An NYRB Classics Original Nixon in China and The Death of Klinghoffer played a crucial role in bringing opera back to life as a contemporary art form, and they have been popular—and, in the case of Klinghoffer, highly controversial—ever since they were first staged by the director Peter Sellars in the eighties and nineties. Both operas were conceived from the start as collaborations between composer and writer, and their power is due as much to the dazzlingly constructed and deeply felt libretti of the poet Alice Goodman as they are to John Adams’s music. Nixon in China is a story, at once heroic, comic, and unnerving, of men and women making history and of their different conceptions of what history is and what it means to makes it. Klinghoffer, by contrast, has at its center the tragedy of an innocent man condemned at the cost of his life to play a part in history. History Is Our Mother, which takes its title from a line sung by the title character in Nixon in China, brings Goodman’s two libretti together for the first time in book form. Included alongside Goodman’s no less inspired translation of Lorenzo Da Ponte’s famous libretto to The Magic Flute, these vivid dramas of character and searching meditations on fate are here revealed as among the most original, ambitious, and accomplished poetic achievements of our time.

Discusses eighty-three popular operas available on compact disc and includes character analyses, plot summaries, historical information, humorous commentary, and short biographies of composers, conductors, and artists

(Amadeus). There's a reason La Boheme has been staged at the Met more often than any other opera: Puccini's enticing music perfectly conveys the enchantment of new young love and the anguish that comes with loss and death. La Boheme , the passionate and timeless story of love among impoverished young artists in Paris, can stake its claim as the world's most popular opera. It has a marvelous ability to make a powerful first impression (even on those new to opera) and to reveal unexpected treasures after dozens of hearings. At first glance, La Boheme is the definitive depiction of the joys and sorrows of love and loss; on closer inspection, it reveals the deep emotional significance hidden in the trivial things (a bonnet, an old overcoat, a chance meeting with a neighbor) that make up our everyday lives. This touching story of tenderness and tragedy never fails to move audiences and melt hearts.

Act-by-act summaries of one hundred outstanding operas accompany notes on their production, arias, and literary background

Explains how to develop an appreciation for opera by furnishing a concise history of opera, a glossary of terms, a list of books and recordings, a listener's guide to key operatic works, and advice on attending a performance

A New York Times bestseller A New York Times Notable Book A Washington Post Notable Book A Publishers Weekly Book of the Year As seen on CBS This Morning, NPR's Fresh Air, and People Magazine A New York Times Book Review Editor's Choice A Publishers Weekly Best Book of the Year A Library Journal Nonfiction Pick of September The New York Times bestseller about a young black man's journey from violence and despair to the threshold of stardom. "A beautiful tribute to the power of good teachers."--Terry Gross, Fresh Air "One of the most inspiring stories I've come across in a long time."--Pamela Paul, New York Times Book Review Ryan Speedo Green had a tough upbringing in southeastern Virginia: his family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of twelve, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of twenty-four, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers. Today, he is a rising star performing major roles at the Met and Europe's most prestigious opera houses. SING FOR YOUR LIFE chronicles Ryan's suspenseful, racially charged and artistically intricate journey from solitary confinement to stardom. Daniel Bergner takes readers on Ryan's path toward redemption, introducing us to a cast of memorable characters--including the two teachers from his childhood who redirect his rage into music, and his long-lost father who finally reappears to hear Ryan sing. Bergner illuminates all that it takes--technically, creatively--to find and foster the beauty of the human voice. And Sing for Your Life sheds unique light on the enduring and complex realities of race in America.

A sequel to Pavorotti: My Story encompasses the most significant moments of his life during the last fifteen years, from his negative reception at La Scala to his youngest daughter's serious illness. 200,000 first printing. Tour.

In its lavish amalgam of theatrical and musical resources, its flamboyant charm, its extravagant appeal to the heart and the mind, and its seemingly inexhaustible power to move and astonish us, opera is clearly the most spectacular of all the arts. Now, eleven leading authorities chronicle the full sweep of this stunning musical genre, ranging from the earliest known works to such recent experimental efforts as Robert Wilson and Philip Glass's Einstein on the Beach. The contributors--including such noted opera critics as William Ashbrook, Paul Griffiths, and Barry Millington--provide superb coverage of all the major periods. We read of the remarkable success of opera in republican Venice, where by 1650 some fifty operas had been performed, including masterworks by Monteverdi, the giant of the era. We learn of opera seria--which within the world of eighteenth-century Italian opera was the summit of prestige--and opera buffa, most noted today for three major works by Mozart: Le Nozze di Figaro, Don Giovanni, and Cosi Fan Tutti. We explore the peak of opera's popularity in nineteenth-century France, Italy, and Germany, with astute commentary on such major composers as Berlioz, Bizet, Rossini, Donizetti, and especially Wagner and Verdi. And we examine the remarkably diverse works of our own century, from Strauss's Der Rosenkavalier and Alban Berg's Wozzeck to Benjamin Britten's Death in Venice and John Adams's Nixon in China. Throughout, the contributors illuminate how opera often reflects the cultural concerns of the age, how it is part of the social fabric, and in three fascinating sections on staging, singers, and the social climate, they give us a look behind the scenes as well as a feel for what opera was like in the past. We discover, for instance, that before the late nineteenth century, patrons were not expected to arrive on time, sit still, keep quiet, concentrate on the stage action, or stay to the end (Wagner put an end to this practice by darkening the theatre). Nowhere does the rich panoply of opera history unfold more grandly than in this volume. Authoritative, vivid, and beautifully written, it will be treasured by everyone who loves opera.

Describes how forty years of accutely conscious development by composers, librettists, singers, and others in Venice established the conventions which turned opera from a courtly entertainment into an art form found on the stages of all Europe

English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Rossini is one of the great operatic composers, an innovator within the whole concept of what was appropriate for serious as well as comic opera. Moses is a score which he revised for Paris, ten years after it had been composed for Naples; the result shows the evolution of his dramatic taste over a crucial decade?from the neo-classical sublime to spectacular Romantic grand opera. The Barber has been a consistent favorite with the public and performers since it opened, and Marco Spada analyses how its stylish comedy has been misunderstood. Other essays throw light on the working conditions of the opera industry in Rossini's Italy, on Balzac's delightful novel concerning Moses and on the exceptional challenge of performing this type of music to a high standard.