Daniel Corrigan has been the photographer on the Minneapolis music scene since 1981--just as the scene was coming to life. As both a freelancer and the official house photographer for the legendary club First Avenue, he has captured thousands of live concerts, shot countless band promo photos, and was behind the camera for many of the best-known and most beloved album covers by local artists. This retrospective, culled from his personal archive of tens of thousands of photos, presents a unique perspective into a vibrant world, through nearly 500 evocative black-and-white and color images. Featuring an introductory essay by music journalist Danny Sigelman, Heyday puts into context Corrigan's role as a chronicler of rock-and-roll and illustrates the array of talented artists who have come through the Twin Cities, across a wide range of musical styles and genres. In addition to the iconic images from Corrigan's oeuvre, the book offers a look at lesser-known gems as well as outtakes from legendary photo shoots. Supplemental essays explore Corrigan's personal recollections of specific shoots, concerts, and interactions with musicians to provide a rare glimpse into this significant yet largely unsung fixture of the Minneapolis music scene.
This delightful and dramatic collection of portraits reveals birds of prey as we never experience them: intimate and up close, photographed in Traer Scott's signature style. Seventy spectacular color photos present twenty-five different species, from the familiar to the exotic and endangered: hawks, owls, falcons, a bald eagle, kestrels, a Mississippi Kite, a turkey vulture, and more. Joining their elders are a fluffy baby vulture and adorable baby and juvenile great horned owls. The birds in this remarkable collection emerge as personalities, not just types: wise and quizzical, graceful and enigmatic, serene and fiercely self-possessed. A personal introduction describes Scott's process and connection to the birds, and captions detail the characteristics and habits of these incredible winged creatures.
One of the longest running clubs in American rock 'n' roll, First Avenue in Minneapolis finally gets the rock-star treatment it deserves in print. This book chronicles the club's storied past, beginning with its impressive inaugural show in April 1970 (Joe Cocker's "Mad Dogs & Englishmen" tour) and through its oft-maligned disco era of the late 1970s. In the 1980s, it earned global attention as the hub of Prince's "Purple Rain" and the incubator for widely revered, wild-eyed indie-rock bands such as the Replacements, H sker D , Soul Asylum, and Babes in Toyland. The Ramones and R.E.M., Chrissie Hynde and Lauryn Hill, Wilco and the Wu-Tang Clan, and hundreds more played the hallowed halls of First Avenue and 7th Street Entry, and all are immortalized in this volume.First Avenue survived corporate competitors, bankruptcy, and a bitter ownership battle to become one of the most successful independent clubs in the country and ground zero to Minneapolis's thriving community of hip-hop and indie-rock acts. Amidst all that history, the book is interlaced with anecdotes, quotes, and occasionally cloudy memories from musicians, employees, and regulars--many of whom are as unique as the club itself. Chock full of concert photos and memorabilia collected from professional photographers and average fans alike, the book is a lavish celebration of a rock 'n' roll landmark.
In the summer of 1979, while disco was dying and new wave and punk were rising from the underground, two twenty-something guys were thrown together on a new music monthly ignobly called Sweet Potato. One had a Canon camera, the other a thirty-six-pound Royal typewriter. Over the next several years, the two chronicled the Minneapolis scene and the cultural landscape of the Twin Cities, covering some of the most influential artists, musicians, writers, comedians, and entertainers of the past forty years. They profiled legendary musicians from across the globe and across musical genres--Paul and Linda McCartney, Bob Marley, U2, James Brown, John Lee Hooker, Devo, and more--as well as homegrown talents ranging from Dylan and Prince to the Replacements and H sker D . They covered such disparate writers as William Burroughs and Dr. Seuss, and young, up-and-coming comedians like Jerry Seinfeld, Louie Anderson, and Lizz Winstead.
In Hijinx and Hearsay, writer Martin Keller and photographer Greg Helgeson are at it again, offering a delectable, fun, and fresh perspective through Helgeson's photography (much of it never seen before) and new stories and insights by Keller that shed fascinating light on a singular, influential era in popular culture in Minnesota.
PICTURING PRINCE sees the late icon's former art director, STEVE PARKE, revealing stunning intimate photographs of the singer from his time working at Paisley Park. At least half of the images in the book are exclusively published here for the first time; most other images in the book are rare to the public eye. This edition also includes 16 pages of lost photographs, all of which have recently been uncovered by the author from within his extensive archive. Alongside these remarkable images are fifty engaging, poignant and often funny written vignettes by Parke, which reveal the very human man behind the reclusive superstar: from shooting hoops to renting out movie theatres at 4am; from midnight requests for camels to meaningful conversations that shed light on Prince as a man and artist. STEVE PARKE started working with Prince in 1988, after a mutual friend showed Prince some of Steve's photorealistic paintings. He designed everything from album covers and merchandise to sets for Prince's tours and videos. Somewhere in all of this, he became Paisley Park's official art director. He began photographing Prince at the request of the star himself, and continued to do so for the next several years. The images in this book are the arresting result of this collaboration.
Now available in a new format, this book features stunning 3D photographs that make skateboarding come to life. Put on the 3D glasses and immerse yourself in a hyper-real world of vibrating color, extreme tricks, and professional skateboarders. Featuring the European Carhartt skate team and inspired by virtual spaces, this award-winning volume brings the culture of skateboarding to life while exploring the thrilling possibilities of 3D photography. Skater and photographer Sebastian Denz spent three years travelling across Europe photographing some of the best skateboarders within its borders. Long before 3D became popular in current cinema, Denz used its effect to capture these striking images, including portraits of skateboarders as well as action shots in various locations from DIY spots to skate bowls situated in barns and backyards. Denz built his own large-format camera to take the 3D pictures in a never-before-seen quality and produced unique images which come to life in three dimensions and pay tribute to skateboarding culture.
After serving in World War II, John Glanton returned home to Minnesota and began taking his camera around the streets, parks, clubs, restaurants, and private homes of Minneapolis, capturing the sights and scenes of everyday life for African Americans in the city. The images--from intimate portraits to public gatherings--reveal a dynamic and diverse community at a time when the nation was entering the postwar boom but before the civil rights movement had taken root. Glanton's photos offer a rare look into the lives and lifestyles of families and individuals often left out of histories of Minnesota's past, showing people at work and play, young and old, happy and sad. The images highlight black-owned businesses of the day, the music and club scene, and weddings and other family occasions to depict the experiences of African American people as presented through the lens of an African American photographer.
Long forgotten in the garage of a family member, the photo negatives were recently rediscovered and digitized. A selection of 200 of the more than 800 images are featured here, along with commentary that further illuminates the lives and experiences of African Americans in postwar Minnesota.
This monumental survey is the first to do justice to Cecil Beaton's astonishing photographic career spanning six decades, from the 1920s to the 1970s. To create it, Mark Holborn thoroughly explored Beaton's vast studio archive, revealing an artist of extraordinary energy and ambition who made definitive portraits of the leading figures of his time, including Pablo Picasso, Gertrude Stein, Greta Garbo, Audrey Hepburn, Lucian Freud, Francis Bacon, David Hockney, and Mick Jagger. Beaton immerses the reader in memorable social and cultural scenes, including the ceremony of the British royal family, the society of the 1920s, the glamour of Hollywood, the drama of World War II, the high artistic bohemia of Paris and London, and the pop royalty of the 1960s.
Holborn contributes an introductory essay, and Annie Leibovitz offers an appreciation of Beaton as a portrait photographer.