-Philip Johnson influenced art, architecture and design during the second half of the 20th century -A thorough review of his body of work -Post-modern contemporaries include Andy Warhol, Susan Sontag and Jean Genet In the world of modern art, the idea of appropriation, or the conscious manipulation of the recognized world of another artist, has long been accepted as a legitimate strategy in criticism of the tradition of art authorship, challenging the context of viewing contemporary work and the manipulation of omnipresent media images. The world of art itself is fair game to be pillaged or mined in the production of new art, but there is almost no recognized equivalent aesthetic in architecture. Philip Johnson consistently dealt with the concept of appropriation and used it as a design strategy from the very beginning of his illustrious career. A singular taste-maker, Philip Johnson influenced art, architecture and design during the second half of the 20th century. Philip Johnson and His Mischief: Appropriation in Art and Architecture looks at the concept of appropriation and how Johnson's style was influenced first by his mentor, Mies van der Rohe, and then by post-modern ideas and artists. Charting his career through the 1980s and beyond, this title serves to review Johnson's body of work and show that, far from being a weakness, his use of appropriation was a major part of his innovative success.
Illustrates many of the Portuguese architect's projects in West Berlin, Portugal, Salzburg, and The Hague
Some sunning to wraps. Previous owner's Ex Libris embossed stamp on ffep. Nice copy overall.
Spanish-born architect Santiago Calatrava has achieved considerable international acclaim in recent years with his breathtaking feats of engineering in the service of elegant and humanistic modern forms. While his most recent success was the much-lauded (and much-televised) stadium, velodrome, and other structures of the Athens Olympics, Calatrava first established his reputation as the preeminent engineer of our time with a stunning series of bridges designed for cities around the globe―Barcelona, Bilbao, Buenos Aires, Orl ans, Seville, Venice, and Jerusalem.
Recent years have witnessed the introduction of Calatrava's elegant forms to the American cityscape with designs for an innovative apartment tower and the much-anticipated World Trade Center Transportation Hub, both planned for lower Manhattan. But before these designs were unveiled, Calatrava completed the Quadracci Pavilion at the Milwaukee Art Museum, which Time named the best new design project of 2001. This beautifully illustrated monograph is a detailed exploration of a celebrated American architectural masterpiece.
Calatrava's spectacular cultural and civic projects have secured his place in the pantheon of world-class twenty-first-century architects. In addition to the Milwaukee Art Museum, he's celebrated for train stations in Zurich, Lyons, Lisbon, and Li ge; the Sondica Airport in Bilbao; the Tenerife Concert Hall in the Spanish Canary Islands; and the Valencia Science Museum, Planetarium, and Opera House.
This unique book documents the work and lives of two 20th-century architects, Lina Bo Bardi and Albert Frey, whose shared beliefs anticipated today's architectural principles of integration among humans, earth, and the built environment. This book proposes a dialogue between two key 20th-century architects, Albert Frey and Lina Bo Bardi. Frey moved from Switzerland to the U.S. in the early 1930s and Bo Bardi emigrated from Italy to Brazil after the end of World War II. While they never met, their intellectual odysseys overlapped. Both fostered the integration among architecture, landscape, and people, helping transform the architectural culture in their adoptive countries. Their design affinities converged in the notion of a living architecture, evident in their publications and the projects featured here. Frey, a pioneer of "desert modernism" in southern California, embraced the landscape and experimented with materials to create elegantly detailed structures. Bo Bardi produced idiosyncratic works that strove to merge modern and traditional vocabularies in an architecture conceived as a stage for everyday life. Placing these architects side by side, the authors explore modern architecture through cross-cultural exchanges and unveil meaningful, though little known, architectural dialogues across cultures and continents.
This massive monograph on seminal designer Alexander Girard covers virtually every aspect of his distinctive career. One of the most prolific mid-20th century designers, Girard's work spanned many disciplines, including textile design, graphic design, typography, illustration, furniture design, interior design, product design, exhibit design, and architecture. Exhaustively researched and lovingly assembled by designer Todd Oldham, this tome is the definitive must-have book on Girard's oeuvre.Many of the designs featured here have never before been published. Oldham carefully went through the entire Girard archive to uncover many treasures as well as all of the most recognizable works by Girard.Girard is well known for his bold, colorful, and iconic textile designs for Herman Miller (1952-1975), which are extensively featured. These were often featured in conjunction with furniture designs by his contemporaries: Charles and Ray Eames, and George Nelson. His designs for La Fonda del Sol restaurant (1960) are an experiment with typography as a communication tool and large-scale environmental graphic. Textiles and Objects (1961) was a very influential New York store sponsored by Herman Miller that featured Girard's designs inspired by his travels and folk art collection. The Girard Foundation (1962) houses his own personal and extensive collection of folk art, textiles, toys, and objects from around the world. His complete environmental design for Braniff International Airways (1965) gave him the opportunity to work at all scales with color, graphics, textiles, and furniture design. He designed every aspect of the project himself, from the minute-sized sugar packets and the ticket counters to the graphic colors of the planes themselves. Alexander Girard's playful yet sophisticated designs continue to inspire new generations of artists and designers. The breadth and scope of his work is truly remarkable. This highly anticipated tome is the first major retrospective of this very accomplished and prolific designer, and has been painstakingly edited by renowned New York-based designer Todd Oldham.
During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937?-53)-encompassing interior and industrial design, exhibition curation, and residential architecture-has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.One exciting element of the book is the rediscovery of another Girard masterpiece-the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements-including the boldly colored glazed brick walls of the atrium-reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.
Alvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of twentieth-century architecture and is now recognized internationally as one of the world's greatest architects of all time. For Finland, Aalto, through his architecture, furniture, glassware and sculpture, contributed perhaps more than any other Finn to the creation of the cultural identity of the new independent Finland and its promotion around the world. His Finnish Pavilions in Paris and New York from the Thirties placed Finland centre-stage, establishing its identity as a modern, innovative country and generated huge interest in this northern land of lakes and forests. He went on to work in 18 countries around the world, as well as designing many of Finland's most important buildings of the 50s, 60s and 70s.This new biography of Aalto is the first to comprehensively cover his life, from the backwoods of Ostrabothnia to international fame and all of his buildings, from the early alterations and extensions to shops and houses in Jyvaskyla to Finlandia Hall. It draws on Aalto's archive, recollections of former employees and contemporaneous publications to fully explore Alvar Aalto the architect, rather than simply Alvar Aalto's architecture. For the first time, his life is set in the context of the events that surrounded and shaped it - the Finnish Civil War, the Great Depression, The Winter and Continuation Wars, the post-war boom in education, Finland's industrialisation and eventually the social revolution of the 60s which led to his characterization as a member of a Finnish elite and temporary unpopularity. It covers his life from his childhood, growing up in regional Jyvaskyla and Alajarvi, his architectural studies in Helsinki, combat in the Civil War through to the founding of his first office, his early neo-classical work and his international breakthrough with the completion of Paimio Sanatorium and Viipuri Library. It deals with his personal life, his marriage to Aino, what working life in his first office was like, the architectural competitions, his key friendships and continuous financial difficulties. As his career progressed, it explores the patrons who were so important to him - the Gullichsens and the founding of Artek, his new American friends, professorship at MIT. After the war, the death of Aino, marriage to Elissa and the period of his greatest architectural achievements - Saynatsalo Town Hall, Otaniemi University and Imatra Church. It considers the organisation of his new office in Helsinki, his expanding team, fame and eventually vanity. The book seeks to understand what drove him, the combination of skills, talents and character traits, which led to his extraordinary global success.
As you will be aware, there is no shortage of books on Alvar Aalto, or to be more precise, there is no shortage of books on Alvar Aalto's Architecture. (Only one previous biography exists, published first in 1984 and now out of print). This book is about an architect and his architecture, written by another architect, not an architectural historian. It is the first, frank and fully-comprehensive biography of Alvar Aalto.
During the course of a career spanning more than fifty years, Finnish architect and designer Alvar Aalto (1898-1976) designed nearly one hundred single-family houses. Aalto, also known for his furniture and glassware, worked in a distinctive style that blended modernism and traditional vernacular architecture. Now available in paperback, Alvar Aalto Houses presents twenty-six of Aalto's innovative residences-from small summer homes and postwar standardized housing to large housing complexes for industrial commissions-built between the 1920s and the 1960s.
This book documents a unique experience of a journey by lvaro Siza Vieira, Vincent Mentzel and Kenneth Frampton to the early work of Siza in Porto. This book includes a vast collection of descriptions, drawings and photographs by Vincent Mentzel about the project, as well as a writing by Siza Vieira himself and other texts.
The book also includes an analysis of the bathers' course by Pedro Vieira de Almeida, as well as testimonies of the architects Diogo Seixas Lopes, Manuel Aires Mateus, Michel Toussaint, Joao Manoel Gomes Da Silva, Luís Urbano, Diogo Seixas Lopes and Pedro Vieira de Almeida. Álvaro Siza was the 1992 winner of The Pritzker Architecture Prize.