Bar Yarns and Manic Depressive Mix Tapes distills thirty delirious, jam-packed years of some of the best music writing ever to come out of the Twin Cities. As a writer and musician, the ever-curious Jim Walsh has lived a life immersed in music, and it all makes its way into his columns and feature articles, interviews and reviews, including personal essays on life, love, music, family, death, and, yes, the manic-depressive highs and lows that come with being an obsessive music lover and listener.

From Minneapolis's own Prince to such far-flung acts as David Bowie, the Waterboys, Lucinda Williams, Parliament-Funkadelic, L7, the Rolling Stones, the Ramones, U2, Hank Williams, Britney Spears, Elvis Presley and Nirvana, Walsh's work treats us to a chorus of the voices and sounds that have made the music scene over the past three decades. The big names are here, from Rosanne Cash to Bruce Springsteen to Bob Marley and Jackson Browne, but so are those a little shy of superstardom, like the Tin Star Sisters and Uncle Tupelo, Son Volt, the Gear Daddies, Semisonic, and The Belfast Cowboys.

The book is also a tour (de force) of the Twin Cities' most celebrated music venues past and present, from the Prom Ballroom to Paisley Park to Duffy's. When Walsh isn't celebrating the sheer magic of live music or dreaming to tunes blasting from the car console, he might be surveying the scene with the Hamm's Bear at Grumpy's or the Double Deuce or singing the last night at the Uptown Bar blues. Whether he's dishing dirt with Yoko Ono or digging the Replacements' roots, giving an old rocker a spin or offering a mic to the latest upstart, Jim Walsh reminds us that in the land of a thousand lakes there are a thousand dances, and the music never dies.

Capturing the pure notes and character of the sound of the Twin Cities and beyond, with a keen eye for trends and the telling detail, his book truly is a mix tape of thirty years of unforgettable music.

Daniel Corrigan has been the photographer on the Minneapolis music scene since 1981--just as the scene was coming to life. As both a freelancer and the official house photographer for the legendary club First Avenue, he has captured thousands of live concerts, shot countless band promo photos, and was behind the camera for many of the best-known and most beloved album covers by local artists. This retrospective, culled from his personal archive of tens of thousands of photos, presents a unique perspective into a vibrant world, through nearly 500 evocative black-and-white and color images.

Featuring an introductory essay by music journalist Danny Sigelman, Heyday puts into context Corrigan's role as a chronicler of rock-and-roll and illustrates the array of talented artists who have come through the Twin Cities, across a wide range of musical styles and genres. In addition to the iconic images from Corrigan's oeuvre, the book offers a look at lesser-known gems as well as outtakes from legendary photo shoots. Supplemental essays explore Corrigan's personal recollections of specific shoots, concerts, and interactions with musicians to provide a rare glimpse into this significant yet largely unsung fixture of the Minneapolis music scene.

"Heyday is a feast for the eyes and ears that time and again speaks to Corrigan's singular gift as a photographer...Corrigan's obvious intimacy with his subjects and love for the music and scene shine through in every shot."
--Jim Walsh, MinnPost

This new paperback edition of the best-selling Heyday features as additional ten pages of photos not contained in the original hardcover--including recent shots as well as forgotten gems from deep within the Corrigan archive.

In this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones' infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s.

In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock--the day that shattered the Sixties' promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth--until now.

Altamont explores rock's darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show--from the Stones' hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening--to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead's role in the events leading to Altamont, examining the band's behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security.

The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock's formative and most turbulent decade.

Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative--from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour. The History of Rock & Roll, Volume 1 shines a light on the far corners of the genre to reveal the stories behind the hugely influential artists who changed the musical landscape forever.

'A triumph' - Time Out

Transformer is the only complete and comprehensive telling of the Lou Reed story.

Legendary songwriter and guitarist Lou Reed passed away on the 27th October 2013, but his musical influence is assured. Now discover the true story of the Velvet Underground pioneer in this update of Bockris's classic biography.

Transformer: The Complete Lou Reed Story follows the great songwriter and singer through the series of transformations that define each period of his fifty year career. It opens with the teenage electroshock treatments that dominated his memories of childhood and never stops revealing layer after layer of this complex and often anguished artist and man. Transformer is based on Lou's collaborations with the hardest and most romantic artists of his times, from John Cale, Andy Warhol, and Nico, through David Bowie, Robert Wilson, Laurie Anderson and the ghost of Edgar Alan Poe. Rippling underneath everything he did are Lou's relationships with his various muses, from his college sweetheart to his three wives (and one drag queen).

Leading Lou Reed biographer, Victor Bockris - who knew Lou throughout the Rachel Years, from Rock 'n' Roll Animal to the Bells - updates his original biography in the wake of Lou's death. Through new interviews and photos, he reveals the many transformations of this larger-than-life character, including his final shift from Rock Monster to the Prince Charming he had always wanted to be in the twenty years he spent with the love of his life, Laurie Anderson . Except with Lou, you could never really know what might happen next...

Including previously unseen photographs and contributions from Lou's innermost circle and collaborators that include similarly esteemed artists such as Andy Warhol and David Bowie, Transformer is as captivating and vivid a read as befits an American master.

From the guitarist of the pioneering band Sleater-Kinney, the book Kim Gordon says everyone has been waiting for and a New York Times Notable Book of 2015-- a candid, funny, and deeply personal look at making a life--and finding yourself--in music.

Before Carrie Brownstein became a music icon, she was a young girl growing up in the Pacific Northwest just as it was becoming the setting for one the most important movements in rock history. Seeking a sense of home and identity, she would discover both while moving from spectator to creator in experiencing the power and mystery of a live performance. With Sleater-Kinney, Brownstein and her bandmates rose to prominence in the burgeoning underground feminist punk-rock movement that would define music and pop culture in the 1990s. They would be cited as "America's best rock band" by legendary music critic Greil Marcus for their defiant, exuberant brand of punk that resisted labels and limitations, and redefined notions of gender in rock.