It's Not Easy Being Green, literally tells the reader that the idea of 'Green architecture' is not as simple as many expected. It's not solely about energy efficiency or putting out different levels of vegetation, but it is an extensive dedication and cautious action towards natural and built environment. Ken's work has demonstrated a comprehensive set of strategies making Green Architecture feasible and practical for architects and professionals from other fields to understand the importance of saving the world from environmental devastation. The book intends to raise awareness and concern on environmental issues, and suggests ways of how architecture can be design now in favor of a benign living environment.
Spencer Fung is never without a sketchbook or a pencil. Inspiration and ideas can strike at any moment, and often the smallest thing that catches his eye impels him to capture it on paper. Whether it is designing private houses, restaurants, hotels, furniture or lighting, he starts by hand, creating miniature works of art, which he then develops into scale perspective drawings, exploring space, structure and detail. His designs have always drawn their inspiration from nature and the environment, from the rugged mountains of the Pyrenees to the quiet meadows of a country farm; from the beams of a medieval tythe barn to the patterns of a drystone wall. Passionately committed to the organic recycling of natural materials, the book is structured into chapters on wood, stone, metal, glass and organic materials in which over 40 of his projects are showcased. Spencer prefers to commission small artisanal firms who have retained a high degree of skill, as a result many dying and forgotten crafts have been revitalized new forms - the use of drystone walling inside a bathroom, or coppiced ash branches being used as a hanging rail for clothes - are examples that are not just deeply inspiring but sympathetic to the environment as well. This book will appeal to anyone interested in design, recycling, upcycling, the environment, organic and mindful living but in a style conscious and glamorous way.
"There are many norths in this North." - Louis-Edmond Hamelin, 1975Many Norths: Spatial Practice in a Polar Territory charts the unique spatial realities of Canada's Arctic region, an immense territory populated with small, dispersed communities. The region has undergone dramatic transformations in the name of sovereignty, aboriginal affairs management, resources, and trade, among others. For most of the Arctic's modern history, architecture, infrastructure, and settlements have been the tools of colonialism. Today, tradition and modernity are intertwined. Northerners have demonstrated remarkable adaptation and resilience as powerful climatic, social, and economic pressures collide. This unprecedented book documents--through the themes of urbanism, architecture, mobility, monitoring, and resources--the multiplicity of norths that appear and the spatial practices employed to negotiate it. Using innovative drawings, maps, timelines, as well as essays and interviews, Many Norths reveals a distinct northern vernacular.
Read David Owen's posts on the Penguin Blog.
A challenging, controversial, and highly readable look at our lives, our world, and our future.
In this remarkable challenge to conventional thinking about the environment, David Owen argues that the greenest community in the United States is not Portland, Oregon, or Snowmass, Colorado, but New York, New York.
Most Americans think of crowded cities as ecological nightmares, as wastelands of concrete and garbage and diesel fumes and traffic jams. Yet residents of compact urban centers, Owen shows, individually consume less oil, electricity, and water than other Americans. They live in smaller spaces, discard less trash, and, most important of all, spend far less time in automobiles. Residents of Manhattan-- the most densely populated place in North America --rank first in public-transit use and last in percapita greenhouse-gas production, and they consume gasoline at a rate that the country as a whole hasn't matched since the mid-1920s, when the most widely owned car in the United States was the Ford Model T. They are also among the only people in the United States for whom walking is still an important means of daily transportation.
These achievements are not accidents. Spreading people thinly across the countryside may make them feel green, but it doesn't reduce the damage they do to the environment. In fact, it increases the damage, while also making the problems they cause harder to see and to address. Owen contends that the environmental problem we face, at the current stage of our assault on the world's nonrenewable resources, is not how to make teeming cities more like the pristine countryside. The problem is how to make other settled places more like Manhattan, whose residents presently come closer than any other Americans to meeting environmental goals that all of us, eventually, will have to come to terms with.
XXL-XS represents the emerging discipline of ecological design by assembling a wide range of innovators with diverse interests. Geo-engineering, synthetic biology, construction site co-robotics, low-energy fabrication, up-cycling waste, minimally invasive design, living materials, and molecular self-assembly are just a few of the important advances explored in the book. At one extreme are massive public works, at the other, micro to nano-sized interventions that can have equally profound impacts on our world. From terraforming to bio-manufacturing, a whole new generation of designers is proposing unique ways of confronting the difficult challenges ahead. In this way design becomes a totality of relationships that affects all disciplines, which can no-longer be thought of as self-contained fields, each handled separately by narrowly focused specialists. Globalization demands a restructuring of the profession, as we know it. This requires a new breed of generalists who can work across fields and engage research on multiple sites around the globe. Today we need planetary designers versed in the craft of integral design.Our thesis is therefore both global and performative in scope. We need an architecture that is more than just a constellation of bio-picturesque images, digitally generated surface effects, and conventional materials. We seek a holistic architecture that uses the best techniques to connect directly with existing natural systems while creating a renewed ecology that can sustain itself well into the future. Along these lines, many of the projects featured in this book simply abandon the old tropes and construction processes of the past by creating numerous green alternatives that proliferate along unexpected pathways.
A practical workbook to apply permaculture to any project from start to finish, this is a step-by-step guide for integrating places and people, buildings and ecosystems.
The Permaculture Design Companion is a tried and tested process to creating a coherent, relevant and engaging design. Based on over 20 years of experience, this design guide has been used to teach over 1000 people. Many have gone on to establish thriving permaculture smallholdings, build their own natural homes and ethical businesses, and create productive urban food gardens.
It is a thorough and effective design tool, suitable for absolute beginners and advanced practice. The process can be used for small to large projects, in urban spaces or the countryside--whatever your situation.
This unique resource combines analysis, creativity and inner work. It will inspire you to design with nature, bring clarity and organisation to your ideas, and provide the momentum and support to make your designs become reality.
This richly illustrated book presents the exhibits and curatorial visions of the 2015 Shenzhen Biennale of Architecture and Urbanism (UABB), organized around the theme, Re-Living the City. It highlights the contributions of dozens of international architects, designers and artists, and offers 12 probing, original essays.The projects and essays of UABB 2015, Re-Living the City, criticize the status quo of architecture and urbanism, but they also resist the false dream of designing a perfect city from scratch. Instead, they portray the city as the incremental product of its inhabitants and designers, who provisionally make and remake its fabric through various means at their disposal. Urbanization in the world's fastest growing regions today has a dual character: officially-sanctioned, large-scale development shadowed by unregulated or 'informal' spaces built by disenfranchised migrants. UABB 2015 operates between these poles, seeking alternative paradigms to generate a more sustain- able, equitable, and imaginative urbanity.The principal exhibitions of UABB 2015 include:
(1) 'Radical Urbanism', curated by Alfredo Brillembourg and Hubert Klumpner (Urban-Think Tank), based on the proposition that the city today is more radical than the architects and planners operating within it;
(2) 'Collage City 3D', curated by Aaron Betsky, in which artists and architects are asked to create adjacent three-dimensional installations to explore the idea of habitable collage as a mode of urban design; and
(3) 'PRD 2.0', curated by Doreen Heng Liu, focusing on the need for a more balanced approach to urbanism and architecture in the Pearl River Delta region in southeast China. Liu also offers an account of the renovation of the Shenzhen exhibition venue, the former Dacheng Flour Factory complex. In addition, the book presents the 'Social City' online platform and exhibition curated by Renny Ramakers, the 'Maker Maker' showcase of contemporary craft, and a series of national, regional, and thematic pavilions. Curatorial essays are complemented by guest essays from international critics, researchers, and practitioners.
In the Saigon South district of Vietnam's Ho Chi Minh City, globally renowned architecture firm Skidmore Owings & Merrill designed a livable, human-scale urban environment in partnership with the Phu My Hung development group. SOM created the master plan that still guides growth and change in this part of the city, which has been accepted as an example of sustainable development to be imitated across Asia and throughout the rest of the world. Saigon South's neighborhoods accommodate residents of varying income levels and provide green public space for all. Verdant parks are placed alongside the area's natural water features. The master plan's emphasis on multi-use design allows for traditional shophouses as well as larger businesses, integrating all parts of life into a pedestrian-friendly district. Saigon South is an economically and civically vibrant district that showcases the city's cultural richness rather than the egos of the architects and developers.
Until now, writings about the architect/landscape architect Georges Descombes have been relatively limited, appearing primarily in publications in Switzerland and abroad as conversations, interviews, and conference proceedings; most of them have appeared only in French. However, during his forty years of practice, Descombes has developed and applied a method unique to landscape architecture, one in which an extremely broad vision, both scientifically and culturally, shapes his thinking and projects. Descombes enters each project by attempting to understand the existing conditions on site and how, using minimal means and interventions, those conditions can be modified to meet the requirements of the program and those appropriate to the natural or urban environment. To some critics it would appear that Descombes has always done too little on and to the site, and in some instances have condemned him for "doing almost nothing." Although simplicity usually demands greater concentration and study, it often yields greater rewards that result from just that restraint. Perhaps how we approach the world is more important that how we shape the world. Descombes's landscapes are instructive in this regard. In our current era, the concern for the planet as a whole, its dwindling resources, the despoiling of its air, water, and land, and an exploding population have skewed the profession's focus toward sustainability, ecology, resilience, and other related concerns. In the process, the social role played by landscape architecture has been lessened, if not forgotten, and the role of form, space, composition, and materials--that is to say the aesthetic dimension of landscape design--has become a distant concern. Descombes's practice strikes that vital balance between effective environmental performance and the ethical creation of beauty. Instead of favoring one pursuit over the other, or relying on a delimiting specialization, he works in a way that may be justifiably regarded as both/and rather than either/or - a comprehensive vision that weds nature and culture, landscape and architecture, people and milieu.
From the president and CEO of the Appalachian Mountain Club comes an astounding comprehensive plan to save our planet, make the outdoors the epicenter of our communities, and commit to an active outdoor lifestyle.
In The Outdoor Citizen, John Judge coins the term "Outdoor Citizen" as he delivers an urgent call to action and a remarkably persuasive argument for why we must all become citizens of the natural world, reconnecting with life's most essential foundation, nature, and defending it, embracing it, and advocating for it.
Judge, an international leader in conservation stewardship, covers such topics as how to turn our cities into Outdoor Cities, with a wide range of green spaces, outdoor recreation activities, eco-friendly transportation, and sustainable food sources; how to globally transition to green energy sources; what environmental policies must be implemented and how to enact them; and how to fund a sustainable economy.
At a time when we are facing an unprecedented climate crisis, the continued use of carbon emissions will lead to devastating, irreversible effects on the earth. This unique and riveting volume, brimming with expert advice and case studies, is unparalleled--a game-changer for saving our planet and an entry point into a world of healthier and happier people.