This book features skillfully detailed photographs of the last of the real cowboys of Cave Creek, Arizona from when the area was in transition from a full-time cattle ranching community to an incorporated town. Despite the rapid modernization of life in the 20th Century, through the 1970s the inhabitants of this community remained relatively unchanged in their mannerisms and way of life. Herb Cohen was invited by the cowboys he photographed to be a participant in their lives. In addition, he also was equally welcomed into families on the Navajo Reservation. Based on these connections Cohen captured images few had access to at the time. His photos reveal the historical and cultural significance of the people that settled these regions.
Diane Arbus's unsettling photographs of dwarves and twins, transvestites and giants, both polarized and inspired, and her work had already become legendary when she committed suicide in 1971. This groundbreaking biography examines the private life behind Arbus's controversial art. The book deals with Arbus's pampered Manhattan childhood, her passionate marriage to Allan Arbus, their work together as fashion photographers, the emotional upheaval surrounding the end of their marriage, and the radical, liberating, and ultimately tragic turn Arbus's art took during the 1960s when she was so richly productive. This edition includes a new afterword by Patricia Bosworth that covers the phenomenon of Arbus since her death, the latest Arbus scholarship, and a view of the first major retrospective of Arbus's work as well as notes on the forthcoming motion picture based on her story. Bosworth's engrossing book is a portrait of a woman who drastically altered our sense of what is permissible in photography.
During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, caf s, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today.
Gordon Parks (1912-2006)--the groundbreaking photographer, writer, composer, activist, and filmmaker--
was only sixteen in 1928 when he moved from Kansas to St. Paul, Minnesota, after his mother's death. There, homeless and hungry, he began his fight to survive, to educate himself, and to fulfill his potential dream. This compelling autobiography, first published in 1966, now back in print by popular demand and with a new foreword by Wing Young Huie, tells how Parks managed to escape the poverty and bigotry around him and to launch his distinguished career by choosing the weapons given him by "a mother who placed love, dignity, and hard work over hatred." Parks, the first African American to work at Life magazine and the first to write, direct, and score a Hollywood film, told an interviewer in 1999, "I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs. I knew at that point I had to have a camera."
especially American) he has been taught to respect." --New York Times Book Review
"A lean, well-written memoir." --Time
Gordon Parks (1912-2006) was a groundbreaking photographer, writer, composer, activist, and film director. He may be best known for his photo essays for Life magazine and as the director of the 1971 film Shaft. Wing Young Huie is an acclaimed photographer and the author of several books including Frogtown and Looking for Asian America.
Cecil Beaton was a fashion, portrait, and war photographer, a diarist, painter, interior designer and an Academy Award-winning stage and costume designer. He is one of the most celebrated portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style.
Cecil Beaton combines Beaton's photographic and pen portraits. Ordered chronologically, these portraits offer insight, beauty, witty observations, and a fascinating glimpse into his world.
Featured portraits include: Fred Astaire, Mick Jagger, Marlon Brando, Coco Chanel, Audrey Hepburn, Salvador Dali, Pablo Picasso, Andy Warhol, Marilyn Monroe, Queen Elizabeth, Winston Churchill, and many others
Cecil Beaton's life spanned many worlds and these are captured here through his fabulous photographs and incisive pen portraits.
John Cohen (born 1932) is a photographer, musicologist and founding member of the New Lost City Ramblers. He has extensively documented Bob Dylan, the Beat writers and folk musicians in Appalachia. He has been one of the most important "discoverers" of traditional musicians and singers, recording Dillard Chandler and Roscoe Holcomb among others.
During the 1970s and '80s, photographer Charles Chamblis captured the vibrant social and artistic life of the Twin Cities African American community. Musicians and other artists are shown performing, dancing, and interacting with enthusiastic audiences at once-thriving but now lost clubs, such as the Taste Show Lounge, Riverview Supper Club, Fox Trap, Nacirema Club, and others on Minneapolis's north and south sides. Among the legendary soul, funk, and R&B acts depicted are Flyte Tyme, Prophets of Peace, Terry Lewis, Jimmy Jam, Morris Day, Prince, and many other influential musicians who helped establish the so-called Minneapolis Sound. Beyond the nightlife, Chamblis's portraits, images of family gatherings and weddings, fashion photography, landscapes, and photos of community events offer intimate and rare glimpses into the life of African Americans in the Twin Cities at these particular moments in time. Contemporary writer and artist Davu Seru brings these photos to life with introductory text and supplemental essays that put this visual celebration into the context of the day as well as that of the Twin Cities community in the twenty-first century. Chamblis's images offer a trip back in time and leave a legacy unlike any other photographer's.
- Includes over 100 never-before-published images, this archive immortalizes Marilyn at the height of her beauty and fame - Over 250 photos, a large percentage of which previously unpublished - Photographs of Marilyn Monroe in various settings, from swimming pools to ballerina dresses, can finally be viewed as originally intended - Taken by Milton H. Greene and restored by Greene's son Joshua, these photos document not only Marilyn's ability to light-up on camera but also the effort Joshua dedicated to restoring his father's work Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn's working relationship. The trust and confidence they had in each other's capabilities was on full display in each photo. Greene passed in 1985, thinking his life's work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father's legacy. A photographer himself, Joshua spent years researching ways to restore his father's photographs as well as cataloging and promoting Milton's vast body of work all over the world. As a result, Joshua established "The Archives," a company committed to the restoration and preservation of photography. After spending nearly two decades restoring his father's archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution. Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With over 250 photographs, including many never-before published and unseen images, newly scanned and restored classics, as well as images that have appeared only once in publication, Greene's Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions - 50 in all - cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning - these breath-taking images of an icon stand above all the rest and The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions will sure to be a book that will become the platinum standard in photography monographs.
- A monumental publication, Jazz is the definitive look at nearly thirty years of jazz music- Unique access as the history of jazz unfoldedFrom the smoky backstage dressing rooms of New York and Chicago's pioneering jazz clubs to the acclaimed Jazz festivals that flourished to enthrall legions of fans, Ted Williams' camera captured the intimacy and the wizardry of Jazz's greats as they perfected their art over more than three decades from the 1940s-1970s. From his unique access and perspective, Williams diligently accumulated a largely unseen archive that documented some of the greatest musicians of the 20th century, the jazz and blues musicians who themselves not only inspired the greats such as Frank Sinatra but fired the aspirations and tastes of a new generation: The Beatles, The Rolling Stones, Bob Dylan, and Eric Clapton among them. Williams caught them in the act of exploring and defining their careers and music - while ensuring impassioned audiences and atmospheric venues remained inseparable from the iconic history he was chronicling. From Miles Davis to Duke Ellington, Dizzy Gillespie to Stan Getz and Sarah Vaughan, Williams' camera witnessed genius at work, rest and play, with an honesty and clarity that few photographers could replicate. When Williams died in 2009 at the age of 84, he left nearly 100,000 prints and negatives behind - many of which have never been seen before. Jazz, the first book dedicated to the jazz photography of Ted Williams, will highlight hundreds of these unseen jazz images and will be captioned throughout by his own memories along with commentary from some of the leading jazz historians and journalists working today. Artists include Dizzy Gillespie, Miles Davis, John Coltrane, Ray Charles, Charlie Parker, Sarah Vaughan, Thelonious Monk, Dinah Washington, Duke Ellington, Count Basie, Billie Holiday, Ella Fitzgerald, Louis Armstrong, Tony Bennett, Mahalia Jackson, Buddy Rich, Julian "Cannonball" Adderley, Art Blakey, Benny Goodman, Charles Mingus, Quincy Jones, Sonny Rollins, Muddy Waters, Max Roach, Woody Herman and Wynton Marsalis
Inspired by the scientific uses of infrared film throughout history The Unseen - An Atlas of Infrared Plates pushes the purposes and properties of the rarest photographic film on the planet to its scientific and conceptual limits. British documentary photographer, Edward Thompson, set out to explore the boundaries of perception, whether they were things outside our visual spectrum or events that went unnoticed or unreported. From researching the original Kodak advertisements, expert interviews and scientific journals, Thompson has gathered an extensive archive and used some of the last 46 dead-stock rolls of Kodak Aerochrome Infrared film in existence to reveal the unseen. The project comprises ten chapters: In The Red Forest (2012) infrared film is used to document the condition of the most radioactive forest in the world and in turn re-imagines the Ukraine in deep Soviet burgundy, something that has become eerily prophetic since 2012. In The Vein (2014) forgotten medical photography techniques are used to reveal the superficial veins beneath the skin. In The Flood (2012) one of the original purposes of the film, the documentation of crops post-flood via aerial photography, instead focuses on making portraits of families who have been affected on the ground. In The City (2014), infrared film is used to document one of the world's most polluted cities, London. In The War (2015), the film is used to photograph military paintings, simultaneously manipulating the film's historical military application of uncovering camouflage and also revealing hidden charcoal under-drawing. In The Village (2012) the film was used to attempt to document supernatural beings in the most haunted village in the U.K. There are no ghosts to be found. The photographs instead depict a 'sci-fi disruption of the green and pleasant lands of the garden of England' akin to H.G. Wells War of the Worlds. Bees and Beekeepers are documented in The Apiary (2015), Gross specimen photography in The Gross Specimen (2015) and Astrophotography in The Past (2015). The final chapter is yet to be revealed. Thompson has created a swan song to the medium of infrared photography, of which this book itself has also become an artefact, a part of its history.