened by an car for the colloquial and an eye for the realistic that suggests, through the simplest of statements, a sense of moral value and a clarity of heart.
Now recognized as one of the most original short story collections in twentieth-century literature, In Our Time provides a key to Hemingway's later works.
In this definitive collection of Ernest Hemingway's short stories, readers will delight in the author's most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection. For Hemingway fans The Complete Short Stories is an invaluable treasury.
To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region, and involve him in a strange and unlikely love affair.
Harshly realistic, yet with one of the most subtle and moving relationships in the Hemingway oeuvre, To Have and Have Not is literary high adventure at its finest.