WINNER OF THE NATIONAL BOOK AWARD

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

- Includes many rare and unseen photos of the band on and off stage- Extensive commentary throughout from top photographers: Terry O'Neill, Michael Brennan and Baron Wolman- A mixture of black & white and color photography- Edited by Dave Lewis, the author of several acclaimed Led Zeppelin booksBetween 1975 and 1977, there is little doubt that Led Zeppelin ruled supreme as the biggest band in the world. Bigger audiences, bigger stage settings, bigger venues - lights, lasers and dragon suits. All this combined to produce some of the most iconic images of the 1970s rock era. That era comes firmly under the spotlight in Led Zeppelin Live 1975 - 1977 The book profiles the work of three highly respected photographers. Terry O'Neill made his name documenting the fashions, styles, and celebrities of the1960s.He was also on hand to capture Led Zeppelin at Earls Court in London on May 23, 1975, at Tampa Stadium, Florida on June 3,1977 and at New York's Madison Square Garden on June 7 of the same year. Similarly in the right place at the right time was Michael Brennan. Michael had built a reputation working for various daily UK newspapers in the UK. He moved to America in 1973 and began working on various entertainment and sporting assignments. In early 1975, Michael travelled with the band on their rented luxury jet, a Boeing 720B known as The Starship. He was then in close proximity for their show on January 31,1975 at Detroit's Olympia Stadium. San Francisco based former Rolling Stone magazine chief photographer Baron Wolman was in attendance to capture what would turn out to be the Led Zeppelin's final performances in America. In front of 50,000 fans each day they performed in the open air at the Alameda County Coliseum in Oakland California, on the afternoons of July 23 and 24,1977. Baron's chronicling of the band in stark daylight offers a unique portrayal of their final appearances in a large stadium setting. Fifty years on from their formation in 1968, Led Zeppelin's legacy continues to inspire admiration and awe. The timeless photos presented in this book accurately capture Jimmy Page, Robert Plant, John Paul Jones and John Bonham in all their on stage glory during their latter era. Compiled and edited by world renowned Led Zeppelin authority Dave Lewis, Led Zeppelin Live 1975 -1977 chronicles the period when Led Zeppelin could rightly claim to be the greatest live rock attraction on the planet. Here's the lasting photographic proof...

Daniel Corrigan has been the photographer on the Minneapolis music scene since 1981--just as the scene was coming to life. As both a freelancer and the official house photographer for the legendary club First Avenue, he has captured thousands of live concerts, shot countless band promo photos, and was behind the camera for many of the best-known and most beloved album covers by local artists. This retrospective, culled from his personal archive of tens of thousands of photos, presents a unique perspective into a vibrant world, through nearly 500 evocative black-and-white and color images. Featuring an introductory essay by music journalist Danny Sigelman, Heyday puts into context Corrigan's role as a chronicler of rock-and-roll and illustrates the array of talented artists who have come through the Twin Cities, across a wide range of musical styles and genres. In addition to the iconic images from Corrigan's oeuvre, the book offers a look at lesser-known gems as well as outtakes from legendary photo shoots. Supplemental essays explore Corrigan's personal recollections of specific shoots, concerts, and interactions with musicians to provide a rare glimpse into this significant yet largely unsung fixture of the Minneapolis music scene.

Daniel Corrigan has been the photographer on the Minneapolis music scene since 1981--just as the scene was coming to life. As both a freelancer and the official house photographer for the legendary club First Avenue, he has captured thousands of live concerts, shot countless band promo photos, and was behind the camera for many of the best-known and most beloved album covers by local artists. This retrospective, culled from his personal archive of tens of thousands of photos, presents a unique perspective into a vibrant world, through nearly 500 evocative black-and-white and color images.

Featuring an introductory essay by music journalist Danny Sigelman, Heyday puts into context Corrigan's role as a chronicler of rock-and-roll and illustrates the array of talented artists who have come through the Twin Cities, across a wide range of musical styles and genres. In addition to the iconic images from Corrigan's oeuvre, the book offers a look at lesser-known gems as well as outtakes from legendary photo shoots. Supplemental essays explore Corrigan's personal recollections of specific shoots, concerts, and interactions with musicians to provide a rare glimpse into this significant yet largely unsung fixture of the Minneapolis music scene.

This new paperback edition of the best-selling Heyday features as additional ten pages of photos not contained in the original hardcover--including recent shots as well as forgotten gems from deep within the Corrigan archive.

Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can't Stop Won't Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.

In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war--and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.

Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it--including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend--and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll.

For the first time ever, Slash tells the tale that has yet to be told from the inside: how the legendary band Guns N' Roses came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. Slash is a window into the world of the notoriously private guitarist and a front seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. Slash is everything Slash is: funny, honest, ingenious, inspiring, jaw-dropping . . . and, in a word, excessive.

Bar Yarns and Manic Depressive Mix Tapes distills thirty delirious, jam-packed years of some of the best music writing ever to come out of the Twin Cities. As a writer and musician, the ever-curious Jim Walsh has lived a life immersed in music, and it all makes its way into his columns and feature articles, interviews and reviews, including personal essays on life, love, music, family, death, and, yes, the manic-depressive highs and lows that come with being an obsessive music lover and listener.

From Minneapolis's own Prince to such far-flung acts as David Bowie, the Waterboys, Lucinda Williams, Parliament-Funkadelic, L7, the Rolling Stones, the Ramones, U2, Hank Williams, Britney Spears, Elvis Presley and Nirvana, Walsh's work treats us to a chorus of the voices and sounds that have made the music scene over the past three decades. The big names are here, from Rosanne Cash to Bruce Springsteen to Bob Marley and Jackson Browne, but so are those a little shy of superstardom, like the Tin Star Sisters and Uncle Tupelo, Son Volt, the Gear Daddies, Semisonic, and The Belfast Cowboys.

The book is also a tour (de force) of the Twin Cities' most celebrated music venues past and present, from the Prom Ballroom to Paisley Park to Duffy's. When Walsh isn't celebrating the sheer magic of live music or dreaming to tunes blasting from the car console, he might be surveying the scene with the Hamm's Bear at Grumpy's or the Double Deuce or singing the last night at the Uptown Bar blues. Whether he's dishing dirt with Yoko Ono or digging the Replacements' roots, giving an old rocker a spin or offering a mic to the latest upstart, Jim Walsh reminds us that in the land of a thousand lakes there are a thousand dances, and the music never dies.

Capturing the pure notes and character of the sound of the Twin Cities and beyond, with a keen eye for trends and the telling detail, his book truly is a mix tape of thirty years of unforgettable music.